Femininity is Fun. Miu Miu AW25

Miu Miu was delicious. Delightful! This season, Miuccia Prada mused about the accessories of femininity – bras, furs, brooches. Are they relevant today? Do they lift up? At her reductionist Prada collection, she seemed to turn her back to anything superfluous. But at Miu Miu, the frivolous, younger sister, she seemed to fully indulge in all the “feminine” ornaments that in the end of the day bring utmost pleasure. With a cast consisting of Sarah Paulson and Lou Doillon, and Lotta Volkova’s phenomenal styling, the collection remixed different decades that shaped what’s affiliated as feminine today. 1920s flapper silhouettes accented with very-retro caps. 1950s knee length satin lingerie dresses (with the bra peaking out!). 1980s uptown power-looks, smoothed around the edges and completed with Deeda Blair’s hairstyle. It might sound like a lot, but the overall effect was absolutely Miu Miu. And it reminded us that fashion can be truly, truly fun to play around with.

ED’s SELECTION:

Miu Miu Short-Sleeve Cashmere Sweater


Miu Miu Intarsia Logo Cashmere Briefs


Miu Miu Leather Lace-Up Moccasins


Miu Miu Shearling Collar Oversized Jacket


Miu Miu Rose Print Knee Skirt

Collage by Edward Kanarecki.
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Chic Wrongness. Prada AW25

The beautiful wrongness of Prada.

Messy hair (THAT autumn-winter 2009 girlie is so, so back).

Dress to big. Sack à la Cristobal.

Don’t care about the creases. Who cares about ironing? She certainly doesn’t.

Just as she doesn’t care about the norms.

Fuck the industry.

Fuck the expectations.

Challenge the (pre)conceptions of beauty.

The body is (un)seen.

In a homo-sapiens-chic faux-fur shawl.

Rough, crude leathers.

Primary instincts meet baby-doll.

We just talk about which clothes make sense now,” Miuccia Prada and Raf Simons said.

Collage by Edward Kanarecki.
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Homo Sapiens Chic. Prada AW25

As the world is in flames and the U.S. is entering the second presidency of Donald Trump, it seems we’re jumping from one dystopian vision… to another. Miuccia Prada and Raf Simons aren’t pretending to have all the answers like they once did. But they surely know how to dress men in this strange, strange world.

Crude furs. Rough cuts. Bare chests. Primary instincts. The return of homo sapiens chic. This is what Prada is for autumn-winter 2025. “It is a bit of an answer, as always, to what is happening. So we have to resist with our instinct, and our humanity, and our passion, and our hands in a world that is becoming so conservative,” the Signora mused.

Nothing is ever obvious with these two. But this season, the designers are offering somewhat obvious building blocks for a man who isn’t certain of tomorrow. Anorak puffers, slightly over-sized tailoring, very heavy knitwear. But there’s space for beauty, that little sparky thing that makes us human. A pink flower-brooch tucked into a jacket’s label, for instance. Or the wallpaper print ornamenting the surface of a barely-there t-shirt, worn by a modern-day Narcissus.

Keep your eye on the donut, not the hole.

R.I.P. David Lynch.

ED’s SELECTION:

Prada Men’s Spazzolato Triangle Logo Penny Loafers


Prada Men’s Velluto Coste Corduroy and Suede Gloves


Prada Men’s Oxford Dress Shirt


Prada Men’s Relaxed-Fit Washed Denim Jeans


Prada Men’s Cotton Moleskin Jacket

Collage by Edward Kanarecki.
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Girls (And Willem). Miu Miu SS25

Miu Miu‘s spring-summer 2025 collection was a post-post-modern collage of various notions of femininity, seen through the lens of Miuccia Prada‘s absolutely distinct Miu-isms. This girl was certainly interrupted – the Miuccia way, with styling help of Lotta Volkova. To start, there were underthings worn as outer things, such as white cotton slips; some had graphic sequined embroideries. Sporty track separates and cutout bathing suits were also in the mix, along with private-school uniforms 1970s-ish geometric prints lifted from a spring 2005 collection (that’s the thing about Prada: 20 years later, her concepts feel like new). It was a wild juxtaposition of things that don’t belong together yet somehow work together. Western belts and waitress dresses, well-worn shirting and sporty bikini tops… but in the end, there was method to this chaos. And then you had Willem Dafoe closing the show.

Collage by Edward Kanarecki.
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NET-A-PORTER Limited

Ugly Chic, Extreme. Prada SS25

Back in the 90s, Miuccia Prada introduced “ugly chic“, a style so wildly anti-fashion it polarized the entire fashion industry. Yesterday, together with her creative partner Raf Simons, Prada presented a collection so notorious, bizarre and “wrong” that one can either hate-hate it or hate-love it. I’m grateful to both of them for showing a collection that sparked true dismay and confusion – finally, fashion that doesn’t just deliver momentary visual satisfaction or, at worse, lack of any impression. Like a remix of Prada’s greatest hits seen through the lens of a teen who’s living a “Brat” summer 365 days in a year (and probably loves acid), the tackiness, ill-fittingness and clumsiness of this collection reaches perverse levels. So perverse, you feel a kinky affection to it. Yes, contemporary fashion can still make waves, edge the internet so sharply it will spill venomous hate in response, and leave the viewers electrified – with unhinged ecstasy or absolute frustration. Prada and Simons are still capable of shaking the status quo of aesthetics. This is “ugly chic, extreme“.

Collage by Edward Kanarecki.
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