A Lot. Bottega Veneta SS26

September 28, 2025 | Design & Culture by Ed

Louise Trotter took her time to deeply absorb the Bottega Veneta‘s 60 years of codes and craftsmanship – not rushing last season, but instead offering a substantial collection now. It’s a collection with many avenues for customers to explore once the clothes and accessories reach the stores, from myriad interpretations of intrecciato to an array of ultra-tactile textures. I’ll say it loud and clear: the techniques, the artistry, and the sheer beauty of each individual piece Trotter presented are beyond words. Yet this may also have been the trap she fell into – the collection felt overpacked and overstimulating. READ MY FULL REVIEW HERE.

Collage by Edward Kanarecki.
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Accomplished. Ferragamo SS26

September 28, 2025 | Design & Culture by Ed

This was certainly Maximilian Davis’ most refined collection for Ferragamo so far – one that didn’t rely on overt references or an overload of ideas. Not that it lacked context: the designer’s imagination settled on a 1925 photograph of silent-screen actress Lola Todd in head-to-toe leopard print, which he connected to a Ferragamo leopard-print shoe from the same period. Davis reflected on the adoption of “exotic” codes at the dawn of the Jazz Age, citing the Harlem Renaissance and Josephine Baker as points of reference.

Those reflections translated into a collection defined by airiness, sensuality, and wearability. The animal-print silk georgette dresses with fringes epitomized this spirit, looking supremely chic in motion. The same could be said of the boxy suits reworked into hourglass silhouettes, cinched with tasseled scarves tied as belts – for both women and men.

Menswear was also among Davis’ most accomplished to date; the sturdy canvas jackets, particularly in faded coral, stood out as highlights. Altogether, the collection is compelling proof that designers need time and space to truly flourish.

ED’s SELECTION:

Ferragamo Nymphe Leather Mules

Ferragamo Belted Wool And Cashmere-blend Coat

Ferragamo Satin Gown

Ferragamo Hug Satin Shoulder Bag

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Polarizing. Versace SS26

September 27, 2025 | Design & Culture by Ed

The fashion industry hasn’t witnessed such a polarizing collection – especially a debut – in quite some time. After Dario Vitale’s late-evening show for Versace yesterday, my DMs were ablaze until morning with radically different opinions. Some people loved it, calling it a startlingly fresh moment for Milan. Others, however, had no mercy for Vitale’s effort. Personally, I would love to hear Donatella Versace’s thoughts. Her complete absence from the show was… loud.

What is Versace without a Versace at the helm? Dario Vitale, formerly of Miu Miu, has a tough nut to crack. One thing is certain: his debut collection was confident. Gone are the days of Donatella’s flawless blondes in sky-high stilettos. In their place comes a sexuality aimed at younger clients – brisker, messier, slouchier, a bit more kinker. At moments, I felt I was watching a very dolled-up Magliano show – which would be head-turning if it were, in fact, Magliano. But is Versace truly ready to dive headlong into such vintage-heavy territory, straight into the 1980s without a filter? Donatella herself tried many times to revive Versus Versace with near 1:1 references to the brand’s past, and those “new” takes on the diffusion line never succeeded. Many of Vitale’s looks could easily have been sourced from a vintage boutique in Rome or Florence, allowing one to cosplay Gianni’s early career days head to toe. On one hand, the collection was about sensuality (“Honcho”-style in case of menswear, which was executed far better than womenswear, with a homo-erotic gaze) and youth; on the other, it smelled faintly of a mothballed closet. Yet the truth is: today’s “contemporary” audience is deeply nostalgic. Maybe this is what they want – rather than Phoebe Philo or Prada, two female-led brands that actually look forward.

It will be fascinating to see where Vitale takes Versace in the coming seasons – those choices will be decisive. For now, what I see is a cry for the past, one that also eclipses Alessandro Michele’s Valentino. The difference? With Michele, you know it’s his style through and through – not a costume.

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Sprezzatura. Tod’s SS26

September 27, 2025 | Design & Culture by Ed

Count on Matteo Tamburini to deliver a precise, hands-on collection in Milan. His Tod’s has become synonymous with finesse – especially in the realm of leather. It was reworked in myriad ways: from butter-smooth, striped dresses so languid and breezy they looked, from afar, like silk foulards; to a Macintosh coat worn inside out, its hidden seams revealed as bold graphic punctuation; to an easygoing suede column in a life-affirming shade of curcuma.

Tamburini also sent down the runway a series of feather-light pullovers in warm hues, styled with matching briefs, silk scarves, ladylike pumps, and oversized striped totes. Very chic – just like the black-and-white ensemble of a zipped hoodie, men’s shirt, and tailored pants. With every season, the Tod’s woman and her style grow ever more refined. Sprezzatura.

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A Need, Not A Want. Daniela Gregis SS26

September 25, 2025 | Design & Culture by Ed

You’d never guess which collection – an entire collection, not just two looks! – has stolen my heart this season. Daniela Gregis is a brand beloved by clients who shop not at Hermès or The Row, but at Dover Street Market and 10 Corso Como. Founded in the 1980s and now helmed by Daniela’s daughter, Marta Bortolotti, the label has no social media presence yet maintains a cult following. Its signatures are roomy sack dresses as effortless as T-shirts, ultra-fine knitwear, and an off-beat allure that feels a little granny-ish, delightfully quirky, and utterly specific.

This season’s collection distilled the Gregis style language to perfection: checked tunics and shawls cocooning the body, cloud-like dresses that from afar resemble crumpled paper, parachute volumes designed for comfort and ease. The layering? Heavenly. The color palette? Vibrant and uplifting. And yes, I’m already stealing the double-flannel shirt trick from the men’s looks. That curcuma-shade shirt is a need, not a want.

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