For pre-fall, Acne thought about experimenting with texture – lace mixed with knittwear, lurex combines with leather, patch-work – all of that brought an interesting fuse. The first look was all about “wild” knitted sweater which totally confused the proportions of the model. Also, there was the cute knitted hat in lilac – a must-have. The signtaure vests and coats are here, too, but in new colours. The only thing that disturbs me are the shoes…
Jonathan Anderson surprises. His SS15 was unexpectedly lady-like while pre-fall is very nostalgic – 60’s mini skirts, 70’s psychedelic prints and “granny” necklaces and bracelets. “Nothing works together,” he added gleefully during the presentation. “When something makes me uncomfortable, I resist the temptation to make it look good.” That’s visible- in this collection he mixes so many styles from the past, that the result seems to be modern, and surreal. A bit like the Soviet Russian architecture – at the first sight it seems to be modern, but in reality deep historical influences hide behind it’s walls.
Ukrainian Institute of Technology, Kiev
Presidium of the Russian Academies of Science, Moscow
Polythechnic Institute, Minsk
But coming back to the collection – “I’ve never been a designer designer,” he said. “I see it more as a look, what’s new right now.” And this—with its odd fabrics and peculiar proportions, cerebral and sensual—looks just that. New right now. But with faux cover which hides the old roots. The colours and textures combined with those curvy belts and emalia earrings makes me wonder. And I like when a collection makes me want to think, compare and research.
Lanvin’s pre-fall is so into Lykke Li’s I Never Learn album for me. The song Never Gonna Love Again matches perfectly Mica Arganaraz and Jamie Bochert in this gorgeous look-book. So dramatic, so chic, so elusive… over-sized suits, loafers, fluffy furs, maxi dresses and beautiful floral embroidery – and everything fulfilled with a dose of mysterious fog. Alber Elbaz just keeps his style. Non-chalant, but utterly dandy with a feminine twist. Baby can you hear the rain fall on me, never gonna love again, baby can you hear my heart cry tonight, I can’t keep running away, this time I can’t keep running away ’cause I’m never gonna love again.
Last pre-fall was dark and heavy. This pre-fall is light and smooth. Why? The Olsens went beach for this autumn. Surfboard inspirations? Yes, but in a very subtle way. Only the fastening zippers and fur ponchos worn like “surfers wear their towels”. And of course pool-slides with beaded and sequined straps handmade by a nonagenarian granny, The Row is known for its beautiful minimalism, but this season, as all the others for last few years, is perfect. The mood, the colour palette (lilac, beige, claret…) and textile usage. And the most important – everything is super wearable… again, The Row takes a bow.
Raf Simons seems to have two personalities- one at his namesake label for men, where he doesn’t care about the rules; another at Dior, where he definitely obeys the bosses. Last season (SS15), in my opinion was trash. I truly couldn’t understand it. It felt like Simons explained it only by “oh, look, it’s like this, but look at those couture embroideries”… yawn. Come on, who cares about embroideries, if the clothes are so boring? Thankfully, Dior thought of something new for the house, which was smart. The pre-fall 2015 which was presented few days ago was organised in Tokyo- the place were Dior has it’s boutiques on nearly every street. Commercially, this is genius for the house. But for fashion? Raf Simons had his model walk zigzags in a huge sumo wrestling arena, inspired by the scenes of Ridley Scott’s Blade Runner movie. With fuses of futuristic influences (that badly reminded me of Paco Rabanne gold years) like silver sequined turtlenecks, jacquard motifs and wax cotton coats, Simons brought a lifey twist into his Dior timeline. And what’s interesting although the fact the show was in Tokyo, Japan, we didn’t notice even one kimono, manga print or anything of Japanese stereotypical fashion. Definitely, Raf looked at Japanese woman of the future- stomper boots, wide trousers and clean lines with neon elements. Plus, corn-rows and super kawaii eye-brows. Personally, I have no offend to Raf Simons- sometimes, he is just not on the point. However, this dynamic show proved one thing: not only that Raf has better and worse days in his life, but also that Tokyo is an amazing, energetic city of fashion.
Just to be in the Japan mood- here are some amazing vintage posters from Wafu Works…
Design & Culture by Ed 