Click-Bait Couture (And A Question For The Culture). Schiaparelli SS23 Couture

January 24, 2023 | Design & Culture by Ed

Daniel Roseberry‘s spring-summer 2023 haute couture collection for Schiaparelli set the internet ablaze. In general, society feels an ease in blaming and targeting fashion – and its industry – in a whole range of humanity’s faults. It’s so frivolous, and it doesn’t have the art world’s intimidating authority to freely touch difficult topics… actually, who needs fashion? That’s why a controversy, or even a stinking hot scandal, can so easily grow out of a fashion scene. Yes, these fake – yet extremely realistic – taxidermy dresses coming from Schiaparelli’s couture atelier, without reading into further context, may instantly associate with a number of horrible crimes, from poaching endangered species to colonialism. But since when is interpreting everything without comprehending the context first a normal thing to do? Now that’s a question for the culture.

Shocking has been integral to Schiaparelli’s DNA since Elsa’s day. And Roseberry knows how to make his couture a clickbait moment for the 21st century. The designer’s mind was in fact focused on a hell – the Inferno of Dante’s Divine Comedy. It’s relevant as ever in 2023, and the three sinful animal symbols Dante wrote of (Lion: pride; Leopard: lust; Wolf: avarice) keep on firing the minds. “The animals are one of the four literal references that I took from Dante’s Inferno,” Roseberry explained . “In the first cycle of Dante’s journey, he faces terrors. He confronts a lion, a leopard, and a she-wolf. They each represent different things. But the lion and the animals are there as a photorealistic approaching of surrealism and trompe l’oeil in a different way.” Roseberry found a creative parallel to his dilemmas in the hellish tortures Dante allegorized. “It’s the agony of wanting to surprise,” he said. “I just want it to be powerful in a different way every time.” His ambition: to “show the impossible.” Regarding the three, now-infamous looks, I will admit they felt too costume-y for me in the first place. It’s a great shame that all the explosive attention drawn by overshadowed the extraordinary work Roseberry and his team lavished on molding, sculpting, and embellishing the majority of the collection. The waisted shape of the classic Schiaparelli Shocking! perfume bottle was transmuted into extreme hourglass silhouettes, corseted in the back. There were ‘plastrons’ of stiffly exaggerated, up-to-the-eyeline bustiers (crafted in mother-of-pearl, marquetry, and broken glass jewelry). He also dealt out incredibly silhouetted trouser suits, vertiginously plunging tuxedos, and a pinstripe which had mind-boggling lines imitating menswear fabric, but curving in and out in some visually unaccountable way. Would the collection look in overall better without the faux-animal drama? Probably. But would it grab the Internet’s attention? Of course, not.

Collage by Edward Kanarecki.
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Personal. Bode SS23

December 28, 2022December 28, 2022 | Design & Culture by Ed

For spring-summer 2023, Emily Adams Bode Aujla continued to explore 29 Clinton Street – the apartment in the Lower East Side where she founded her brand. But whereas last season she had sought inspiration in the memories of the space, the things she collected, and the parties she threw, this time she focused on something more abstract: the feeling of home itself. “We really honed in on more of the concept of the interior, the feeling of comfort from the old apartment,” she said on a frigid morning in her studio in Brooklyn. “There’s a lot more knits, crochets, and pajamas.” Not actually meant to be worn while sleeping, the pajama sets have become something of a staple for the designer for a few seasons. “I have always made pajamas, but I feel like people really started gravitating towards them after the wedding collection,” she said. A set in cream came adorned with white piping cord embroidery detail, and was worn with a white and cream crochet vest over it. Other versions in lavender (worn with a purple striped crochet polo) and a white-on-black windowpane check (worn with Bode’s take on a souvenir shirt, emblazoned with a map print) showed the versatility of the idea. Another set in the form of a hunter green velvet track-style jacket and matching trousers had the same ease as pajamas, but was made for those who may need to actually dress up for work. It was worn with a shirt and tie underneath. Adams Bode Aujla’s knitwear was a standout this season, especially the floral intarsia cardigans with latticed edges, and the breezy open crochet navy polo with red and white stripes, and another crochet cardigan in orange with white crochet appliqué flowers. Many of these were inspired by pieces from the designer’s vintage archive, but remade with comfortable, breathable yarns, “so they won’t itch and won’t combust.” She embraced her love of novelty items with a sweater that read EVERYONE NEEDS SOMETHING TO BELIEVE IN RIGHT NOW I BELIEVE I’LL HAVE ANOTHER BEER, alongside a variety of horse-themed items: a short-sleeve button-down shirt with red piping, and an intarsia knit sweater and pants set in royal blue with yellow stripes. It makes sense that she is indulging in all the things that are so close and personal to her; next season she will return to Paris to stage a show, her first one since 2020.

