Anti-Social. Vetements AW19

Vetementsspring-summer 2019 collection was violent. But Vetements’ autumn-winter 2019 outing felt even more aggressive. Somehow, I’m not surprised. Demna Gvasalia (and his collective) isn’t afraid of speaking what’s on their mind, whether it’s confronting the difficult past, hard present or uncertain future. The label found inspiration in the dark web, where drugs, guns and other illegal, even more frightening things are available and sold worldwide. Hacker style? Geek chic? Yes, but cross out the latter, ‘fashion’ word. The collection was called “Anti-Social” and opened with a twisted homage to Steve Jobs. The distinctive, black turtleneck worn with a pair of jeans read: “Warning: what you are about to see will disturb you. There is a dark side of humanity the censors won’t let you see, but we will. View it your own risk.” An item that will sell out within a moment, but has a meaning that’s not as frivolous as it may seem. Other than the Vetements classics – XXL hoodies, floral tea-dresses, distorted puffer jackets – this offering had something you would never consider a fashion statement: anonymous-wear. Black fleece masks inside hoods and  jackets with flaps covering the face with a peep-hole for looking out (and, occasionally, for taking photos through). “I realize there is no privacy. When I’m on public transport, doing work on my phone, I often see people overlooking it, or taking photographs of me,” Demna said after the show. An avalanche of contemporary problems appears in your mind, when you think of it: surveillance society, facial recognition technology, the fear of revealing our true selves without the social media filter. But then, the balaclavas make you think of terrorists and fierce protests that move like a tsunami through such countries as France. Gvasalia and Vetements sense danger and crisis that spread across our world. They know fashion won’t help it out, but at least, might inform the ones who want to be informed. To some extent, at least.

Collage by Edward Kanarecki.

Flaws We Need. Balenciaga SS18

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Demna Gvasalia and irony are two synonyms – and you know what I mean, if you’ve seen at least two Vetements collections in your life.  This season, Gvasalia wanted to do more of ‘him’ (that we know from the Zurich-based fashion collective) than dig into the Balenciaga archive. Less Cristobal, more wit and edge, but still with a strong, technical side. Coats with attachable extra sleeves, that in fact can be called a two-in-one at same price; head-to-toe money bill motif all over tea-dresses; charm belts decorated with toruist-friednly Eiffel Tower figurines; peplum tops in pink camo, a combination that sounds and looks so devastating that it’s good. This hilarious collection is a pun topped on another pun. A tongue-in-cheek comment regarding the rush for the senseless, up-and-coming trends. The clash between bad and good taste, being a result of endless street observation of how today’s society dresses. That’s what Gvasalia does best. And it’s even more thrilling to see him doing that very anti-fashion thing at Balenciaga, a fully established brand with stores all over the world. But the list of pieces that catch your eye in this collection is much, much longer. The already cult  ‘Knife’ boots  kept in a 2000s desktop print (think cheesy sunset or a postcard view of mountains); platform crocs made in collaboration with, yes, Crocs, in the most killing shade of yellow; reversible ‘rain coats’ for handbags; high-heels covered with studs and lots of tartan checks were clear signs that the designer is having an obsession with the punk subculture.

Strangely, or not, but I’m a sucker for those Demna-ish flaws and oddities. I think it’s something the superficial world of fashion needs to be ‘wake’ and relate to today’s world.

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Collage by Edward Kanarecki.