Essential Beauty Routine. Marni SS25

It’s Francesco Risso‘s ninth year at Marni. His work at the brand took different turns, from being avant-garde-sketchy to raw and crude (like last season). Spring-summer 2025 was a pursuit after beauty. “Beauty is a white rabbit,” said Risso backstage. “You chase it, though you fall short in capturing it.” But he actually took grasp of it, especially in closing part of the collection, inspired with bygone era of fashion shows and 1950s haute couture, through a lens of “Funny Face“. Slender silhouettes in soft hues, small hourglass dresses shaped by vertical pleats, tight siren skirts with stiff ruched hems – this is Marni that will certainly attract the clients to the stores. But this wouldn’t be Risso’s Marni if it was all pretty and prim. The collection was made of humble cotton, being a “thread that mends relationships and wounds, guiding us back to the right path after we’ve strayed and leading us toward what I call the essential beauty routine“. The seemingly rough, canvas texture of broad-shouldered jackets, pleated trousers and cut-out skirts gave the collection a sense of “work in progress“. In Risso’s world, beauty isn’t a constant. It’s something you look out for with patience and perseverance.

Marni-fy your wardrobe…

ED’s SELECTION:

Marni Leather Mary Jane Pumps


Marni Frayed Denim Midi Skirt


Marni Printed Silk-satin Mini Dress


Marni Embossed Leather Ballet Flats



Marni Embroidered Cotton-blend Mini Dress

 

Collage by Edward Kanarecki.
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Toned-Down. Fendi SS25

This year, Fendi celebrates its 100 years. Maybe that was the reason for Kim Jones to finally deliver a good collection for the brand. What kept it cohesive was the combination of house craft, toned-down color palette, and an attitude that stemmed from the jazz-age modernism of the 1920s. The embroidered flapper-dresses worked nicely with all the streamlined minimalism. Still, looking at the taupe shirt-dress, one just wonders what differs Fendi from Max Mara? Except for Baguette, pretty much nothing. It would be great to see some fun back at the brand, a Karl Lagerfeld-ian wit.

Collage by Edward Kanarecki.
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High & Low. Burberry SS25

While Burberry‘s financial performance is under scrutiny, it seems to me that Daniel Lee has found his ground at the brand. His last collection already had that “something”; spring-summer 2025 is a further exploration of Britishness (through a London lens) meeting modernity. A spirit of late 2000’s London style was palpable, especially in the imaginative clash of high and low: maxi-skirts worn with polos, utilitarian parkas with dazzling, embellished dresses. A cropped trench jacket styled with cargo pants was another highlight, just like Maya Wigram’s faded-green denim look. The storm flap, epaulettes, shoulder vent, Napoleon collar and belt of the house-archetype trench were intelligently applied across multiple garments including open-backed dresses, a popper-peppered twinset, and abbreviated, feather-collared jackets. This was a good show with good clothes.

Collage by Edward Kanarecki.
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Styled Show. Puppets & Puppets SS25

Puppets & Puppets‘ Carly Mark left New York – a rather hostile city for emerging brands – for London, a place that’s resilient and way more supporting for creatives that think outside the box. There’s also an element of strangeness about Mark’s fashion (and accessories). The feeling of unexpectedness was delivered by the deliberately blunt clothes that were just… clothes. Boxy t-shirts, navy crewneck sweaters, skinny black jeans, plain lingerie sets and faux-fur trimmed hoodies. All that was styled with indie-sleazy fedoras (very girlfriend of an Arctic Monkeys member in the late 2000s), big sunglasses and gloves. Was Mark’s intention here an elaborate trolling exercise? Not quite.

Rather than think of a fashion presentation solely as a forum for presenting new designs, she sought to evaluate its merit as a conceptual and artistic medium. Her decision to present what she called “a styled show rather than a fashion show” was an exercise in distancing herself from a sense of obligation to create producible garments. Working alongside stylist Taylor Thoroski, looks leaned into Mark’s familiar style vernacular, drawing upon her own dress habits. “Something I’ve learned over the years is that the things that I put down the runway are stronger, in my opinion, when they’re in line with me,” she said. “I’ve been very into not having pants on in the past. So we were like, ‘OK, let’s keep going there.’ And I’ve been wearing really simple jeans,” she says, pointing down to a slim-fit H&M pair she was wearing. And that’s so refreshing to hear in 2024.

Collage by Edward Kanarecki.
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Dance It Out. Simone Rocha SS25

“When people see the collection I want them to have license to interpret it themselves” said Simone Rocha said of her spring-summer 2025 collection, adding: “I’d never be interested in fashion that’s defining a look or defining how someone should feel.” Her latest offering – striking a balance between experimental and wearable – did spark a spectrum of emotions. Just like dance. Michael Clark and Pina Bausch were cited as influences. Bausch’s Nelken (her carnation-strewn piece exploring extreme and traumatic love) had a significant cameo, lending its floral motif to this Rocha collection. Some of the models wore tutus topped by over-sized, languid jackets, with their hands crossed as if they were leaving a ballet rehearsal – or a bad relationship. The collection was also about transparency: sheer organza shirts for boys, barely-there, translucent dresses and coats for the Rocha ballerinas. Performative, but, intimate, multidimensional, yet light: Simone Rocha is finding great pleasure in playing with contrasts.

Need a Simone Rocha wardrobe update?

ED’s SELECTION:

Simone Rocha Cotton-jersey And Ruffled Tulle Mini Dress


Simone Rocha Embellished Merino Wool And Silk-blend Polo Sweater


Simone Rocha Lace-up Crystal-embellished Tulle Bustier Top


Simone Rocha Bow-embellished Faux-fur Pumps


Simone Rocha Crystal-embellished Tulle Midi Dress


Simone Rocha Webbing-trimmed Faux Pearl-embellished Shell Shoulder Bag

 

Collage by Edward Kanarecki.
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