Couture – Fairy-Tale. Fendi AW16

July 15, 2016 | Design & Culture by Ed

90th anniversary for Fendi is not just an anniversary. It’s an occasion to show off. And Karl Lagerfeld proudly celebrated the event during his last haute couture show for the Italian house, making the entire Rome gasp. The show was literally staged on Trevi Fountain, fresh off a $2.4 million rehab. Like in a fairy-tale, the models walked down a transparent, elevated runway, while Fellini-famed symbol of the eternal city has never looked that glamorous and fashionable. No doubt this fashion show will be remembered forever as one of the most magnificent and daring – this can be easily said about the fur creations, which graced the runway, too.

Since the very beginnings of the brand, Fendi was known for “fun fur” – the most fantastically decorated fur coats and jackets were delivered from Roman ateliers, pleasing the aristocratic Italian families and clients. Lagerfeld embraces Fendi’s specific, couture legacy through fourrure, and autumn-winter 2016 is his second one (the first one was also presented as a winter season last July). Words can’t describe the beauty of these masterpieces. A pink dress seemed to be made out of simple lace, but in fact it was Persian lamb with 5000 hand-cut holes. Mosaic-style scene of an enchanted forest was presented on a mink coat thanks to an old technique of stitching and cutting. Some dresses were appliquéd with hand-sculpted flowers from mink. Crotchet gowns oozed with antique chic, embroidered with long-hair mink and fringed leather. “This is what Fendi is all about. No other fur house in the world does it, or could do it” the creative director said during a press conference. That’s a true statement, Karl.

Paris – Rome. Chanel Pre-Fall’16

December 2, 2015December 2, 2015 | Design & Culture by Ed

Staging a Chanel fashion show in Rome for Metiers d’Art collection (in other words, Pre-Fall 2016) wasn’t that clear at the first sight. However, Karl Lagerfeld had a very reasonable answer for his decision – only a few know that in the 50’s, Coco Chanel designed for the incredible, classy actresses like Jeanne Moreau, Anouk Aimée, Monica Vitti, and Romy Schneider, all of whom starred in Italian movies by Visconti and Pasolini wearing her chic tweeds and dresses. As you might know, I was recently very skeptic about Karl’s last few collections for the legendary Parisian house – the glossy, Cara Delevigne-packed model squad and Instagram-moment venues made Chanel a brand which rather looked towards media, than the clothes. However, this time, Karl showed a graceful collection, which was fully focused on the clothes. The serene, moody setting of an Italian cinema was a perfect background for the film noir lace dresses, masculine coats, leather “pasta” embroideries (this part makes me love Lessage studio even more – they made my favourite farfalle look absolutely great on a dress!) and sultry, leather pencil skirts and jackets. What caught everybody’s attention were the lace tights. They had a femme fatale atitude when worn with pointy Mary-Janes pumps. So Italian. So on point with the deliberately sexy and elusive theme of the entire collection. The hair, done by Sam McKnight, was all about messy beehives and the girls, with their smoky eyes, looked effortlessly glamorous, just like the icons of Italian cinema. Also, the model casting was just the right choice – the designer mixed the catwalk veterans, like Lara Stone and Freja Beha, with a diversity of newcomers – from Lineisy Montero, Molly Bair and Mica Arganaraz to Stella Lucia, Greta Varlese and Alexandra Elizabeth. You’re back on the good track, Karl!

HC – Great Beauty. Valentino AW15

July 11, 2015July 11, 2015 | Design & Culture by Ed

In the heart of Rome, the Italian house of Valentino presented its haute couture collection which just showed us, that this specific season is all about eponymous splendour. In 1960, Valentino Garavani founded his brand in the eternal city – now, its a label which can be called a fashion empire. But what’s most interesting in this collection is the fact that the creative directors, Maria Grazia Chiuri and Pierpaolo Piccioli, had it presented in Valentino’s hometown and not as usual, in Paris. The venue of the fashion show was bulit on Piazza Mignanelli – the place where Valentino himself staged his shows in the past.

The colour of black is ususally misunderstood. But in reality, black is poetic, elusive and mysterious. These words precisely describe this collection for AW15. “Rome is just a little bit noir, a little sinister” said Pierpaolo before the show, giving us the idea behind the city and the collection’s connection. Leather flowers trellised a sheer tulle cape, while minuscule beads added character to a gladiator minidress. And the repeating arch motif on a floor-sweeping, wool and velvet cape? A treasure. This is one of these collections you are going to remember for a long time.

Rome. Dolce & Gabbana SS14

September 23, 2013 | Design & Culture by Ed

The Dolce & Gabbana SS14 collection was like fall of Roman Empire. In other words, it was a fail. Although the collection was pretty, the effect was poor. Flower embroidery mixed with a Ancient Roman temple print? Wow, suuuper impressive. Polka dots a la Monica Belluci and black lace? Hmm. Possibly Dolce is getting out of ideas (however checking their Instagram you can’t say that they have a crisis in creativity and finances…) and it goes totally on a easy route with the Italian city theme every season… But, can you imagine Dolce & Gabbana with laser cuts and some out of this world skinny jeans and checked shirts? Nope. D&G will be always D&G. And you may like it or not.

Fun. Fendi SS14

September 19, 2013September 19, 2013 | Design & Culture by Ed

The SS14 from Fendi was all about Summer fun- flowless beach dresses, beautiful red tops and amazing detailing. And… Well, of course fur. But Fendi collection is not Fendi without even a bit of fur. This season was very important for Fendi. After Karl Lagerfeld and Silvia Fendi restorated together with City of Rome the Trevi Fountain, in Italy Fendi is not only a expensive label for rich women. It’s also a national jewel, sponsor of most cultural landscapes restorations in Rome! And thats really good! Coming back to the collection, I adored it strongly. The detailing is impressive, but at the same time it seems so cool and youthful… Karl knows how to shake up something correctly. Always. And I love him for this.