Boundary Free Globalism. Area AW20

Finally, somebody brought life back to the sleepy first days of New York fashion week. You can always count on Area’s Beckett Fogg and Piotrek Panszczyk to deliver something unexpected, fun and bold. And intelligent. The duo’s The autumn-winter 2020 line-up was one of their most intensive yet, exploring fabrics, history, new technologies, collaboration, and cultural impact through garments that truly do not look like anything else on the market. Fogg and Panszczyk began their research this season with their venue, The Africa Center. The nonprofit cultural hub and museum was moved to the Upper East Side’s Museum Mile almost 10 years ago, but development stalled when funding fell out. The brand has inked a partnership with the center in the hopes of spotlighting African culture and craft in the USA. Weaving techniques native to Africa helped inform the show’s opening looks, too, but an Area collection is never just about one thing. There was plenty of other references: Japanese tropical postcards, the pleating and draping of Madame Grès, leather costumes by Eiko Ishioka for Francis Ford Coppola’s Dracula, interior design by the New York–based duo Myreality (the chair bags!) and Romeo Gigli’s heart motifs. Most important is the idea of boundary-free globalism. As designers, the pair pull inspiration from wherever they please, but what makes their clothing so interesting is the way they melt these ideas together in a spectacular alchemy. It’s reflective of the way they see the world, and how they see New York in particular: a borderless community of free spirits. Clothes-wise, those are garments for the daring ones who love being extra 24/7, that’s for sure. But then, some of the pieces put separate – like knitwear, tailoring and coats, all pimped up with rhinestones – are great for everyday style. I wish some big musician finally discovered Area and wore their extraordinary garments on tours and the red carpet.

Collage by Edward Kanarecki.

Modern Uniforms. Peter Do AW20

Peter Do is the “old Céline” guard, who developed his aesthetic and style under Phoebe Philo. Add a succesful Instagram performance and thoughtful visual communication, and it’s a label that immediately got on everybody’s lips. It’s Do’s second official season, and here’s what we’ve got: modern uniforms of exceptionally tailored pieces which are both functional and fashion-forward. The autumn-winter 2020 palette is a treat: gray, accented with rose, scarlet, and hunter green. The black, all-sequinned blazer and matching pleated skirt is a great alternative to eveningwear. The label also debuts with footwear, which is all about heavy, polished-leather boots with metallic elements. Some looks felt over-sophisticated, like the oddly sharp cuts of the jackets’ lapels, but when you put the clothes apart, those are some very, very good wardrobe essentials.
Collage by Edward Kanarecki.

Yoga in the Morning, Oscars in the Evening. Tom Ford AW20

Here we are again: the fashion month has started. But it actually kicked off in Los Angeles, not New York, for a brief Tom Ford moment. The Oscars night is this Sunday, so Ford just couldn’t split between the two coasts – dressing the actors is his domain. And he has always mentioned LA as the city that reasonates more with his brand’s identity than the Big Apple. Rene Zellweger, Miley Crus, John Hamm, Jennifer Lopez and Demi Moore all took a rest in the front row last evening, and saw what you can always expect from Tom: sublime eveningwear, for both men and women. Will any of these lace dresses hit the red carpet tomorrow? Big hopes for the crystalline numer with double velvet bows. While the after dark part was great (or actually properly classic), the ready-to-wear definitely didn’t impress this much. Backstage, Ford was speaking about the Los Angeles way of life, which surely is all about Chateau Marmont, yoga and palo santo, but I’m still not sure if jersey sweat-pants, sweat-skirts and sweat-tops (with merch-like logos…) aren’t too lazy for a fashion show (and it’s not 2014 outside!). The floor-sweeping tie-dye caftans styled with all that athleisure-wear didn’t help either.

Collage by Edward Kanarecki.

Fluffy Clouds. Cecilie Bahnsen AW20

The music began, and once the lights came on, Cecilie Bahnsen‘s signature romance was illuminated. Of course there were all the beautiful, fluffy ball skirts and big sleeves, sculpted with delicate silk organza. Still, this season the Copenhagen-based designer slightly stepped away from her saccharine dreaminess. There was a fresh edge to Bahnsen’s new work, thanks to the mix of metallic materials and to more form-fitting, corseted silhouettes that added a sensual and bewitching quality to her designs. Crisp, fitted blazers were styled with cloudlike dresses and sheer A-line skirts, and Bahnsen also expanded into knitwear with ribbon- and ruffle-bedecked sweaters that could be worn as easily with jeans as they could be layered over one of her voluminous dresses. Outerwear was crucial to the collection. Bahnsen collaborated with British luxury heritage brand Mackintosh and showed minimal anoraks alongside cocooning quilted coats with floral embroidery. That’s a great lesson in layering. Bahnsen is one of the most skilled designers in the city and this season she really pushed herself and her talents to the next level.i

Collage by Edward Kanarecki.

Kid At Heart. Helmstedt AW20

In Copenhagen, in the sea of one-dimensional minimalism, there is a chance to find a true gem. Helmstedt is the best example of a Danish label that doesn’t follow the local aesthetic. Emilie Helmstedt builds her own sets every season, finding inspiration in her dreams and her childhood. Flanked by her bright paper sculptures, the designer is like Alice in a wonderland of her own making. For autumn-winter 2020, the label brought the guests to the city’s French Embassy, where she juxtaposed the ornate tapestries and gilded trimmings with giant papier-mâché teacups and teapots, even a golden spoon. She is a kid at heart, and though this collection stayed true to that aspect of her brand, her fall 2020 clothes represented a bit of a maturation. Take the fitted knit dresses with wavy, Pucci-like patterns and a covetable quilted pink velvet coat in a brushstroke pattern. Helmstedt also introduced crochet vests and sacks, which make sense in the context of her DIY sensibility. Those are clothes to have fun in.

Collage by Edward Kanarecki.