Pleasure Garden. Magda Butrym SS23

For spring-summer 2023, Magda Butrym invites us to her, as the collection’s title suggests, “Pleasure Garden“. The Polish designer, whose clothes are red carpet favorites among actors and artists like Natalie Portman, Tracee Ellis Ross, and Olivia Rodrigo, just knows what women want: a certain sort of chic that’s romantic, yet bold, mature, yet mood-boosting. The latest offerings has plenty of Butrym’s signature florals, which return in form of artful appliqués as well as in tone-on-tone embroidery across a white standout maxi and curve-hugging black set. In a dreamy sea of neutrals with pops of pale lilac and bubblegum pink, find hand-draped floral forms punctuating the necklines of slinky jersey halter tops and ultra-high side slits, and unfurling in structured ruffles trimming the ruched cocktail dresses. The designer also takes a look back at the 1970s jet-set style with a toffee suit made from finest suede, and charming denim embroidered with even more florals. Butrym doesn’t really go for straightforward themes, and that makes her vision of a woman feel so distinct and true-to-her-style every season.

Collage by Edward Kanarecki.
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Hotness. Magda Butrym Resort 2023

Unabashedly feminine and sexy, Magda Butrym‘s resort 2023 party-ready pieces sit in a league of their own – and continue to evolve in her new collection. The Polish designer delivers new off-shoulder necklines and the return of her signature, hot-red rose appliqués, now on separates, rendered in crochet and denim, and adorning an elongating pink number that exudes high statuesque glamour. She also introduces more coverage – most notably on a crystal-flecked long-sleeve gown in scintillating pale beige. The tailoring is sharp as usual, this time in an array of colours, from bold magenta to deep black. The pink long-sleeve floor sweeper with a dramatic side slit and floral-detailed high neck is the Aphrodite of Butrym’s latest eveningwear. These are clothes to dance in, all night, in the moonlight. No wonder why the collection is titled “Super Moon”.

Collage by Edward Kanarecki.
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Love Letter. Magda Butrym AW22

For autumn-winter 2022, Magda Butrym delivered a collection that balances her signature, chic finesse with a few delightful nods to her Polish roots. Those references definitely include the cultural legacy of early 20th century Zakopane, where artists created a new aesthetical identity inspired by the regional art of Poland’s highland region known as Podhale. In this “Love Letter” – the collection’s title – Butrym reinterprets the timeless shearling jacket by adding flower-shaped intarsia cut-outs, while the bold red rose print makes me think of Zofia Stryjeńska‘s vibrant depictions of women dressed in traditional highland folklore. Of course, nothing is too literal about this collection, and the knitted cream ensemble with a balaclava hoodie will work both on the slopes of Tatry and Megève. This season, the designer debuts luxe, commanding coats in red patent leather and pink, extra-fluffy jackets, as well as handcrafted details seen in the crochet dress and floral-appliqué mini. Feminine, edgy, distinctly cool and full of bling, Butrym’s eveningwear pieces are unlike anything else. Find them alongside her all-time must-haves – from bustiers with rounded cups to 3D rosettes, and a gray cashmere update to her best-selling long, boxy coat.

Collage by Edward Kanarecki.

NET-A-PORTER Limited

Focus On: Jan / F / Chodorowicz

Finally, a delightful dash of refinement appears on the Polish fashion scene. Meet Jan / F / Chodorowicz, the womenswear designer and recent graduate of Central Saint Martins MA course, and his brilliant SOCIALI/S/TE collection. Chodorowicz’s debut line-up introduces the audience to his two favourite meeting-points: the codes of haute couture and workwear. For the collection, Jan was simultaneously inspired by the glamorous Truman-Capote-kind-of-women, and photographs of working women in socialist Poland – visions of strikingly contrasting femininity that collided at one point in history, when Jackie Kennedy and Lee Radziwill came to Warsaw in 1970. The collection is a capsule wardrobe for a contemporary, charismatic and business-ready woman, a modern-day lady who is in control of her narrative and expresses her confidence through uncompromising total looks. The dominating, deep tone of blue is a reference to classic workwear, which is combined with fine wools in windowpane and houndstooth patterns, all fully bonded with silk satin to create a chic, couture-ish silhouette. Every outfit has a matching pair of gloves and tights that convey the dynamic blue lines that run through the entire collection, making the looks not only feel lady-like, but surprisingly also utilitarian. Keep Jan on your radar – for more of his works, follow the designer right here.

Collage by Edward Kanarecki. Look-book: photography by Łukasz Kuś, make up by Marianna Yurkiewicz, styling by Marcela Stanczyk & special thanks to Krystyna Engelmayer Urbańska and Jula Strużycka.

Delightful. Magda Butrym AW20

Whether it’s one of her statement cocktail mini-dresses or a pair of zebra-print boots, Magda Butrym’s pieces carry an undeniably cool attitude that is a mixture of the 80s and 90s chic. What makes me even more excited about her pieces is that they’re beautifully crafted in Poland, embracing the nearly forgotten, local craft experience. With every season, Magda’s work becomes more and more signature and distinct to her style. And she also expands her line-ups. For autumn-winter 2020, the Polish designer offers the complete wardrobe, from boxy overcoats to tiny corset tops trimmed in crystals. The black, leather coat with shearling collar is a dream, just like the floral dresses made from glorious, meaty velvet or the incredible sequinned garments (those are just some of the details I had a chance to experience at her showroom in Paris). Butrym’s clients – and that fan-base steadily grows – will be pleased to see that the label introduces sunglasses this season, made in collaboration with Linda Farrow. Delightful.
Collages and showroom photos by Edward Kanarecki, look-book photos by Sonia Szóstak.