So, resort 2019 season has started. After a very tedious show Chanel staged in Paris a few days ago (that ship standing in the middle…), Prada‘s collection in New York makes a bit more sense. The MET is just around the corner; the company tries to re-enter the U.S. market with a boom – all of that is quite understandable. Miuccia Prada went for her archives (again), giving us some 90s feels. Her famous ‘ugly print’ from the time was all over the mini-skirts and dresses, while the ‘I don’t care much’ attitude of the decade was perceived. Even, if at some points it all felt forced. Other than the bucket hats and padded trappers, I just don’t understand the impact of this outing. Well, maybe seeing a bit more of Prada on Instagram was the entire point (plus the few-minutes long Times Square livestream that surely had all New York eyes watching).
So many things come to one’s mind when looking at Miu Miu‘s brilliance this season! The models’ beautiful beehive hair resembled John Waters’ cult Hairspray film in all possible ways. Over-sized shoulders of the jackets had something of Rockabilly sensitivity. The clothes, stacked somewhere between the 60s and 80s, define cool. Oh, and there was Elle Fanning, opening and closing the show effortlessly. All hail Miuccia Prada for letting youthful spirit to the season, without necessarily leaning on hoodies and sneakers. Quite obsessed with this nostalgic cool girl pack.
As Miuccia Prada told the editors after her autumn-winter 2018 fashion show, she wishes “for the strength of women going out in the violence. My dream is for women to be able to go out in the street and not be afraid. I wanted to have the freedom exaggerated.” Indeed, staged in the still unfinished tower extension of the Fondazione Prada, the venue’s mood (lit with neon signs) felt powerfully cosmopolitan. The colours of the collection’s sequined mini-dresses, Pocono-nylon track pants, rubber boots and corporate jackets were equally joyous. While Prada continues to remix her archives (the brand’s fan will notice many, many references to her past collections…), she keeps it feminine this time around with tulle shawls wrapped around the neck. Utilitarian, but soft. Intelligent.
Identity is what Miuccia Prada considers and rethinks the most this season. Well, a house like Prada can boast with a huge number of ‘codes’. But one of the most distinct is the “Pocone” nylon (a modified material that was previously used in packaging industry), which was introduced by her back in 1984 as a line of bags. They were best-sellers in the 80s, and they seem to be hitting the stores by storm with similar success in 2018, noting the current customer tendency for everything that’s nostalgic. This specific nylon was the key material in the opening, all-black looks. From pillow-y coats to bucket hats, it’s a conversation between utility and contemporary dressing. Not only was “Pocone” a Prada reference in this Prada show. Prada’s now-closed sister line, Prada Sport, made a catchy comeback as zippers and labels in signature, bold red. Also, note the prints – feeling a déjà vu? Monkeys, lipsticks, flames, bananas, Hawaii florals, beaches… those are all prints from past collections, remixed and re-matched. Models wore ID tags featuring cutout Polaroid head shots clipped to their clothes or bags – that brought a exaggerated, corporate feeling that perfectly matched the very industrial venue, so the “Prada Warehouse” of its Fondazione on the outskirts of Milan. A bit elegant, a bit geek – that’s what men’s autumn-winter and women’s pre-fall 2018 really is about, with a dose of Miuccia’s sophistication.