Spontaneous. Dries Van Noten AW18

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 The first days of Paris fashion week show that this season, the designers or choose to do commercial clothes, or lean on their well-known brand codes. Dries van Noten belongs to the latter, with his classically Dries-y collection. Backstage, he talked of ‘spontainety’ – about wearing the clothes nonchalantly, not caring much, feeling comfortable at the moment. Most unmatching colours and prints are clashed gracefully, while faux-fur inserts brings joyful dynamism to black knee-lenght dresses. The ‘peasant’ blouse looks like your next season’s day-to-day favourite.  The outerwear is remarkable (as usual!). And I guarantee you that you won’t find better prints this season. In other words, it’s a very fine Dries Van Noten collection.

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Collage by Edward Kanarecki.

Legs Only. Saint Laurent AW18

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What was expected to be Paris fashion week’s hottest ticket (especially, noting the last season’s fashion galore under the Eiffel Tower) resulted in a… very boring collection. I actually thought that Anthony Vaccarello is the right man for Saint Laurent, until I saw that tedious line-up of extremely short shorts, velvet blazers and all-black (or floral) mini-dresses. Was it a Hedi Slimane ‘appreciation’ collection? Well, that kind of style still sells best and resonates most easily with the current client. It really feels as if the important guys behind Saint Laurent cut the budget this season, as well. Other than the models’ long, long legs, Vaccarello’s autumn-winter 2018 collection has nothing much to talk about.

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Collage by Edward Kanarecki.

Gold. Koché AW18

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Christelle Kocher‘s autumn-winter 2018 collection felt the most mature up to date for the Paris-based label. It seems that Koché is slowly moving away from its street sensibility and targets a grown up customer with its brand new smokings, gold-pleated t-shirt-slash-dresses and extremely compelling eveningwear. Still, for those who don’t fully appreciate Koché’s new path, Christelle presented a number of camo-print blousons, jackets and sweatpants – eventually, that was the least exciting part of the collection. My heart beats faster for those lilac pieces, whether we’re speaking of the metallic, Helmut Lang-inspired pants or distorted knits.

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Collage by Edward Kanarecki.

Manic Soul Machine. Marine Serre AW18

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Even though Marine Serre is relatively fresh on the fashion scene, it seems she’s been her for ever. Manic Soul Machine is how the designer intriguingly titled her first runway collection – and noting the cross-cultural, cross-everything approach we’ve learned from her spring-summer 2018 presentation – it was certain Marine wouldn’t disappoint. While demanding fashion seems to be a deficit today, Serre wants you to reflect on everything, from politics and spirituality to sex and society. Her already-signature crescent moon print appeared on nearly everything (athletic bodysuits, shoes, headbands), but the designer’s ‘Futurewear’ as well involves plastic raincoats and motocross jackets. But what really surprises here is the ‘scarf’ theme (see the dresses and skirts) that contrasts with the quite heavy, utilitarian direction of the collection. Still, there are so many other garments to love and appreciate this season. And, the bags, that I firstly thought were lanterns, but then realised were haute gym bags covered in printed fabric.

There’s something elusive about Marine Serre’s fashion – it’s hard to explain in one word. It’s ‘love’, ’emotions’, ‘future’, ‘intelligence’ – words that rarely can be used to describe clothes. However, they fit Marinne’s work perfectly.

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Collage by Edward Kanarecki.

Le Souk. Jacquemus AW18

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While ooking at the latest Jacquemus collection, I want summer to be back so, so badly (even though it’s an autumn-winter collection). Also, I’ve got to visit Morocco, like right now. That’s the effect of Le Souk, Simon Porte‘s newest story.  “I got lost in the souks with just one thing on my mind: I want to make it my next summer collection. I came back to Paris and made my winter of it; my winter collection. Not wasting any more time, my warm winter.” The result? Well, doubtfully you will find any winter help in these clothes, that’s certain. But these caftan-dresses, clingy knits, hats (a Jacquemus best-selling signature) and cute skirts make you daydream. Jacquemus is one of Paris fashion week’s biggest excitements, and the designer brought us another reason to love him: he launches menswear. I can’t wait to see how he injects his joyful Frenchness into men’s clothes. See you in June.

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Collage by Edward Kanarecki.