The Fondation Louis Vuitton, Frank Gehry’s new masterpiece, was gleaming above the Bois de Boulogne in the October sun. And here, also, the third Louis Vuitton show was held under creative direction of Nicolas Ghesquiere. It was literally a time travel. Sci-fi movie. Big, cyborg platforms with youthful faces speaking in unison lines that had been lifted and modified from the 1984 David Lynch film, Dune: “A beginning is a very delicate time…Day zero in the heart of the project, code-named GEHRY014…A ship surrounded by a gigantic woodland, a ship made up of 3,600 glass panels and 15,000 tons of steel, a ship that serves as an incubator and ignites our fellow creative minds…Oh, yes, I forgot to tell you, today, October 1, the LV house wants to explore the ability to travel to any part of the universe without moving. The journey starts here.” We know already from Ghesquiere’s Balenciaga times, that he loves science-fiction. But that was major. That was the start. First looks were all about folklore knits. Then, sharp denim. Modernistic dresses. Floral collages. Fun with LV logo. “No rupture with last season,” Ghesquière said afterward. “It’s still a wardrobe, it’s about an instinctive mix.” Indeed there was a mix of wearable and couture-ish vibe. But it was totally Nicolas Ghesquiere. What are your thoughts about the show?