Japan-based label Shoes Like Pottery crafts classic trainers with the closest attention to detail. Featuring carefully chosen materials, each shoe is built on a special vulcanised rubber sole and fired in a kiln using a unique process called ka-ryu for long lasting durability and wear. Shoes Like Pottery features high-quality, beautifully textured fabric, hand-sewn by the skilled craftsmen of Kurume in Japan. As the owner of one of these shoes, I feel really happy – I sought for the perfect pair of trainers for a very long time, and these are not only comfortable, but super stylish! I see that the new generation of these little, conceptual brands from Japan are the one to watch for.
Japan
Technology Attack. Junya Watanabe AW15
Junya Watanabe is considered as one of the most modernistic designer of our times. This season, he prepared another break-out which seems to be out of this world – thanks to high technology and Tomihiro Kono’s help, the AW15 season for the designer means the importance of maths. Isamaya Ffrench doodled mathematical equations onto the arms, legs and necks of the models while Tomihiro Kono created angular foam sculptures to sit on the top of their heads. The two Japanese geniuses worked together to create fashion in new dimension. The capes made out of hexagonal, laser & hand – cut textiles were fixed and improved for more than three months – it took a lot of time calculating its durability. If talking of the alien head-pieces, Kono approves – that was a hard thing to do. “I started to calculate the circumference using the diameter…it was like studying maths back at school. I made a column for the base of the head-pieces and then added some hair-wings in a radial pattern.” Definitely, science and fashion get closer and closer together each season…
Tokyo. Dior Pre-Fall’15
Raf Simons seems to have two personalities- one at his namesake label for men, where he doesn’t care about the rules; another at Dior, where he definitely obeys the bosses. Last season (SS15), in my opinion was trash. I truly couldn’t understand it. It felt like Simons explained it only by “oh, look, it’s like this, but look at those couture embroideries”… yawn. Come on, who cares about embroideries, if the clothes are so boring? Thankfully, Dior thought of something new for the house, which was smart. The pre-fall 2015 which was presented few days ago was organised in Tokyo- the place were Dior has it’s boutiques on nearly every street. Commercially, this is genius for the house. But for fashion? Raf Simons had his model walk zigzags in a huge sumo wrestling arena, inspired by the scenes of Ridley Scott’s Blade Runner movie. With fuses of futuristic influences (that badly reminded me of Paco Rabanne gold years) like silver sequined turtlenecks, jacquard motifs and wax cotton coats, Simons brought a lifey twist into his Dior timeline. And what’s interesting although the fact the show was in Tokyo, Japan, we didn’t notice even one kimono, manga print or anything of Japanese stereotypical fashion. Definitely, Raf looked at Japanese woman of the future- stomper boots, wide trousers and clean lines with neon elements. Plus, corn-rows and super kawaii eye-brows. Personally, I have no offend to Raf Simons- sometimes, he is just not on the point. However, this dynamic show proved one thing: not only that Raf has better and worse days in his life, but also that Tokyo is an amazing, energetic city of fashion.
Just to be in the Japan mood- here are some amazing vintage posters from Wafu Works…
Yohji Yamamoto / Advent 2014
Japan Noir. Alexander McQueen SS15
Sarah Burton of Alexander McQueen brings new mood to the brand- Japan and it’s more sensual, darker site. So what we saw? Leather kimono coats with embroidered florals; super high shoes without heels (you know, Daphne Guiness); the models walked with faces encircled in black lacquer frames, courtesy of the ingenious makeup-ist Pat McGrath; everything was tightly belt-up and strengthen up with harness bustiers. So now wonder why Sarah thought of Japan this season. After he travel to this beautiful country full of cherry-blossom trees and traditional Ryokan houses, she created a sexy, but mindful collection. There was a maniacal attention to detail in the pearls that seeded the flowers on a skirt of ruffled chiffon, but it would be pleasing to think that this collection represented a new perspective for Burton. At least the history here was truly personal—or as personal as that grab bag of her souvenirs from her Japanese trips. And the face-off between geisha and samurai would seem like the very embodiment of the savage beauty that nestles at the dark heart of Alexander McQueen.












































