Who’s Cybulski? Hermes AW15

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That was a big moment for Hermes – the former designer assistant of The Row, Nadege Vanhee-Cybulski, showed her debutant collection for this historical French house. Strict suede silhouettes and sexy pencil skirts are out-standing while the way Nadege transformed silk scarves into leather bandanas is a highlight. Red and mustard were the key colours of this minimal and classical presentation – although the collection lacks the romanticism which was brought by Christophe Lemaire, the clean and sharp lines match the house codes too. It’s already a wonder what Cynulski’s going to do in the future for Hermes!

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Fierce Victoriana. Givenchy AW15

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Rather than make-up, models wore jewellery at the Givenchy show. For AW15, Riccardo Tisci went classy Victoriana with blooms of sportwear – jacquard blazers, slim tank-tops and enchanting lace gowns made me think of Altuzarra which showed earlier this month. The opulent, dark side of Tisci is well known to us – he serves it to us each season. There were a lot of old signatures which seem to be flipped every three months by Tisci like a old steak on a grill party. The religious prints, the cut-out skirts or even the peplum is all a deja vu. I need some fresh air at Givenchy. Please.

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Kate Bush Mood. Chloe AW15

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Kate Bush was the woman which inspired Claire Wright Keller, the designer of Chloe this fall. Gypsy-esque dresses, bandanas, babooschka-like coats – a beautiful boheme and homage to the iconic singer. The patchworked poncho worn by Caroline Trentini was a blast. The suede dresses with cute lace details brought romantic attitude. Anja Rubik, with her killer double-walk looked perfect. Too much compliments? Well. The collection was simply great. Bravo!

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Woman’s World. Celine AW15

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Oh gosh. I am drooling over this collection. Give me a reason why shouldn’t I? Phoebe Philo precisely described her woman for fall. “I just want to be a woman“. A woman with ups and downs, which one day is the queen of the world in bicolor satin dresses and second day sophisticated poet or artist in black turtleneck. She wants to be seductive and ooze with sweetness. But she’s more than attractive – she’s confident, open-minded, smart and knows what’s worth for her.

The best part of this job is finding out more about myself,” Philo said after the show. “It gets deeper and deeper into the roots.” And where those roots went deep today was into a new sense of playfulness. Big, fluffy pom-poms? Otters and foxes and deer as naive animal prints? Duvet coats? “Dressed-up-ness,” Philo called it. “I was never in the head space to approach it before. I find glamour and sexuality awkward. When do they feel authentic? What’s real, what’s not?” Big, rhetorical questions. And Philo addressed them with a collection that, by her own opinion, was a little Latin American. “The blood is hotter,” she said. “The approach is more dramatic.” Of course, Phoebe understands that not every lady feels like going for intense colours. “That’s why there were other times when it was more gritty, more Northern soul, less passionate.”

This is probably the most diverse and eccentric collection Phoebe Philo presented at Celine, but at the same time easy and wearable. Year ago Celine was minimal – now the house is blooming just like the designer. Pregnancy changes women, as my mum says. Phoebe Philo is approving. What’s a definite must-have? Everything.

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