Alessandro Dell’Acqua is called the modern-day Italian fashion genius. And I totally approve that statement. This guy knows, how to mix contemporary with opulent – a tweed pencil skirt worn with gold-patent jacket; olive green hoodie styled with hand-embroidered dress – those are just few examples of how Alessandro rolls in fashion. For AW15, the designer of No21 brought a lot of blush pink into the collection, which felt super lovely. The two snow-white looks were excellent, too – the embroidered flower appliqued coat is dreamy… and the tune of “Let’s Dance” by David Bowie perfectly fit the entire scene. Romantic, but with a sharp masculine contrast.
Reviews
Amelie from Milan. Gucci AW15
New day, new dawn. Alessandro Michele starts a new era at Gucci. Forget the hedonistic business woman from Tom Ford and Frida Gianini times. Rather than fancy yachts buyer and looking like a sex-bomb on a cocktail party at rich friend’s house, the woman of totally not-famous Alessandro Michele is a warm, poetry-loving girl who enjoys a walk in the forest. The ex-accessories designer of Gucci, Michele is in the business of ready-to-wear, and I’ve got really mixed thoughts about him.
First of all, the whole situation makes me think of Saint Laurent and Hedi Slimane – before, YSL had Stefano Pilati, who prefered sexy women of success. After a sudden change, Hedi Slimane, the ex-Dior Homme designer, came, and showed everybody his love to punk. I remember it like yesterday – everybody was disgusted with his scandalous AW13 which featured mohair cardigans, spiked boots and grungy, Zara-looking like babydoll dresses. And totally same thing happens at Gucci now. Frida Gianini, which made Gucci women feel very luxurious, is exchanged by Alessandro Michele. And this guy, which came nearly from nowhere, brings Amelie-like naive sheer dresses, fluffy fur babooschakas and Berets. Yes, it’s not punk, but it still feels defiant comparing to Gianini’s vision.
What can I say about the collection? The embroidery is magnificent. The shoes are good in their ugliness. The woman for AW15 makes me think of a vintage-loving person, which loves flea markets and her old granny fur coat. Although she likes showing her feminine side, she is not against androgynous looks. Rather than boasting with her GG logo, Michele’s girl sees eponymous luxury in her Tudor-esque rings.
It’s always hard to judge the debuting designer. In my opinion, we need to see more of Alessandro and what he can do for Gucci – but the first impression is not good or either bad – it’s truly confusing. This what we saw before at this heritage Italian house is a HUGE contrast to what the new days are going to be like. So, lets see what the future will bring.
Kisses From India. Stella Jean AW15
Hello Milano! And hello beautiful, sunny Stella Jean which sends us kisses straight from India! At the beginning of February, I went to Milan to preview Stella’s AW15 – the embroidery, the prints, the colour combinations are just genius. And what’s interesting, thanks to mixing classical, Italian heritage to the Bollywood-inspired theme, the AW15 collection is not so… kitsch? There’s nothing to add or to subtract. Basically, the collection has a healthy amount of wearable pieces decorated with rather silent ornaments. The coats are gorgeous; the dresses are breath-taking. And these tweed voluminous skirts look so great with these ethno-patterned knits! We definitely need the warmth and cheer that Jean brings to fashion world every season.
Colorful Volumes. Marques Almeida AW15
Marques Almeida is super cute this season. The rising-star label shows off with their signature denim, but also brings a lot of new “things” – bright knitted dresses, brocade and fur (possibly faux) and polished leather accessories. Models marched to the no-nonsense sounds of Bjork’s 1995 “Army of Me”, their hair hanging in undone grungy locks. The attitude reminded me of Corinne Day’s photography from the 90’s, “It was a lot about those shoots where you would have these really expensive garments with a wrecked sofa” said Paulo Almeida. The final result? A very #funkyoffish collection. It’s cute and it definitely stole the hearts of London fashionistas.
Drama at it’s Best. Giles AW15
Drama is the thing this season, that’s sure. After Marc Jacobs (the heavy Diana Vreeland boheme), Thomas Tait (elusive horror mood) and Thom Browne (a 19th century hospital vs. mafioso funeral), Giles Deacon shows us that a fashion show is not only a stiff presentation of clothes – it’s a performance. It’s a stage for actors – models – showing emotions through their walk and clothes. And in this statement, I would like to highlight Giles drama the most. The show was just extraordinary – Edie Campbell wore a latex Victorian blazer; Stella Lucia had a pink ribbon tied around her chiffon turtleneck – dress; Anna Cleveland, the star of this show, simply danced in a twirling organza gown. All girls had black lips and something ultra-vivid about them – maybe it’s Katie Grand’s styling? Or the old-fashioned beauty of British fashion shows? I can’t explain. But I am truly seduced by Giles for fall.













































