Community and Our Planet. Collina Strada SS20

Hillary Taymour’s brand, Collina Strada, is another line-up from NYFW that will make you smile. This label is all about sustainability, but not in a shallow, ‘trendy’ way: each season, it focuses on community, a balanced life and our planet. The invitation listed a number of points that would help Mother Earth: eat less meat, start a garden, grow your own food, learn to compost, buy vintage and plant many trees were just some. The runway was staged on a street, along stalls of home-grown vegetables and fruits, free for pick-up (and perfect for a in-between-the-shows brunch). The models weren’t actual models, but friends of the brand, at different ages, sizes and races. They walked along their babies and pets. This was a raw and truly “real” fashion show. And the fashion was equally laid-back: it had the signature Collina Strada D.I.Y. feeling about it, full of tie-dye and garments made out of upcycled textiles and fabrics. I love New York’s small, independent brands.

Collage by Edward Kanarecki.

Colours. Sies Marjan SS20

Colours are Sander Lak‘s element. The Sies Marjan designer proves that once again with his spring-summer 2020 collection, which mesmerizes with its colour palette and oozes with certain festiveness. Burgundy combined with denim blue, lipstick red mixed with emerald green, pastel lilac contrasted with sharp yellow. Here you can also notice Sander’s ventures into the art of draping. This collection isn’t a ground-breaker, but has lots of daywear that will help go through the sometimes grey routine. In general, there’s optimism all over the first days of New York fashion week, and the twirling models and confetti rain at the finale of Sies Marjan confirm that.

Collage by Edward Kanarecki.

You Will Be Noticed. Area SS20

Area for spring-summer 2020 is… a lot. Beckett Fogg and Piotrek Panszczyk’s brand that’s all about “occasion-wear” continues to deliver the most bold, party-ready clothes in New York. Whether it’s an over-sized white jacket covered in gold chains, trompe l’oeil crotchet tops made out of colourful rhinestones, arty crop-tops made out of tubes (each finished with a crystal, of course) or a red-carpet-perfect, draped gown in peach, one thing’s sure: you will be noticed in Area wherever you go.

Collage by Edward Kanarecki.

A Gift. Tomo Koizumi SS20

New York fashion week is in full swing. Tomo Koizumi, Marc Jacobs and Katie Grand’s protégé, had Ariel Nicholson do a theatrical performance in his new season ruffled Japanese polyester organza creations at Marc’s Madison Avenue flagship. The Japanese designer, who already amazed everyone with his work last season, explained his spring-summer 2020 process as the following: “I tried to make more 3D patterns with ruffles – it’s kind of like a boxy shape, because I wanted to make something like a gift box.” When he was sketching the designs for the garments, the designer drew inspiration from his own culture – using Lolita fashion as a primary reference, he also crafted the shapes of the dresses based on Japanese robotic cartoons, which he grew up watching. The looks – if you can even call them like this – really had something of gift wrapping, bold and knowing no borders of ‘too excessive’. Tomo doesn’t want to be commercial, and his costumes are for the most daring ones. You can hate it or love it, but this sort or joyous non-chalance is not only growingly rare in New York, but across all the fashion capitals.

Collage by Edward Kanarecki.

Peter Lindbergh, Forever.

Extremely sad, sad news today: the great Peter Lindbergh passed away. Considered a pioneer in photography, he introduced a form of new realism by redefining the standards of beauty with timeless images. When I discovered the news today in the morning, I couldn’t believe it. Discovering his ouvre made me fall in love with fashion photography. The humanity and beauty he saw in people (whether the supermodels or artists or individuals who were dear to him or characters he met everyday) will live on through his work forever.