I have very mixed feelings about John Galliano designing for Maison Margiela. His first haute couture collection was warmly welcomed, but partly because it was his debut after a long period of pause; his AW15 ready-to-wear was all about eccentric ladies which couldn’t be us dramatic as they wanted to be – in other words, this collection felt tamed and unnecessarily too calm, like if the designer was scared to shock. And now, as we already got used to Galliano at Margiela, its time for a honest opinion about this case. The new haute couture presented yesterday in Paris looked like a collection designed by a young fashion student who sewed it just before the dead-line, having in mind a chaotic mood-board without any sensible idea. Minimal silhouettes (which totally don’t match John’s adoration to opulence), glitter scattered all over the mini-dresses, a bit of tapestry embellished onto the capes and a big, white garbage bag instead of a beautiful bridal dress. And additionally the idea of Japanese sharpness which was suddenly presented in form of an obi-belted coat. It utterly felt like Galliano didn’t have any precise idea for this season and for this collection. Showing off trashy styling, shoes made for “breaking your legs” and telling people that its all so into Martin Margiela’s spirit makes me feel hurt. I love Martin Margiela as Martin Margiela and I used to love John Galliano, to sum it up.
So, here we are. The second collection by John Galliano for Maison Margiela. Without explanation – John matches the spirit of Maison Martin Margiela PERFECTLY. Now with explanation. The collection was a more than fun – it had a melancholic humour in it. A bit childish, a bit grumpy. But bold and full of colour. The vinyl coat with green lilac attached to it talked bad witches; the Mary-Jane shoes were over-sized, so they made us think little children trying to look mature in their mum’s footwear; the orange gloves and voluminous caftans appeared to be inspired with aristocratic ladies who always have this magical aura around them… whatever they say, good that Galliano is back after a traumatic breaks and again brings fashion back to fashion.
Still not under John Galliano’s wings because of some top secret reasons, the new Maison Margiela collection for men is… well, very Margiela. When the Maison Margiela studio doesn’t know how to shock or provoke, they just splash paint everywhere they feel like, and make it all look so whatever. Painted jackets, hands, pants – I mean, that’s every art student’s daily wardrobe. The boogie nights knits with these melange psychedelic prints are artsy too. But, common Margiela – I can’t wait to see Galliano’s first ready-to-wear comeback!