Mum’s look (including similar styles): Jacquemus logo t-shirt, Lemaire wide leg trousers, Acne Studios Bolzter W Tumbled sneakers, Céline fringed bag from spring-summer 2014.
Taschen‘s store in Berlin is a book kingdom. The famous publishing house’s stores are like art galleries (have you seen the one in Amsterdam?), but the one in Berlin has its undeniable charm. The books, some the size of a literal coffee-table and at a 1000 euro (and up) price point, are a dream. The iconic Naomi Campbell book with the three-dimensional John Allen cover or the mega-album with David Bailey’s photos… oh my, I would easily lose my mind here.
Schlüterstraße 39 / Berlin
Photos by Edward Kanarecki.
Pierpaolo Piccioli’s couture for Valentino is the only couture that matters. No crazy venues that attempt to distract you from noticing how plain the collection is (I see you, Dior and Chanel). Just pure, joyous, glorious haute couture that enchants and truly impresses. And makes Celine Dion cry. This spring-summer 2019 collection, reserved for the richest and most extravagant women on our planet, was a triumph of audacious colour, beauty and glamour. But also, it was a major model casting breakthrough, with completely diverse models that made the garments even more exquisite. The designer embraced black beauty, having Adut Akech open the show (in a brilliant, pink ensemble) and Naomi Campbell close (in a gown made out of translucent organza in the shade of Chocolate Dahlia). There was Liya Kebede, there was Lineisy Montero, there was Ugbad Abdi. Runway icons, veterans, and newcomers. The entire scene looked like a fairy-tale… that really took place. This couture collection again proved that colour is crucial for Pierpaolo, especially in terms of couture. “You don’t invent beauty, but you can invent new harmonies for colour”, the maestro said backstage. Just read the following: a coral coat worn with a chocolate crepe blouse and emerald gabardine pants. Lilac serape topped a pair of orange pants. Turquoise lace and tangerine silk faille. Green sequins. Pale mauve. Matisse blue. All that worked with voluminous ball gowns that took hundreds of hours to create at Valentino atelier in Rome. Unquestionably, Piccioli is a couturier of Garavani’s heights. And it’s a blessing for today’s fashion to experience his genius.
All collages by Edward Kanarecki.
The artist, the couturier, the artist. He was and forever will be a remarkable technician of cut, a great explorer of materials, more than dress sculptor than a ready-to-wear designer. He didn’t care about the hectic fashion week schedule; trends; conventions behind leading a luxury fashion brand. The father to supermodels, friend of real musicians. A Tunisian who bewitched Paris forever. I feel so blessed that I saw him, even for those two seconds, at his studio / boutique on rue de Moussy, few years ago. With him, fashion is not clothes – it’s emotions.
That’s Azzedine Alaïa. Forever in my heart.
Naomi Campbell’s mega-book with the 3-D cover designed by Allen Jones; the David Hockney bible which can only be opened while wearing white gloves; Kishin Shinoyama’s original photos of John Lennon and Yoko Ono hanging on the wall – and all that under one roof. Taschen‘s boutique in Amsterdam is like a treasure chest, where the exclusive publishing brand sells the most desired books and albums on Earth. And some really do cost like gold. A must-visit destination for anyone whose soft spot relates to the beauty of print…
P.C. Hooftstraat 44 / Amsterdam
Photos by Edward Kanarecki