I can’t remind myself the last time I have written anything about Stella McCartney on my blog – her women’s fashion doesn’t appeal to me that much lately – but her first menswear collection is just too good.
Men’s fashion at Stella McCartney? That’s quite unexpected, honestly. The look-book dropped yesterday, just a few days before first spring-summer 2017 clothes hit the stores. Without any fuss, any special announcements. A great surprise for men, who felt close to Stella’s aesthetic, but didn’t find their sizes on the racks. The clothes aren’t presented on typical models, but on a pack of street-casted guys and cool-creatives, which is totally different to McCartney’s main line, where we’ve got hot names and top models in advertising campaigns. If I had to choose from this collection, I’m sure I would catch every single piece – from those chunky knits to over-sized trench coats. These are contemporary essentials, I guess. Pajama look is so me; lovely knitted sweatpants and slouchy cardigan are on my list since right now. Stella, Stella. I’m hopelessly in love with your vision of men.
Glittering with over 250,000 mirrored sequins, the all-pink venue of Gucci spring-summer 2017 collection reminded a high-profile striptease club. The released mist reassembled cigarette smoke, while the velvet stools and sofas suggested one thing – Alessandro Michele is not a step closer to such thing as “minimalism” this season. Indeed, the collection had something to do with trashy chic – just have a look at the extremely platformed footwear. “Prostitute in Venice used to wear these“, the designer said backstage, while discussing his references and inspirations. Red latex tights, worn casually with knitted skirts, screamed “sex”, too. Alessandro’s mind is not that innocent, after all.
There are different types of “love”, and there is a variety of romantic accents in Michele’s kitsch-appealing clothing. As always, the outing featured a line of polished and refined ready-to-wear, which has a lot to do with alta moda, as the Italians tend to say. Knitted cardigan featuring a monkey embroidery illustrated by artist Jayde Fish; satin gown with pineapple style sleeves, detailed with sequins and intricate embellishments; tulle dress with tapestry-like florals and a leather corset. Each piece might become a go-to for a fancy date, a boudoir night or an intoxicating night-clubbing. Michele never keeps himself distant from emotions in his fashion. This collection is connected to the intense topic of love, even if we mean a wounded, broken heart. One of the evening dresses had an embroidered, red heart in the front, stabbed with a dagger – is the ethereal woman wearing it ready for a night out, but without her parter? She’s sad, but she looks spectacular and very dramatic. A bamboo fan is even more ambiguous. The slogan on it stated “Blind for love” in gothic font, and Alessandro definitely relates to that as a designer searching for beauty, and a person in real life.
P.S. In the show’s soundtrack, Florence Welch read William Blake’s poems. Dreamy.
I AM RED WITH LOVE was the statement that perfectly captured the mood of Sébastien Meunier‘s spring-summer 2017 offering at Ann Demeulemeester. We’ve seen romantic guys at Haider Ackermann and Pigalle earlier in Paris, and Demeulemeester man is also utterly into poetic love. “Rebel in love,” the designer mused backstage. “Love is a colorful emotion for me. And we can say also I am black with love. But we blush and we become a bit red when we are in love, so there is all of that. I wanted to give something that was a bit shy—emotion, charming emotion.” Meunier feels like at home after a few seasons spent at Demeulemeester, and he uses Ann’s signatures with grace – light, satin shirts covered with layers of feather pendants and charms, military jackets in black, and sheer tank-tops with stitched, red-thread slogans. The chunky knits looked impressive, too, oozing with hearty-arty slouchiness.
I think it’s the first time I’m writing about Roberto Cavalli on my blog – ever! Not that I dislike Cavalli’s style – the thing is, the good old Roberto and his extremely Italian, slightly indie chic lost its right path somewhere in 2007, within the appearance of pre-collections and “hate” towards anything “kitsch” (talking of you, minimalism). Even though the designer was at helm of his studio till 2015, the collections didn’t differ much, while the brand wasn’t appealing to a younger clientele. In fact, Peter Dundas initially seemed to be a lost cause. Not only as Roberto’s personal decision, but after his, ironically, Cavalli-style-inspired collections for Emilio Pucci, which didn’t excite either. After the second season (I’m on fence with the critic-slammed spring-summer 2016 fluo glamorama), however, Dundas catches attention, but not only because of his predictable bling-bling. To a surprise, autumn-winter 2016 collection, for both men and women, was a great nod towards Robeto Cavalli and his bright, golden years – flares, python leather, music band t-shirts and a lot of denim revive from the dust, gracefully. With Jane Birkin’s 70s attitude and a sharp walk, anyone can make these killer, waisted pants look hotter than… hell!
Vivienne Westwood opens a new chapter in her fashion – and it’s called Andreas Kronthaler for Vivienne Westwood. But who is Andreas? No, he isn’t a one-season-only collaborator. He’s Viveinne’s life-partner and her right hand in designing collections, and after many years of their creative reciprocation, Westwood decided to sign her main line’s collections with her love’s surname, too. How romantic. Just as romantic, as the beautiful, deep shade of red on toga-style draping and monkish pants from the autumn-winter 2016 season! Although the collection’s name, Sexercize, might be associated with the British dame’s past (SEX boutique in the heart of London, Kate Moss in boudoir corsets), it was rather about spirituality and gender fluidity. Both women and men wore platform boots, and the oriental manskirts made a cut. Just like the tiny, brass “penis” necklaces (by coincidence, we are heaving a little sex talk with Viv and Comme des Garçons today…), styled with masculine suits or feminine, lamé dresses. The collection, coming from Westwood’s and Kronthaler’s hearts, is full of styling tips, and as the Vivienne stated, “it’s really incredible – look at the amount of innovation!”
Cheers to these two lovebirds!