Natalia. Magda Butrym SS27

Unveiled during New York Fashion Week, Magda Butrym’s spring-summer 2027 collection, titled “Natalia,” is an homage to Natalia LL – the fearless Polish artist whose work explored the many reaches of femininity.

Preceded by a teaser that reimagines Natalia LL’s “Consumer Art,” the artist’s seminal work from the early 1970s, the collection revolves around the idea of women’s ownership of their own selves. In 1977, Natalia LL arrived in New York and proudly posed with one of the stills from the series, asserting her subversive position in the male-dominated art world. A key figure in Poland’s feminist and conceptual art scene, Natalia LL challenged conventional representations of the female body, turning desire, consumption and the gaze into the very subjects of her work. The cheeky, flirtatious woman depicted in the now-iconic, film-like frame is not merely the subject but, above all, the author of her own image ­– the muse of her own making, creating her own vision of reality.

Almost five decades later, the story makes a return to New York. As Magda presents her collection in the city for the first time and opens her first flagship boutique here, Natalia LL’s arrival in New York acquires a new resonance: two Polish women, separated by generations and working in different disciplines, arriving in the city on their own terms and staking out a space for their vision. “The gaze is always female. The touch is always a woman’s. The image belongs to her,” is how Magda sums up the moment’s ethos – and her creative dialogue with the late artist she admires, whose work has helped shape her vision of femininity. READ MY FULL TEXT HERE.

Show credits: Creative Director Magda Butrym / Stylist Jacob K / Casting Julia Lange / Movement Director Emma Chadwick / Set Design Anna Szczęsny / Sound Torso Studio / Make Up Yadim Carranza / Hair Mustafa Yanas / Styling Assistant Ioana Ivan / Art Coordination Edward Kanarecki / Press Spread The Word / Production Warsaw Creatives

ED’s SELECTION:


Magda Butrym Ruched Floral-print Stretch-silk Mock-neck Top



Magda Butrym Crochet-trimmed Ribbed Wool-jacquard Shorts



Magda Butrym Snake-effect Leather Pumps



Magda Butrym Glossed-leather Jacket



Magda Butrym Lace-trimmed Cotton And Linen-blend Mini Skirt



Magda Butrym Scarf-detailed Cotton-blend Trench Coat



Magda Butrym Julia Satin Tote

Greatness. Balenciaga AW04

So I’m back in my Nicolas Ghesquière rabbit hole. Maybe it’s just the way Pierpaolo Piccioli’s Balenciaga is giving me no more hope, and as a coping mechanism I’m looking back at the brand’s age of greatness? Just like in the case of Ghesquière’s beautifully bizarre, acid-trippy autumn-winter 2007 collection I covered back in May (also, can someone explain to me how on earth it’s September?), three years earlier he did another masterpiece. READ MY FULL TEXT HERE.

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This Is Menswear! Gabriela Hearst AW26

Thinking about fall dressing is real. Just as real as the dire need for a big, bushy money tree – all thanks to Gabriela Hearst. I’ll be honest: I’ve been kind of uninvested in what the designer has been doing for a while, and I don’t think her decision to show in Paris has necessarily done the brand any favors. But then, completely out of the blue, the brand released its autumn-winter 2026 menswear lookbook, and I lost my mind. Completely. Photographed by Theo Wenner and styled by Tom Guinness, this menswear collection is just insane in its… wholesomeness? It just looks so damn fine. Like clothes you’ll actually want to wear not for years, but for decades. The vibe is as if Tom Sawyer went Uptown. It’s very gentlemanly, with just the right taste for mischief. READ MY FULL TEXT HERE.

ED’s SELECTION:


Gabriela Hearst Men’s Pyke Cashmere Scarf



Gabriela Hearst Men’s Lawrence Cashmere Sweater



Gabriela Hearst Men’s Shearling Teddy Car Coat



Gabriela Hearst Men’s Wells Cashmere Silk Crewneck Sweater



Gabriela Hearst Leather Phone Pouch

Collage by Edward Kanarecki.
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To Be A Celine Boy. Celine Pre-Fall 2026

Maybe the first week of August doesn’t mean the end of summer (a daily reminder that autumn officially begins on 22 September – some people seem strangely determined to forget what they learned in primary school), but there’s something in the air that makes me yearn for clothes. Actual clothes. Not the barely-there variety.

It’s that point in the season when I’m officially over the endless debate about how short shorts can be. (For the record, I adore my slutty little red satin pair, and I genuinely couldn’t care less what anyone thinks.) I want flannels. I want jackets. I want coats. I want substance!

Ever since it was unveiled back in January, I’ve been thinking about Michael Rider’s delightful pre-fall 2026 collection for Celine, which perfectly sums up how I want to look from the moment the temperature drops below 20 degrees Celsius. Dark indigo denim (a genuine plot twist, considering I’m famously allergic to blue jeans), a Charvet-esque shirt, maybe a tie in some delightfully odd retro print… not to mention the cropped trench and that perfect blue chore jacket. I’m officially getting one. READ MY FULL TEXT HERE.

Collage by Edward Kanarecki.
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Last Soirée. Lanvin AW04

There comes a time every year when I tumble down the old Lanvin rabbit hole and find myself missing Alber Elbaz. Terribly. His untimely passing in 2021 still feels strangely impossible to believe. No one lasts forever, but a great legacy does (yes, Charli xcx’s new song featuring none other than David Cronenberg hit me right in the feelings).

I have countless favorite Alber Elbaz collections for Lanvin, but lately I keep returning to autumn–winter 2004. With Kate Moss and Linda Evangelista in the front row beneath a monumental chandelier, the show felt like an aristocratic family on the brink of bankruptcy, dressing for one last ball, one last soirée. Slightly antiqued crystal flower brooches were pinned onto day dresses, shredded chiffon roses tucked into buttonholes, and a grey fox fur was thrown nonchalantly over a heavenly white slip. A little black dress, cut just above the knee and exquisitely cinched at the waist, became an exercise in eveningwear virtuosity – the kind that made women around the world fall in love with Alber’s work. READ MY FULL TEXT HERE.

Collage by Edward Kanarecki.
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