La Ruta del Bacalao. Luis De Javier SS24

Luis De Javier, Spanish-born, London-based designer, presented his spring-summer 2024 colection in a space smack in the middle of Hollywood, just above Sunset Boulevard. The designer brought on a new stylist – his mentor, Riccardo Tisci. Judging by these few sentences you can already predict this was a hot fashion moment. Against a techno soundtrack, de Javier presented a collection that has evolved from his previous ones, with a matured sense of proportion and volume. He continued his exploration of political commentary through clothing inspired by Spain’s 1990s hardcore rave movement, La Ruta del Bacalao. Since it was shut down by an oppressive government, the collection imagines a utopia in which the movement would still be alive today. Corseting was the common denominator, as it was in past seasons, communicated in different materials such as leather, canvas, and latex, and layered under and over other pieces. A latex coat with exaggerated shoulders draped fluidly; constructed as a corset or dress, it covered the body as if it were poured over it. The bling came by way of chains and cords draped over jersey dresses, and unlikely materials, such as extra-long ballerina nails, that were reimagined as dramatic fringe on an asymmetrical evening dress. Mixing club kid vibes and Cristobal Balenciaga-inspired could easily go wrong. Tisci’s mentorship lends refinement to de Javier’s vision. Where his past collections had obvious references, this one is more subtle, and what might have previously been rough around the edges now came with the romantic darkness Tisci is known for. Tisci’s touch in the styling was evident as well, via the restrained color palette, the delicate mix of lace and leather, and belts cinched tightly across the bust. The jersey t-shirts worn over the head recalled a nun’s veil, which is in line with the religious references Tisci used during his time at Givenchy. This was a strong, evocative collection, and also a big reminder that fashion needs more of Riccardo Tisci.

Collage by Edward Kanarecki.
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Wild Mustang. Jan F. Chodorowicz SS24

Jan F. Chodorowicz is one of the most exciting, emerging Polish designers right now. With every season, he evolves and expands his visual language, creating collections that orbit around the idea of functionality and utility. The sprig-summer 2024 collection is a further exploration of the codes of workwear, but through a Wild West lens. Chodorowicz focused on the analysis of the cowboy wardrobe, mining it both for its aesthetic and timelessness. Well, is there anything as timeless as the style and clothes we know from all the cowboy films? Think “Midnight Cowboy“, “Brokeback Mountain“, or the recent Almodóvar Western, “Strange Way of Life“. Chodorowicz’s vision of the contemporary cowgirl introduces several new categories for his brand like denim, printed silk and silver finishes. With the heart shape as a central motif, this collection plays with the codes of Americana in a cool, unforced way, delivering sharp clothes for a modern-day woman (who might really love riding a wild mustang).

Collage by Edward Kanarecki.
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Call For Peace. Imitation Of Christ SS24

Imitation Of Christ‘s Tara Subkoff created the term “up cycling” in 2000. 23 years later, it is a prevalent – and relevant – phenomenon in the fashion industry. The designer is more than fine with this; she wants others to “imitate” that sustainability-forward practice. With fashion’s ever-returning obsession with grunge and the 90’s, Imitation Of Christ’s spring-summer 2024 collection – which opened this Los Angeles Fashion Week with a dance performance including a blessing in every major world religion – convinces with gorgeous slip-dresses, DIY details and gender-blurring silhouettes. The hand-painted dove on billow-y gowns and utilitarian boiler suits is a fitting call for global peace. The symbol circles back to the spiritual side of Subkoff’s fashion performance, where the harmony of prayers and pujas created a peaceful celebration of all religions practiced alongside one another with respect and tolerance. One of the white dresses bore a quote from Ralph Waldo Emerson that read “Peace cannot be achieved through violence, it can only be attained through understanding”. As simple as that yet so hard to comprehend for the politics of this world.

Collage by Edward Kanarecki.
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Attitude. Celine SS24

Some things don’t change, like Hedi Slimane‘s Celine. Not many designers keep on pushing their (very skinny) agenda so stubbornly. The spring-summer 2024 collection, presented off-schedule as a short film, showcases the Tomboy line-up at La Bibliothèque Nationale in Paris. One of the city’s oldest cultural institutions, it serves as a library that houses the French royal collections since the end of the Middle Ages. But the Celine girls aren’t here to study – rather, they are on their way to another indie sleaze-coded party. Set to Too Much Love by LCD Soundsystem, the collection opens with a model reading a leatherbound book stamped with the gold Celine logo. Clad in a skinny black suit, the ensemble is a reminder of what Slimane does best – sharp androgynous tailoring. Then, a matching leopard print jacket and mini anchored segue to cutoffs and a leather jacket, both paired with tough boots are prime examples of this as is a pair of plaid boxers, worn with fuzzy-lined suede boots. It’s California by way of Paris, especially when you factor in the track suits and caps. The combination has proved to be irresistible to the brand’s clients (I know, I’m shocked too…). For evening, Slimane offers long dresses worn with blazers and knee high boots, as well as mini dresses in sparkly gold and liquid-y silver. It’s hard to seek any fashion novelty at Hedi’s Celine. This designer’s force of persuasion lies in attitude, styling, and his endless glorification – even fetishization – of youth.

Collage by Edward Kanarecki.
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From Osaka to Milano. Loro Piana SS24

Loro Piana‘s spring-summer 2024 collection presentation happened in Milan, but it totally transported one’s mind and senses to Japan – and the served wagashi kasutera weren’t the only reason. Japan’s adoration and celebration of exquisite craftsmanship, understated taste, and timeless style were elegantly woven into the Italian brand’s latest offering. The collection also paid homage to the avant-garde fashion of the Rising Sun, in a modern key of posture and volume. Take the belted, high necked shirt suit for women in gray-flecked tweed was topped with a wide-brimmed woven hat. A striped-neutrals silk-linen shirt dress with a high unturned collar featured an attractive leather fastening to fix and drape the skirt up and across the body. A four-buttoned collarless jacket in an off-white nubbly silky fabric above a pleated pale skirt and light green polo neck looked snug and chic. The sleeves of a wide-armed, navy, petal-paneled silk overcoat were turned up to reveal the multicolored stitch work inside. A skirt and blouse in orange and blue florals was adjacent to last season‘s “flower ceremony” dress. Pure beauty – and please, don’t even try calling it quiet luxury.

Collage by Edward Kanarecki.
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