“The Woven Child” is the first major survey to focus exclusively on Louise Bourgeois’ fabric-based works. The exhibition charts the artists’s lifelong connection to textiles, and the memories they conjure, through a diverse body of sculptures, installations, drawings, collages, books and prints. Bourgeois’ fabric works, that she only began working on in her eighties, are among her most compelling and intimate creations. The late decision to create artworks from her clothes and household textiles was a means of transforming as well as preserving the past. Bourgeois incorporated these objects, which held memories associated with specific places and people, into sculptural installations that are on display at the Gropius Bau, such as her Cells and free-standing “pole pieces”. The exhibition sheds a new light on Bourgeois by linking her fabric works to her material processes, her own biography, and themes of the body, memory, femininity, trauma and repair. Highly recommend, the exhibition and Bourgeois’ oeuvre absolutely absorbs the soul!
Curated by Ralph Rugoff, Director, Hayward Gallery, and Julienne Lorz. Exhibition open until 23rd of October 2022.
Gropius Bau / Berlin / Niederkirchnerstraße 7
Photos by Edward Kanarecki. Don’t forget to follow Design & Culture by Ed on Instagram!
If you’re in Berlin and love fashion history (and decorative / applied arts in general!), make sure to visit Kunstgewerbemuseum. The sheer breadth of the collection is impressive, encompassing a wide variety of materials and forms of craftwork, fashion and design from the early Middle Ages to the present day. The collection’s extensive range of costumes and accessories from the 18th to 20th centuries is presented to visitors since the reopening of the museum in 2014 in a newly conceived fashion gallery. Dresses from the 1960s designed by Jean Patou, Christóbal Balenciaga, and Jean Dessès; Mariano Fortuny’s breath-taking Delphos dresses; 18th century panniers and 19th century crinolines… it’s brilliant. Jugendstil and Art Deco are also well represented at the Kunstgewerbemuseum with glassware from Emile Gallé, pieces of furniture by Henry van de Velde and the glass doors of César Klein. The collection comprises famous and influential design classics such as furniture by Bruno Paul, Ludwig Mies van der Rohe and Marcel Breuer as well as tableware from Wilhelm Wagenfeld. And… in the neighbouring building, there’s the exhaustive Gemäldegalerie with paintings from 13th to 18th century, and it’s also worth visiting.
Matthäikirchplatz / Berlin
Photos by Edward Kanarecki.
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Anna Bilińska was the first Polish female artist to gain international recognition. Her first solo retrospective at the National Museum in Warsaw takes place just now, in 2021, but it’s better late than never. Bilińskaused oil paints, pastels and watercolours to create portraits, still lifes, genre scenes and landscapes in the style of European realism. The artist brilliantly mastered the basics of the painting technique, evidenced by her academic studies of models, which strike the viewer with their synthetic approach to the form and with their casual technique of painting. Of course, the artist also simultaneously continued the clear contour style, exemplified by her Male Nude Study (1885), Study for a Male Nude (ca. 1884-85) and Boy Nude (ca. 1884-85). Sketches for the historical and biblical compositions which Bilińska created in her youth have similar qualities but also display a bold expression of colour juxtaposition, as exemplified by Joseph Interprets Dreams (1883) and Inquisition (1884). Bilińska’s mature works consist predominantly of portraits and portrait studies of various ethnic types which were fashionable at that time. These pieces merge the refined simplicity of realism with an academic discipline of the painting technique, such as Head of a Serb (ca. 1884) or Old Man with a Book (ca. 1890s).Bilińska’s self-awareness and thoughts on the artist’s position in the world, which manifested itself in, among others, the representation of her own image in self-portraits, make her works so powerful. And still, the artist’s entire oeuvre and life story have yet to be thoroughly analysed and rediscovered…
The exhibition is on view until 10th of October 2021.
The National Museum in Warsaw is worth a visit in general! Here are some of my favourite artworks, especially from the 19th and 20th century galleries, from Józef Mehoffer’s enchanting Stange Garden to Jacek Malczewski’s prophetic visions.
Sometimes, I feel like going to a non-fashion and non-art place! The Museum für Naturkunde – Leibniz Institute for Evolution and Biodiversity Science – is an integrated research museum within the LeibnizAssociation. It is one of the most important research institutions worldwide in the areas of biological and geological evolution and biodiversity. As an excellent research museum and innovative communication platform,the institution wants to engage with and influence the scientific and societal discourse about the future of our planet, worldwide. Their vision, strategy and structure make the museum an excellent research museum. Alongside knowledge transfer, the museum’s research and vast collection are the main pillars of its work. The collection is a unique natural and cultural asset, inextricably linked to our research and comprises over 30 million items covering zoology, palaeontology, geology and mineralogy and is of highest scientific and historical importance. The permanent exhibitions together with regular special exhibitions give the public insights into current research at the museum and highlight original research objects. Visitors are encouraged and inspired to find their own route into science and experience ‘Evolution in Action’ rather than following a given pathway.
If you ever decide to visit Zakopane, avoid the main Krupówki street (it’s a really bad looking commercial street…), but check out the “niche” places, like the Willa Koliba and Willa Oksza, or the amazing Władysław Hasior Gallery. Born in 1928 in Nowy Sącz, Władysław Hasior is one of the most remarkable modern, Polish artists. From 1959 he participated in every regional Zakopane artist ehxibitions and Art School Complex painters performances. In the 60s and 70s, Hasior showed his works on many national and foreign exhibitions. His works were transported from small workshop to the gallery by Jagiellońska street in 1984. The gallery was located inside former resting site of “Warszawianka” sanatorium, built by Wacław Nowakowski in 1935. Wooden resting site had two floors, glazed from south. Thanks to this transformation, the multilevel ehibitional interiors were created, often used as concert halls and living rooms or atelier of Hasior. In Władysław Hasior Gallery, various artworks found their place, like banners, assamblages, compositions and sculptures made from “trash” materials and junky, everyday items. Bearing metaphoric, ironic and contrary titles, they provoke reflection on the modern world and art, just as Poland’s history.