Modern Dark Age. GmbH AW18

January 17, 2018 | Design & Culture by Ed

“We started thinking that the time we’re living in feels like ‘the modern dark ages,‘” said Benjamin Alexander Huseby, one part of the GmbH‘s duo. “How do we protect ourselves?” Together with Serhat Isik, the label that originates from Berlin asks important questions regarding global issues, and answers them with clothes. There was something very ‘protective’ about the autumn-winter 2018 garments the couple presented at an industrial, graffitied overhang in Paris. Chainmail tank-tops; dirt-bike gloves; motocross silhouettes; structural biker jackets. Some of the pieces were ornamented with meticulous thread-work. “We developed these embroideries as a coat of arms, in a way. We took this plant, a stinging nettle, which is kind of unruly and unwanted and slightly aggressive—it grows everywhere that you don’t want it to,” said Isik, with Huseby adding: “Which relates to this otherness that we can feel. The others, the immigrants, not wanted.” Although there was a glimpse of bold yellow (in form of a loosely fit sweatshirt), the collection was kept in greys, navy and melancholic, dark green.

Collage by Edward Kanarecki.

Men’s / Identity. Prada AW18

January 16, 2018 | Design & Culture by Ed

Identity is what Miuccia Prada considers and rethinks the most this season. Well, a house like Prada can boast with a huge number of ‘codes’. But one of the most distinct is the “Pocone” nylon (a modified material that was previously used in packaging industry), which was introduced by her back in 1984 as a line of bags. They were best-sellers in the 80s, and they seem to be hitting the stores by storm with similar success in 2018, noting the current customer tendency for everything that’s nostalgic. This specific nylon was the key material in the opening, all-black looks. From pillow-y coats to bucket hats, it’s a conversation between utility and contemporary dressing. Not only was “Pocone” a Prada reference in this Prada show. Prada’s now-closed sister line, Prada Sport, made a catchy comeback as zippers and labels in signature, bold red. Also, note the prints – feeling a déjà vu? Monkeys, lipsticks, flames, bananas, Hawaii florals, beaches… those are all prints from past collections, remixed and re-matched. Models wore ID tags featuring cutout Polaroid head shots clipped to their clothes or bags – that brought a exaggerated, corporate feeling that perfectly matched the very industrial venue, so the “Prada Warehouse” of its Fondazione on the outskirts of Milan. A bit elegant, a bit geek – that’s what men’s autumn-winter and women’s pre-fall 2018 really is about, with a dose of Miuccia’s sophistication.

Collages by Edward Kanarecki.

Men’s / Uni Boy. MSGM AW18

January 15, 2018January 15, 2018 | Design & Culture by Ed

If boys in Milan dress to uni like this, then I think I’m moving in. “We did an extensive casting in all the Milanese universities and we picked up great new faces,” Massimo Giorgetti said backstage before his MSGM autumn-winter 2018 show. It was staged in Milan’s historic Università Statale – no surprise, noting the presence of the very academic models. The ideas behind the season’s prints and attitude was, in a way, a field investigation. “While researching for the collection we scouted for new logos, and we found the best inspiration on school desks or on bathroom walls, scrawled with a web of layered graffiti,” the designer noted. There were the off-duty hoodies styled with more dandy-ish, checked pants; vintage-y knits and college jackets, made in duvet. It’s for the book-loving and for the night-out goers at the same time. “Less street, more chic, almost ‘bravo ragazzo’ (good guy)” – in other words, Italian goodness. Rather than going for something too nerdy, Massimo emphasized the youthful optimism, ready for the future.

Collage by Edward Kanarecki.

Men’s / Child’s Play. Marni AW18

January 14, 2018January 15, 2018 | Design & Culture by Ed

Unfortunately, fantasy is rare in today’s fashion, especially in case of menswear. However, there’s an exception – it’s Marni‘s creative director, Francesco Risso, who doesn’t only convey a certain feeling of escapism in his work, but also makes it look extremely desirable. If you ask me, I would wear every single piece from his autumn-winter 2018 collection. From those ultra-big coats to fishing boots, from the haphazard, yet lovely, monkey-printed blazers to mis-matched sleeveless knits – everything. The two layered-up ‘blanket’ looks are totally fine, as well. Also, the season’s model casting is outstanding, featuring dandy-ish 40+’s, runway favourites (like Paul Hameline) and real Italian men. Really, really in love.

Collage by Edward Kanarecki.

Men’s / Low-Key Luxe. Berluti SS18

June 27, 2017 | Design & Culture by Ed

‘Understated luxury’ is quite the term to describe Haider Ackermann‘s fashion at Berluti. It’s the designer’s second season at LVMH’s menswear-only house, and although it seems that his bad-boy aesthetic might not fittingly root in at Berluti, Ackermann finds the right balance. Haider’s low-key chic for very rich men (only they can afford the brand, in fact) oozes in those hand-crafted leather jackets, incredibly tailored coats and deluxe sweatpants. Even though Berluti isn’t planning to open a womenswear line, models (from icons Stella Tennant and Liya Kebede to runway regulars Mica Arganaraz and Kiki De Willems) appeared in masculine silhouettes. “Well, it’s always amusing to have women around. And they all borrow men’s clothes. It’s a healthy thing, a sexy thing,” Ackermann concluded post-show.