Galliano at Margiela

January 3, 2015January 6, 2024 | Design & Culture by Ed

Guys, that’s happening. John Galliano is taking over Maison Martin Margiela, and presents his first Haute Couture collection this month. Firstly, this combination felt a bit awkward to everybody – Margiela was always known for “minimalism”. But that’s just a fashion stereotype. No. Maison Martin Margiela has never been a minimal label. It’s dramatic, bold, edgy, different. The fact that real Martin Margiela never gave any interview and he is totally anonymous up to today, doesn’t mean that the label is minimalistic. Just look at their past artisanal collections – they are full of couture embroideries, one-of-a-kind textiles (for example tapestry based on La Femme du Roi by Paul Gauguin (1896) or draping made from two hanging textile prints of Mira Lunar, designed by Verner Panton) and fantastic jewellery. Maison Martin Margiela also brought a lot of unexpected accessories to their ready-to-wear – transparent plexi clutches with artificial roses inside or the famous tabi boots, which look like a horse hoof.

I am writing about this, to prove you one thing – reflecting on John Galliano’s collections in the past for Dior, his style should be perfect for Maison Martin Margiela. The fact, that he got drunk and started to say cruel things about Jews in one of Parisian caffees few years ago made him lose his own namesake label and Dior. Everybody showed Galliano their back, and from the first place everybody fell in love with Raf Simons. But forgetting the political matter which was strongly emphasized by LVMH (nobody’s sure whever these guys simply didn’t frame John into this “scandal”. Maybe they simply wanted to get rid of him?)- fashion world felt dull after Galliano’s departure. And the word minimal really matches Raf Simons – yes, his dresses are up till now the most sleepy of all during Haute Couture week in Paris.

But now, Renzo Rosso group, which owns Margiela, took over John Galliano. And hopefully, the fashion world is going to cheer up again, with this man. While waiting to see Maison Martin Margiela Haute Couture SS15 by John Galliano in few days, have a look at he biggest Dior / Galliano couture moments and last season’s Margiela / Matthieu Blazy show.

To Meadham Kirchhoff

December 20, 2014June 15, 2016 | Design & Culture by Ed

I need to confess something. When I heard the news, that Meadham Kirchhoff won’t show it’s AW15 collections becaues their “debts have caught up”, I nearly started to cry. That might surprise you- right, I never really wrote anything special about Meadham Kirchhoff. On my blog, I post only this what I like and feel- and Meandham Kirchhoff’s style is not always on my taste radar. But I always, always observe their collections with some kind of amusement and respect. They were, and are, so brave. In the sea of minimalism, normcore or 10,000 euro Valentino dresses, it’s hard to have a label with clothes which do not match any of those three categories. Well, only if you are some kind of Versace. In reality, Kirchhoff’s pieces are pricey, but they are as beautifully embroidered, as for example Erdem. Then, another problem strikes. “The way the industry works, you’re driven to do all these grandiose shows, all these things that are incredibly expensive,” Benjamin Kirchhoff said. “and then one day, the sponsorship runs out. You’re on your own.” Meanwhile, Edward Meadham pointed to the struggle to fulfill orders for stockists: “It’s always seemed like, ‘How do we do this? How do we keep up?’” In other words, Meadham Kirchhoff didn’t have trouble until they became an REALLY independent label.

But what’s interesting, is the fact that Meadham Kirchhoff is seriously loved by Londoners. They are so true, real. I think it is the last big something after Vivienne Westwood’s SEX shop and Alexander McQueen years in London. It’s punk, it’s cool, it’s something buzzy and fuzzy. The glitter jumble; the ribbons attached to every pair of boots; the tampon tree at SS15 show venue. Kitsch is sick, but in both meanings at Meadham Kirchhoff. Well, what can I say more. I just wish them a bright future (and this type of talent always finds it’s right path). The rumour has it, that possibly Benjamin and Edward are going to takeover Schiapparelli which was suddenly abandoned by Marco Zanini. And that would be EPIC. I also see them at Oscar del la Renta, if not that boring Nina Ricci guy.

Y-A-W-N to fashion without Meadham Kirchhoff.

Natalie Westling / Advent 2014

December 18, 2014December 18, 2014 | Design & Culture by Ed

December 18: Natalie Westling is a model phenomen- this girl can skate in her home-state, Arizona, and at the same time walk for Marc Jacobs during fashion week. Isn’t this great? Natalie is the perfect example that a model is not always only a model, but a great, cool and smart personality. Another Magazine, Willy Vanderperre.

A Détacher / Advent 2014

December 17, 2014 | Design & Culture by Ed

December 17: Mona Kowalska’s New York based label, A Détacher, is just one of those cool, quiet and chic labels (which you don’t really need to comment).

So French. Chloe Pre-Fall’15

December 9, 2014 | Design & Culture by Ed

For pre-fall, Chloe’s Clare Waight Keller felt the attitude of freedom, continuing SS15’s main theme. Somewhere between David Bowie and Kate Bush scene craziness and Jane Birkin’s fashion for bow shirts, Clare outstood herself. This collection was basically a master-piece. Pony hair A-skirts, python leather bags, brown palette capes, tweed blazers and “whatever” trousers are just few of my favourites. The models, kept in very Parisian styling, looked casual but stylish and strong. And then very sexy butterfly wings —and that sensuality operated throughout the collection as a whole. Chloé is usually associated with a kind of virginal, flirty look, but Waight Keller chucked it this time—some of these clothes were intensely womanly, others rather boyish, and a good deal of them were borderline feral. So, whether Clare thought of androgynous Bowie or feminine Birkin- this clash works on me.