For Burberry‘s spring-summer 2023 collection, Riccardo Tisci seemed to have many ideas. But in the end, the overall result was messy and unedited. It came as a surprise, because his recent offerings for the British brand suggested he finally found the right track. After five years in England, Tisci (so often labeled “goth” by the fashion press) has gained a better understanding of the intricacies and eccentricities of British society – such as the beach and summer culture that inspired his spring collection for Burberry. “British summer is very different to anywhere else in the world, because Britain is basically built on big cities on the water. That means you really see people dressing on the beach, because you never know when it’s going to rain or when there’s going to be sun. The beauty is the goth on the beach, like these kids we filmed the other day,” he said after the show, referring to the show’s goth-tastic teaser filmed in Margate. “Or, you’ll see a wedding, or someone who’s gone there at lunch time to read. It’s all different personalities.” Since Tisci brought a more sensual spirit to Burberry, its swimsuits have risen to best-seller status. That fact, mixed with his homage to the beach-going goth, created a collection of swimwear fusions and hybrids. Press release is one thing; in reality, the concept looked too awkward and clumsy. The model casting, featuring Naomi Campbell and Karen Elson, didn’t help in elevating these clothes. Swimsuit elements like bikinis and bathing suit cut-outs were entered into dresses and tailoring, which simultaneously incorporated the trademarks of the goth wardrobe: lace, netting, perforation, gothic fonts, and crinkled negligees. De- and reconstructed outerwear evoked the dress codes of the industrial corner of the goth population, with dissected hoods and sleeves tied around the waists of trench coats and three-piece suits with big-buttoned gilets replacing the traditional vest. After Burberry canceled its original presentation during London Fashion Week out of respect for the national mourning period that followed the death of the Queen, Tisci squeezed the show in on the Monday between Milan and Paris. Presented in a naked warehouse in Bermondsey – the London Contemporary Orchestra lined up in the middle of the space – it unfolded in complete silence before the soprano opera singer Nadine Sierra broke out in a poignant aria. It wasn’t until the finale that the orchestra joined in. “It was a moment of respect. She was the queen of the world – every country respected her,” Tisci said.
Collage by Edward Kanarecki.
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