Collage by Edward Kanarecki.
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Understated Luxury. Loro Piana SS23

December 18, 2022 | Design & Culture by Ed

For a long while, Loro Piana has been a fashion-insider favorite because it exists outside of fashion, its silhouettes are unchanging despite shifts in trends and its materials are always made at the highest levels. Understated luxury has always been the story for this Italian brand. But as the company makes efforts to grow, it’s adopting some of the industry’s ways. The spring 2023 collection was designed around the theme of an Italian grand tour, beginning in Piedmont and making stops in Tuscany and Portofino, before ending up in the Aeolian Islands, with clothes designed for each destination. Piedmont, Loro Piana’s home base, yielded cold-weather outerwear: a shearling bomber; a bouclé camel hair and silk poncho; an alpaca wool coat with a subtle stripe; and a mohair, cashmere, and technical fabric coat whose weightlessness has to be felt to be believed. As the tour progressed south with the season, the clothes became more summery. A navy and yellow anorak and a shirt with rope embroidery spelling out the house logo both said “seaside,” and linen dresses like a loosely belted smock and a striped linen and cotton caftan were direct tickets to August holidays in the country. A sorbet-striped caftan in silk was a bit loud by Loro Piana standards. Handbags are a main focus for the company. The large bale bag in a warm brown leather with white topstitching and a bucket in striped woven cotton with leather trim are two worthy investments. Loro Piana already stands apart from the sexiness and flash of the Italian fashion, but to this insider’s eye, the best of the collection were the house icons, the unchanging “winter voyager” and “horsey short” jacket, both in cashmere; the cotton and linen “traveler”; and a bomber in water-repellant microfiber. No theme, no concept, and just great.

And now here are my festive picks from the brand! Who wouldn’t want to find some timeless Loro under the Christmas tree…

Loro Piana Coarsehair Cashmere-jacquard Sweater

Loro Piana Cashmere Baseball Cap

Loro Piana Faux Shearling Slippers

Loro Piana Double-breasted Reversible Shearling and Leather Coat

Loro Piana Striped Cashmere Sweater

Loro Piana Sesia Medium Leather Tote

Collage by Edward Kanarecki.
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La Raphia. Jacquemus SS23

December 13, 2022December 13, 2022 | Design & Culture by Ed

In the middle of winter, Jacquemus transported our minds to hot, sun-drenched summer. That’s the effect of “La Raphia” – the spring-summer 2023 collection he presented yesterday in Paris. Under a straw-storm that rained from above, his humongous cartwheel sun hats came out, balanced over his tiny cutaway things, some with trails, others with slinkily bunchy drapes, and still more with bits and pieces suspended from skimpy lingerie straps and held on with criss-crossed shoelaces in the back. Beachy sarongs, tiny shorts and soft-psychedelia ’70s-ish prints were all over the place, too. It was a happily playful excursion around all of the youthful, sexily revealing, quirkily accessorised bases he’s been building for his brand since 2009. This one, he said, was inspired by “girls you imagine in Portofino and Capri, going around with their hats and earrings and polkadot pants.” But there was something dramatic, Pedro Almodóvar-esque about it as well. There were mad fringed raffia hats, poufs of straw decorating triangle-shouldered tailoring, and one whole shaggy coat that was a collaboration with Lesage, the French haute couture embroidery house. Clutched in hands were soft bags (a new contrast to the miniscule Jacquemus purses of fame). And amongst the shoes the pointy toes implanted with a circle and a square on each toe, his own signature invention. Simon Porte Jacquemus is famed for his love of creating environmental scenarios—and for projecting the imagery with which he’s gathered an adoring public around him. Friends and influencers turned up at Le Bourget already dressed in the collection that was on the runway; others were wearing pieces from the one he showed in June. Jacquemus is all about humorous exaggeration and French romance, combined with a down-to-earth instinct for reality. This collection, in the last gasp of 2022, showed all of that at his best.

How about some Jacquemus for the festive season?

Jacquemus – Saudade Asymmetric Draped Woven Mini Dress – Pink

Jacquemus – Cutout Draped Linen Mini Skirt – Pink

Jacquemus – Aneto Cropped Cold-shoulder Linen Top – Pink

Collage by Edward Kanarecki.
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Techno Mermaid. Ottolinger SS23

November 20, 2022 | Design & Culture by Ed

Ottolinger designers Christa Bösch and Cosima Gadient opened their spring-summer 2023 fashion show with a sharp look: a deconstructed belt–meets–bra top whose straps covered the nipples and little else, paired with low-slung leather-look trousers made from recycled polyester. Gen Z’s love of near nudity knows no bounds, and the fan base that lounged on the show venue’s mattress seats wearing skin-baring looks from the Berlin-based label would think nothing of wearing a crop top to talk shop. The designers recently launched a pre-collection that they said had allowed them to tackle more conceptual ideas in their runway shows. No longer beholden to showing denim and mesh dresses, which are their big commercial hits, this freed them up to present deconstructed biker jackets and skintight bodysuits. Ironically, though, the strongest pieces were arguably the most commercial, especially the dresses that draped and hugged the body with some rubbery-looking embellishments. Dipping items in rubber is a trait that reads recognizably Ottolinger: The punked-up court shoes, which saw a classic pump wrapped in a futuristic rubber-like casing, were as covetable as the diamanté jewelry dipped in brightly colored rubber that currently sells well on the label’s website. They’d do well to continue hammering home those codes as the Y2K trend keeps rolling and numerous other labels look to replicate their success with the sexy and the skintight.