Hot. Saint Laurent AW19

Is there any sense in searching for a smarter word than ‘hot’, when talking of Anthony Vaccarello‘s autumn-winter 2019 collection for Saint Laurent? Well. It was hot! But not dumb hot. Rather, confident hot. The best look? A broad-shouldered, wool coat with big shoulder pads, on a matchingly blond girl who looked very much like Yves Saint Laurent’s ultimate muse: Betty Catroux. Then, we’ve had clothes that looked like taken out of wardrobes of female spies that kick asses during Cold War thrillers. Dramatic mini-dresses inspired with Yves’ haute couture “Scandal” collection from 1971 and le smokings converted into gowns – gorgeous. The part that could have been omitted? The glowing-in-dark dresses at the end – they kind of undermined the cool, sharp assertiveness of this show. It felt as if Vaccarello and the brand wanted to generate even more Insta-content… but do we really need more? The tailoring was strong enough. And the Catroux coat, of course.

Collage by Edward Kanarecki.

Resurrection. Coperni AW19

Sébastien Meyer and Arnaud Vaillant‘s Coperni isn’t actually a new brand: it was under hiatus during the designer’s tenure at Courrèges. But now, the boys are back, better than ever. Their autumn-winter 2019 is filled with clothes that seem to be basics that actually should be in everybody’s wardrobe. But when you think of it, who does simple, minimal, comfortable suits in Paris? Something as simple as a little black dress? Or a crisp blue shirt that isn’t elongated or exaggerated in any way? The designers do clothes for real life, so thoroughly considered construction of every single outfit is more than impressive. The airplane-mode-tab leather bag has a shape so classy and eye-catchy that it will surely stir social media, just like Meyer and Vaillant’s model casting (Teddy Quinlivan!) and the @coperni_your_life account that you’ve got to discover for yourself. I can sense success right over her.

Collage by Edward Kanarecki.

Radiation. Marine Serre AW19

It’s Marine Serre’s third runway season, but I really can’t imagine Paris fashion week without her now, when see her incredible, prophetic vision. She named her autumn-winter 2019 collection Radiation and, as the title might suggest, it wasn’t the most optimistic collection.  “It’s after the apocalypse; a group of friends are underground—a community coming together,” Serre said backstage. “It’s a safe zone in which a new world is being created, a future world, and a new way to see fashion.” We’re talking of leather coats and dresses trailing scarves and stripes of fake fur, under which were worn head-to-toe bodysuits covered in signature moon crest print. It’s a sort of armour, maybe even a protection from today’s world that urgently need to take another turn – or else it will be too late. When it comes to sustainability, Serre is always here to take real action: majority of the collection is made from upcycled materials, just as in her previous seasons, and the clothes will be produced in the same way. A few years ago this would have been a no-no for any retailer to order a collection that might come in different colours, because it’s made from already-used textiles. But the growing list of shops that stock Serre’s brand is a sign that things change.

Collage by Edward Kanarecki.