Prada
Bold Resort
Resort 2016 will soon hit the stores! And what’s the best about that fact? Surely, the colour splash which will kill the November dullness. The wide range of prints, from pervert rabbits at Prada to geometric forms at Massimo Giorgetti’s Emilio Pucci revamp, the summer pre-collection for the upcoming 2016 also stunned with a great attention to the detail. Just see the first looks at Gucci to understand what I mean – meticulously embroidered dresses, lace tank-tops and floral head arrangements bring on the musings of a long weekend spent in Tuscany. In Paris, Miuccia Prada showed her other collection, for Miu Miu, which was all about a decadent party full of fur, sequins and flirty mini-dresses. Lastly, Phoebe Philo delivered an edgy, yet feminine look-book at Celine, where we’ve got some Pierre-Cardin-esque modernist silhouettes and wild, animal prints. Here is a look at fashion’s upcoming vibrance!
Emilio Pucci
Miu Miu
Celine
Gucci
Prada
Subverting Reality. Prada SS16
Miuccia Prada‘s subverted reality can be felt in the most “realistic” way at Fondazione Prada (soon, a post coming up on it!). This place serves as a museum of modern art and has a quaint, strongly elusive and a highly reflective aura around it. The complex of former-industrial factory exhibits the installations and paintings, and just like the SS16 fashion show venue, it’s all about raw concrete. And this minimal background is the best for a viewer to experience art. And fashion, as in case of Prada‘s latest collection. This collection was all about the eccentric side of Miuccia – disco ball earrings and Cuban heels; snake-skin coats in pastel green; gold lips by Pat McGrath. Also, it fused different decades – 40’s masculinity (the jackets), 60’s geometric patterns and 80’s modernism represented in silhouettes of the skirts. Although the collection was pretty built-up with layers and various textures, there was a place for more exposing and daring pieces. Take the bathrobe coats made out of transparent organza or net-like necklaces that delicately showed some flesh. This collection is deeply rooted in Prada’s signatures and it changes the classical wardrobe of the brand’s customer.
Men’s – Naive Years. Prada SS16
Youth and naive were the main keywords behind the recent Prada collection for men (and women). Miuccia Prada made everybody confused this time, bringing on the wardrobe of messy, skinny boys, which wear over-sized socks, “poor looking” sweatshirts and turlenecks-under-shirts. I am not just uncertain about what it all means (the rabbits and rockets on knitwears, the post-Soviet attitude kept all around these clothes), but whether I actually like or dislike the collection, as Prada bases her ideas on the power of ‘ugly’, transforming it into something strangely desirable. By that, I mean the clothes from SS16 are not beautiful at all – they are definitely ugly. The way the models wore the jackets; the perverse short shorts; even the creepy colour palette made it all look like a wardrobe of a crusty. It felt like seeing a Gosha Rubchinkiy show, but sponsored by a major luxury house.
As usually, Miuccia did not forget about girls. In this collection, almost 50% of the models were girls. And their outfits did not really differ from the boys. Slouchy, over-sized rain coats; mini python skirts; same, pixellated prints on knits, which told a story of naive childhood, where the boy dreams of being an astronaut while the girl is pretending to be a bunny. However, the collection definitely told a more “parental advisory” kind of story – one of the main inspirations behind the women’s collection was the famous film, Female Trouble by John Waters. The cat-eye makeup and kitten heels with socks instantly transported us back to Chicklette and Concetta, the symbols of bad-girl defiance from Water’s 1974 work of genius. These troublemakers have made their presence in Miuccia’s world more than once (Miu Miu SS15, for instance). As you see, there is always a kind of pleasure while interpreting Miuccia Prada’s collection – even though some are definitely not in my taste. This collection represented a mingle of many topics and ideas – childhood, femininity, fake modesty and of course, ugliness. All of those often appear at Prada, but they are always presented in a new, reflection-causing way.
Macaron Pastels. Prada AW15
Oh, Miuccia. What have you done. This collection is unfortunately, one of the weakest for a long time. This was Miuccia Prada’s “Synthetic Fantasia”. Inside a series of macaron-shaded pistachio green and powder pink rooms connected with industrial grills, Miuccia explored themes that are different to her. What are our ideals of beauty? Are they real? What are the fine lines between fantasy and reality? What lies beneath a saccharine surface? These 50s-60s debutantes in all shades of pastel certainly had something cute about them. But… is it really what we need? Maybe it’s the fault of the styling. These ultra-long gloves and the horrible Geox-like stompers destroy everything. The ostrich leather, which I usually like, feels awkward with all that tweed. Definitely, that’s another vision of Prada. But not visions are always good. This one’s certainly too eye-catchy and twisted.




























