Organic Forms. GmbH AW20

We wanted to go back much further than just our heritage for our inspiration: to the birth of the universe, basically, when all matter was created.” GmbH’s Serhat Isik and Benjamin Huseby don’t pick one-dimensional inspirations, that’s for sure. They called their autumn-winter 2020 collection Ylem, after a term for the primordial sludge of the universe pre-Big Bang. What they did in the first half of this collection was present coat and pant shapes that had been very laboriously cut not to follow any precedent, the proportions of the human body apart. The shapes they came up with first in seam and drape and then with an interplay of mixed materials were interesting – a warped arm shape was impressive and apparently took three months to achieve. The jewellery, made in collaboration with Panconesi from different mineral stones, were a matching accessory to those organic silhouettes. In the second half of the show, the line-up expanded into colored patches and versions of the mixed link chain print (reminding DNA spirals) that had been monochrome in the first. Silk zodiac prints well addeed up to the scientific-slash-magic mood.

Collage by Edward Kanarecki.

Men’s – Classico. Junya Watanabe AW20

Junya Watanabe had one word to sum up his show in praise of Italian men: classico. A group of immaculately grizzled dudes, in different ages, not necessarily models, had nonchalantly strolled his runway, most in trilbies and flat caps. Some of them shook hands, back slapped, even talked to each other. Tweeds were implanted with racing car jackets, gold chains flashed at their necks, paisley scarves were tucked into unbuttoned shirts: Watanabe’s eye-catching guys were off for an aperol meet-up or some very Italian business talk. Anyone who spends time in Italy recognizes these sorts of guys. They are in Milan, Parma, Portofino, Torino, Florence, in every Italian town, possessed of an enviable, effortless style. Italian racing cars were also an inspiration for Junya. Retro-revered typefaces were patch-worked into fragments of padded souvenir jackets on tailoring and they came from Pirelli, Brembo, Abarth and many other companies. Practical, affectionate, good-natured, real – the Watanabe men are exactly that.

Collage by Edward Kanarecki.

Men’s – Fire! Dries Van Noten AW20

Dries Van Noten‘s latest fashion is fire hot. First the Christian Lacroix collaboration that became an instant, historic moment. Now the autumn-winter 2020 collection for men, which is just wild. “It’s about enjoying clothes, dressing: using your sexual power to feel great.” Faux fur stoles (aaaaaaaah, the return of decadent chic!), rich velvets and satins, leopard prints, raw denim, chunky knits. The collection was rock & roll, Mick Jagger, New York Dolls, so many things. There were also a lot of loose silk pants and to a lesser extent shirting, the sensual mellifluousness of whose material wafted breathily against the stronger, harder pieces around them. The collection as well included many  menswear classics. The military bomber and parka, the long check overcoats and the burnished brown leather jacket were all hot stuff for outerwear lovers. Hawaiian-style prints on puffers, shirting, shorts, and pants, plus typically vibrant knits completed a collection that climaxed with some crystal-set lilac silk boxing shorts and a rush of rave applause. This mights be favourite collection of the entire menswear season.

Collage by Edward Kanarecki.

Men’s – Partisans. Yohji Yamamoto AW20

At Yohji Yamamoto, looks were layered and imbued with rough, “unfinished” details. Officer coats with imperfect embellishments, military berets and caps, unmatched patterns unevenly patchworked, knits were dyed and hand-painted. But there was something absolutely romantic about these rebellious-looking guys. Swaths of beautiful, printed silk floating alongside a few silhouettes were pure poetry. The 76-year-old’s idea to develop these figures as “Partisans” sends the message that he remains a true nonconformist. “I used to explain my spirit as anti-trend, anti-fashion. I kept saying I’m an outsider. Now the vocabulary is not enough. And I’m angry about what’s going on in fashion, so I have become partisan.” It’s a word that people today assume is political. “Or dangerous,” Yamamoto added.

Collage by Edward Kanarecki.

Men’s – Performa. Rick Owens AW20

Rick Owens‘ show has always been a hot ticket in Paris. But in the last few seasons, his collections are receiving rave, nearly fanatic response. No wonder why – both his menswear and womenswear line-ups take you to another dimension. Tyrone Dylan Susman, Australian jewellery artist, Rick Owens’ studio designer and the brand’s face, opened the show in a one-legged, one-shouldered jumpsuit modeled after one made by Kansai Yamamoto for David Bowie in 1973. But where Yamamoto’s was a vivid pattern drawn from yakuza tattoos and kimonos, Owens’s was drably dun, and in the felty, blanket-like cashmere. Another highlights of this collection, which was all about elevated forms: the “monstrous” shoulders and the huge steel-fronted platforms (they might soon be selling as well in the men’s sector as all the Owens sneakers – if they aren’t already!). The designer talked about “graphics of exposed flesh” carved by his cut-out cashmere layers, and alongside those were the graphics of silhouette. Acidic colors on shearlings and motocross pants, screaming striped prints and hints of cleavage delivered via the deep-V tees so recently beloved by Rick himself were as well the big takeaways from the line-up. “I was a lot more introspective 10 years ago. And, you know, I think as you get older, you just get a little more reckless, more comfortable, more confident, more playful.

Collage by Edward Kanarecki.