Subtle. The Row Resort 2018


Mary-Kate and Ashley Olsen‘s resort 2018 collection is distinctively The Row. The designers’ subtle minimalism appears in every single piece in that short, black-and-white look-book. From a cashmere, patchworked knit to a taffeta gown with bell sleeves (note that it’s in delightful shade of pink in reality), that’s a very luxe, yet understated wardrobe for the upcoming spring.

Collage by Edward Kanarecki (feautruing Cy Twombly’s artwork).


Modesty. The Row Pre-Fall’17


Mary-Kate and Ashley Olsen presented one of the most refined collections for autumn-winter 2017, reaching the feeling of Calvin Klein’s early minimalism and Helmut Lang’s authentically raw, New York coolness. For pre-fall 2017, the twins continue their exploration of austerity and softness, offering a selection of The Row classics. The 90s rough modesty is perceivanble thanks to Zoë Ghertner’s images of Erin O’Connor, who poses in thick grey coats, black turtlenecks and delightful slim maxi-dresses. As soon as colder days strike, those timeless pieces will be there to serve.

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Relevant. Jil Sander AW17


Who would have thought that Rodolfo Paglialunga finally finds his niche at Jil Sander? Sadly, just at the moment, when he’s rumored to be leaving the brand. Hopefully it’s not true, because his autumn-winter 2017 collection is his best outing to date. It’s filled with the season’s best duvet outerwear and voluminous suits. Yes, we’ve seen them elsewhere, but those two match Jil Sander’s codes well, making the brand relevant. And who doesn’t love a power blazer? An ultimate business partner.


Minimalism. The Row AW17


Mary-Kate and Ashley Olsen‘s The Row lead the coat game for autumn-winter 2017. Their newest collection was virtually all about coats, whether we’re speaking of a timeless mac or a floor-sweeping ensemble. We’ve already got used to The Row’s remarkable cashmere and over-sized knits, which rather associated with the term “cozy”. Or flowing silk dresses for summer. But this season felt austere. That was pure minimalism, with no place for romance (heavy Dr. Martens prove that). The level of minimalism which was presented by the Olsen sisters matched Helmut Lang’s and Calvin Klein’s shows in the 90s – and that’s an achievement.

You need to be a great observer to notice those tiny, yet meaningful words embroidered on the shirt’s sleeves. ‘Hope’, ‘dignity’, ‘freedom’ – I doubt this word pool needs much of explanation, noting current political situation in USA. The Row women (like Jamie Bochert, Kristen Owen, Angela Lindvall) marched around the concrete show venue like soldiers, or even, modern-day angels.