Turtlenecks. Baja East Pre-Fall’15

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“We cover our women and guys throughout the day, but they’ve also been asking how they can do Baja East for evening,” said cofounder John Targon. The answer? “Relaxed cocktail.” Targon and Scott Studenberg have built Baja East around the idea of unisexual dressing—clothes that work well, but differently, on both men and women. Their knitwear lends itself nicely to the concept, looking fluid-like and wrapped all around the body. Pre-Fall’s pale pink ribbed cotton baja is not only Baja East signature, but also the conection to 2014’s main think- normcore.A silk-lined, spangly Lurex wrap skirt, paired with an oversize chunky cashmere sweater, is a no-brainer for women, but an interesting challenge for the daring man who trust the brand. But what really clearly works both ways is the brand’s fabrications. A Japanese silk crepe, used on a simple snap-front skirt and a pair of side-pocket harem pants, felt good enough to sleep in. And the turtlenecks are going to give you warmth everywhere.

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Fringe. Proenza Schouler Pre-Fall’15

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 Pre-Fall offered them a chance to revisit the hits from Spring, dig further into their back catalog, and begin testing out ideas they’ll put on the runway for next Fall in February. Fringe dresses, tessel skirts, but now knitted, voluminous tops and a slouchy way of wearing. The clothes were in other words really good. But it feels that Lazaro Hernandez and Jack McCollough start to get commercial. In 2015, their 8th store will be opened! So no wonder why they keep consistency. The clothes aren’t so “one-season” as few years ago. And if looking at pre-fall 2015, this is clearly visible, knowing Proenza- those are old hits framed into a new look-book. Whether it’s good or no- pre-falls and resorts are usually about more commercial fashion. Hopefully, Lazaro and Jack won’t change into mass-production corporation for their read-to-wear.

P.s. Forgetting “commercialism”, Proenza Shouler boys made a convincing case for the covered-up proportions with a long cable-knit sweaterdress buttoned up the back over one of those pleated knit skirts. And those fringed heels are major.

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Vintage. Creatures of The Wind Pre-Fall 2015

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Creatures of The Wind always produce collections which are nostalgic, but in a nice, fresh way. For pre-fall 2015, boys of CoTW brought a cool air of vintage- grandma’s fur coat, fabrics brought from Asian countries, warm wool caftans that used to be your dad’s bath robe- all of that felt beautiful and very deep. Although many things in this collection seem to be very different, I bet nothing was random for the designers. Definitely, the most heart-breaking piece of this collection is the long sequined skirt with those blue elements- India, Myanmar? Or maybe something totally different? Surely that’s a long, warm story to tell. Simply, interpret this collection the way you want to.

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So French. Chloe Pre-Fall’15

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For pre-fall, Chloe’s Clare Waight Keller felt the attitude of freedom, continuing SS15’s main theme. Somewhere between David Bowie and Kate Bush scene craziness and Jane Birkin’s fashion for bow shirts, Clare outstood herself. This collection was basically a master-piece. Pony hair A-skirts, python leather bags, brown palette capes, tweed blazers and “whatever” trousers are just few of my favourites. The models, kept in very Parisian styling, looked casual but stylish and strong. And then very sexy butterfly wings —and that sensuality operated throughout the collection as a whole. Chloé is usually associated with a kind of virginal, flirty look, but Waight Keller chucked it this time—some of these clothes were intensely womanly, others rather boyish, and a good deal of them were borderline feral. So, whether Clare thought of androgynous Bowie or feminine Birkin- this clash works on me.

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Salzburg. Chanel Pre-Fall’15

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The strongly anticipated Chanel metiers d’art collection for Pre-Fall 2015 is reavealed. In the heart of Schloss Leopoldskron, one of the most magnificient and historical places in Austria, the show was presented, keeping it between the border lines of Salzburg’s legacy and Karl Lagerfeld buzz. As you might guess, there were lots of embroideries, knits and embellishments which are not only typical for this region of Europe, but also for the metiers d’art tradition. First of all, Salzburg is the place where Coco Chanel found her first inspiration for the iconic little black jacket- just by seeing the lobby boy’s “outfit”. So, no wonder why we saw a lot of it here, in new colours and versions. Worn with sweat-pants (yes, in Austria), super opulent bags, feather trimmed hats and brogues, the clothes felt nostaligic with a fresh perspectve. Victorian turtlnecks and floral motives where here, too. Plus, the clothes for men reminded me more of waiters in Bavarian restaurant rather than Salzburg princes… Truly, I thought the collection will be much worse. But it wasn’t. It had a nice sense of humour, warm venue (not some kind of super-market) which was the Schloss library chamber. For a while I observed more deeply Karl Lagerfeld’s moves at Chanel and the outcome is- his Pre-Falls are better, than all the other collections. After Mumbai, Moscow, Edinbourgh, Dallas, Salzburg feels really fine- all of them are showing what metiers d’art is. And now, it’s time for Cracow in my opinion. The city’s charm would look great at Chanel’s next Pre-Fall…

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