Attitude. Celine SS24

Some things don’t change, like Hedi Slimane‘s Celine. Not many designers keep on pushing their (very skinny) agenda so stubbornly. The spring-summer 2024 collection, presented off-schedule as a short film, showcases the Tomboy line-up at La Bibliothèque Nationale in Paris. One of the city’s oldest cultural institutions, it serves as a library that houses the French royal collections since the end of the Middle Ages. But the Celine girls aren’t here to study – rather, they are on their way to another indie sleaze-coded party. Set to Too Much Love by LCD Soundsystem, the collection opens with a model reading a leatherbound book stamped with the gold Celine logo. Clad in a skinny black suit, the ensemble is a reminder of what Slimane does best – sharp androgynous tailoring. Then, a matching leopard print jacket and mini anchored segue to cutoffs and a leather jacket, both paired with tough boots are prime examples of this as is a pair of plaid boxers, worn with fuzzy-lined suede boots. It’s California by way of Paris, especially when you factor in the track suits and caps. The combination has proved to be irresistible to the brand’s clients (I know, I’m shocked too…). For evening, Slimane offers long dresses worn with blazers and knee high boots, as well as mini dresses in sparkly gold and liquid-y silver. It’s hard to seek any fashion novelty at Hedi’s Celine. This designer’s force of persuasion lies in attitude, styling, and his endless glorification – even fetishization – of youth.

Collage by Edward Kanarecki.
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From Osaka to Milano. Loro Piana SS24

Loro Piana‘s spring-summer 2024 collection presentation happened in Milan, but it totally transported one’s mind and senses to Japan – and the served wagashi kasutera weren’t the only reason. Japan’s adoration and celebration of exquisite craftsmanship, understated taste, and timeless style were elegantly woven into the Italian brand’s latest offering. The collection also paid homage to the avant-garde fashion of the Rising Sun, in a modern key of posture and volume. Take the belted, high necked shirt suit for women in gray-flecked tweed was topped with a wide-brimmed woven hat. A striped-neutrals silk-linen shirt dress with a high unturned collar featured an attractive leather fastening to fix and drape the skirt up and across the body. A four-buttoned collarless jacket in an off-white nubbly silky fabric above a pleated pale skirt and light green polo neck looked snug and chic. The sleeves of a wide-armed, navy, petal-paneled silk overcoat were turned up to reveal the multicolored stitch work inside. A skirt and blouse in orange and blue florals was adjacent to last season‘s “flower ceremony” dress. Pure beauty – and please, don’t even try calling it quiet luxury.

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram! By the way, did you know that I’ve started a newsletter called Ed’s Dispatch? Click here to subscribe!

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