Power Dressing. Tom Ford SS19

After his over-the-top, kitschy-chic fashion show back in spring, Tom Ford’s spring-summer 2019 collection felt like a colour detox mixed with self-reflection. Black, white, beiges and pale lilac were the leading shades, while the entire line-up took us down the memory lane of Ford’s career. For a moment, we all experienced again his 90s momentum at Gucci, that was all about refined sexiness and confidence – words that match the designer’s current work with the same precision. To a surprise of many, there were as well references to the few year tenure at Yves Saint Laurent, the period that shaped Tom’s aesthetic into a more sublime, after-dark vision of women.

But back to 2018. Draped skirts with lace inserts; jackets and blazers made of fake crocodile leather; satin cocktail dresses and evening gowns with pony-hair details. Some of the looks are fit for goddesses of seduction, other for cosmopolitan bosses. This one all-leather look seemed to be taken straight out of Roxy Music’s cover that featured Amanda Lear. But no, in the end this collection wasn’t created with a dominatrix in mind, but for powerful women who want garments that look equally powerful. The menswear part can be described with one word: handsome. Conclusion: when the evening comes, you want to meet both, the Ford woman and Ford man.

Collage by Edward Kanarecki.

Daily Delights. Rosie Assoulin AW18

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While for the past seasons, Rosie Assoulin earned a reputation of New York’s best place to shop for unpretentious eveningwear, the designer focused a bit more on daywear this time. And especially, outerwear, which is just a delight.The marble print – Rosie’s current obsession fuelled by a newly found book on marbling techniques – looked equally great on the reversible jackets, as on the pants in scarf-like silk. Tailoring is also a brand new area for Assoulin, but she manages to pull it off in a distinctly bold way (see the blue suit!). Flares are back, stronger than ever. But this wouldn’t be a Rosie Assoulin collection, if there were no dresses. From more day-to-day options to red-carpet spotlight stealers (that sculptural, micro-pleated gown), it’s impossible not to be mesmerised. Or even, enchanted!

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Collage by Edward Kanarecki.

Colour Party. Rosie Assoulin AW17

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Parachute top with ruffled sleeves, ball-skirt in pastel-green, purple total-look made of eye-catchy ‘marble’ fabric, lemon pantsuit, patchworked robe-dress, another blouse with voluminous ruffles, but in red. Yes, you’ve guessed it right – I’m speaking of Rosie Assoulin‘s dreamy wardrobe for autumn-winter 2017 collection. Being New York’s queen of contemporary eveningwear and ‘makes me smile’ everyday essentials, Assoulin invited her guests to a tea-party-kinda presentation, which not only let the editors observe the delightful gowns in motion – it was also an occasion to celebrate the designer’s footwear line. Assoulin was inspired with fancy interiors and those little, meticulously crafted details that make a room look high above the average. That’s why some of the shoe heels reassembled table legs! While other designers get melancholic this season, Rosie’s signature optimism stays for good. But who wouldn’t feel cheerful, wearing one of those floral slip-dresses next autumn?

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