Perverse Innocence. Simone Rocha SS17

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Staying true to her romantic spirit, Simone Rocha staged her spring-summer 2017 show in Southwark Cathedral, where the models walked down the gothic aisle. The venue matched the charming sublimity of Rocha’s latest line of delicate textures and girlie silhouettes, and it smoothly worked with the collection’s British accents (similarly to Gucci’s memorable anglomaniac resort 2017) and the designer’s long-term inspirations. Voluminous poplin-cotton shirts were layered with Prince of Wales checks; a classic trench-coat has never looked like a Louise Bourgeois sculpture before. While working on the collection, the designer took a glance at baptismal gowns and communion dresses, reworking them in authentic broderie anglaise lace. But don’t expect to see a traditional wedding dress here. Simone Rocha’s fascination with perversion oozes in those not-so-bride-ready gowns. Although we’re talking about sacred and holy, the designer’s pieces are far from innoncent. Sheer organza sheath with elongated sleeves shyly exposed nipples, while a tulle skirt with embroidered flowers showed some leg… accidentally. Note the models’ patent wellies and synthetic-white, rubber gloves. Red lips and wet hair. Rocha’s Catholic girls coming from good village families are naughty. In a very elusive, gentle way.

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Feather-Light. Ryan Roche SS17

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Ryan Roche is New York’s go-to designer in case of anything connected to timeless, luxurious knitwear. Throughout the few last seasons, she introduced us to the most fleecy, cashmere cardigans and sweaters ever. Also, she’s the modern-day queen of beige – in fact, a majority of her looks are kept in different shades of this warm, underrated colour. Yes, that sounds like a strong foundation for a brand to stay in its comfort zone. But Roche won’t rest on her laurels anytime soon.

Spring-summer 2017 was Ryan’s first runway show, and that let her present a visual experience for he guests. Julian MacKay, a soloist with the Mikhailovsky ballet, travelled from St. Petersburg to stage a dancing performance among the designers’ models dressed in knitted skirts and evening wear. The lightness of those knits is comparable to MacKay’s grace. The clothes were so different comparing to the last seasons, and that felt really exciting about Roche’s outing. Margiela-like, leg-of-mutton sleeves came with white blazers; romantic lace appeared in slip-tops and dreamy, maxi dresses. Cashmere scarves and shawls were worn the Marlene Dietrich way – so soigné!  With the help of a new Italian factory, Ryan created her version of a suit – high-waisted trousers cinched at the waist and a semi-cardigan with light knit cables. Seeing Roche on new ground is one of my favourite moments of this New York Fashion Week so far.

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Men’s. Romantic. No.21 SS15

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Alessandro Dell’Acqua of No.21 brought his womenswear classics to men, making the boys for summer romantic and sweet. Lace was worked for slim pants and shirts, tops and short pants in lightweight gingham fabrics were cut in fluid silhouettes and suits came in sorbet colors. These contrasted with the contemporary, skater-inspired feel of printed T-shirts and Neoprene color-blocked sweatshirts embossed with the No. 21 logo. This is the modern Milanese guy.

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Neo-Hippie. Christopher Kane Resort’15

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What I enjoy about Christopher Kane is the fact that he can’t be tamed. Alhough he belongs to Kering group, he doesn’t hide his talent just to be more commercial. The new Resort 2015 collection is mix of his favourite things: lace, floral prints, denim and neon colours. The dresses were radiant and artsy while the pockets of jeans shorts & trousers were embroidered with beautiful flowers and insects. If talking of jewellery that’s pretty new at Kane, we had these little daisy shaped brooches that felt very childish and naive… just like the overall collection. There was also about hippie and the 60’s in here: this flower power brings peace and harmony, for goodness sake.

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Aztec Opulence. Valentino SS14

Slide1-kopia 2Valentino was definitely one of the most beautiful collections of the season. With the SS14’s tribal influence, Valentino took us to South America, where Aztecs and Mayas decorated their temples in opulent and splendour way. The craftsmanship of the collection is impressive- all the couture embroideries on dresses looked like if were made by one of the local Mexican women, dying and threading each flower and shape into silk. There were also some inspirations with Latin explorer-chic- suede capes with frenzies, sandals, jewellery with zodiac amazing use of denim with Guatemalan skirts and tops. However, there was something about sexy 70’s of Hollywood and Byzantine luxury hidden in the looks- crowns, rich colours, sensual lace, ribboned shirts… Valentino not only took as into the beautiful journey to South America and it’s secrets, but also made it in surrounded with European qualities and chic!
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