Ring A Bell. Jean Paul Gaultier SS27

Jean Paul Gaultier was bonkers. A year in, it’s safe to say that Duran Lantink’s appointment as creative director was the best decision the brand could have made – precisely because it was also the riskiest. Of course, if you look at his spring-summer 2027 collection from a “pragmatic” point of view, it’s very easy to dismiss. But remind yourself that fashion can, after all, be fun – and that for designers like Gaultier, Sonia Rykiel and Franco Moschino, this was practically a mantra – and suddenly what Lantink is doing feels brilliant.

There are no in-your-face references to Jean Paul’s archives. Instead, Lantink seems to have understood a Jean Paul way of thinking – if only Sean McGirr had found a similar pattern at McQueen. There are cheeky nods to Holland, Lantink’s native country, but also to Tyrol and Bavaria: dresses covered in jingling bells, folk-inspired patterns, white milkmaid nightgowns. And then, all of a sudden, seriously mundane clothes for getting your hands dirty, like a parka jacket. After this collection, you just want to book a trip somewhere in the mountains. And never come back.

All collages by Edward Kanarecki.

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Fashion Can Be Fun. Vaquera SS27

Imagine two enfants terribles crashing the atelier of Coco Chanel or Cristóbal Balenciaga, ripping apart chiffon dresses and splashing gowns in acidic green. That’s exactly what you got in Vaquera’s latest collection. Designers Bryn Taubensee and Patric DiCaprio keep delivering much-needed fun to Paris through their very New York way of doing things, reminding us that fashion can, indeed, be hilarious. And sometimes bigger than life. There was plenty of irony, too: the lady of the house decked out in grand feathers, her private chef in a tiny parachute dress and an enormous toque (was Ratatouille hiding inside?), and a maid in a flirty little apron. Honestly, fab.

All collages by Edward Kanarecki.

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Pulpy. Dries Van Noten SS27

I know everybody loved Julian Klausner’s latest effort at Dries Van Noten, but I’m not entirely sold on it. On paper, it looks solid. But on second glance, its pulpiness starts to feel dangerously Prada-ish, or even Marni-ish – specifically the Consuelo Castiglioni era, with a few tinges of Francesco Risso thrown in.

Klausner can’t be a forever A+ student of Papa Dries’s school, and he’s very welcome to step outside that particular comfort zone – one that Dries Van Noten clients clearly adore and can’t seem to get enough of. But somehow, the spring-summer 2027 lady-like turn towards the 1950s didn’t quite click for me. Neither did the extremely layered styling, which often concealed the actual clothes rather than allowing them to speak for themselves.

There’s nothing wrong with Klausner wanting to move on. In fact, he probably should. I’m just not sure this particular detour has found its destination yet.

ED’s SELECTION:


Dries Van Noten Belted Pleated Linen-blend Jacquard Skirt



Dries Van Noten Ripa Giant Egg Printed Satin Coat



Dries Van Noten Ruched Satin Mules



Dries Van Noten Mélange Grain De Poudre Blouse



Dries Van Noten Printed Twill Scarf

All collages by Edward Kanarecki.

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