Men’s / Ghostly Dreams. Ann Demeulemeester SS19

June 24, 2018June 24, 2018 | Design & Culture by Ed

Sébastien Meunier’s spring-summer 2019 collection for Ann Demeulemeester could have been a stylishly executed ghost story. With sheer veils flowing down the hats of each model, whether in black or white, the collection had a mysterious, elusive, yet even romantic aura. And, in the end, once you take off the hats and lace gloves, there were clothes to wear everyday. Take that pale pink robe coat or one of those lovely, peasant shirts. Not speaking of the womenswear part, which was plenty of ethereal gowns that felt distinctly Demeulemeester. But then… do we really have to take off all that dramatic headwear? Meunier wanted to convey a sense of dreaminess in his line-up. Why not dress the way you dream? That’s a question to discuss.

Collage by Edward Kanarecki.

Men’s / Desires. Yohji Yamamoto SS19

June 23, 2018June 23, 2018 | Design & Culture by Ed

What a collection! I always have a soft spot for Yohji Yamamoto, but his spring-summer 2019 collection is exceptional. And, in a way, very sensual. “I wanted to explain that fashion became so boring.” Yes, Yohji, some who as well feel exhausted with those ‘must-have’ sneakers that are all over the industry can come to the same conclusion. “Essentially, I feel that ordinary people and fashionable people are all tired of fashion because there’s nothing kind of strong, cute, sexy.” Maybe I wouldn’t call his latest line-up ‘cute’, but the two other terms describe the collection precisely. From flowing, all-black looks, Yamamoto’s sensual style poetry progressed into more erotic fields. Some of the robe-coats were covered with depictions of women in various states of pleasure. The designer summed up them as “modern ukiyo-e,” a famous genre of Japanese art. Loose pants and tank-tops/man-dresses came in sultry leopard and flames prints as well. Yamamoto releases his wilder side this season, but not directly; there’s just a notion that can be grasped when you actually wear these garments.

Collage by Edward Kanarecki.

Men’s / Babel. Rick Owens SS19

June 22, 2018June 22, 2018 | Design & Culture by Ed

What happened at Rick Owens‘ spring-summer 2019 runway show was extremely beautiful – even if the designer’s aim might have been quite very different. Dyed smoke has suddenly appeared all over the courtyard of the Palais de Tokyo, giving the entire scene an ambiguous atmosphere. Is Owens about to send out a riot? Or some sort of angels? Well, there were models, but the clothes were far from ordinary.

Coats covered up in ‘brutalist sequins’ looked as if constructed of broken glass; the masks some of the boys wore had something fierce, neo-tribal about them. But what really made this collection so spectacular was the closing line-up garments, which were inspired by the dynamism of Russian Constructivist movement. “They’re nylon parkas,” Owens assured, “and they are going to be shipped as nylon parkas, with the poles separately. So you can build them if you want to. But what you are going to see on the hanger is a nice, soft nylon parka—the poles represent what this parka can be. That’s the idea of hope; that is what the poles represent in a way.” The effect was mind-blowing – the models looked out-of-this-world in these storm-cloud-like, floating pieces.

(Vladimir Tatlin and his apprentices constructing the model of Tatlin’s Tower, a monument to the Third International.)

The collection’s title – Babel – was as well meaningful for the designer. Babel, Vladimir Tatlin’s never-built tower, commissioned by Lenin to highlight the Bolshevik dominance in Russia. “It’s such a symbol of hope, and there is something so compelling about how it looks. A Constructivist tower is about control, and the Tower of Babel is about confusion: everybody splitting up and too much information, too.” How accurate can this also relate to our today’s world, drenched with the horrifying political absurdities and tensions. Rick is an aware designer, who speaks his thoughts and current emotions through the clothes he shows on the runway. This one certainly is a vividly, strong collection that has a lot to say.

Collage by Edward Kanarecki.

Men’s / Interim. Lemaire SS19

June 22, 2018 | Design & Culture by Ed

In a way, that’s just a preview of Lemaire‘s spring-summer 2019 collection. The label has decided to show both, menswear and womenswear, in one integrated show during the usual Paris fashion week schedule this autumn. But, what to expect (and already love!) from Christophe Lemaire and Sarah Linh Tran? Delightful pajamas made in collaboration with Sunspel. Footwear produced together with sustainable French brand called Veja. The real-life look-book also shared a glimpse at raincoats, gorgeous knits and some very charming samples from the woman’s wardrobe. “We shot the pictures on the street in Pantin, just outside Paris,” said Christophe, “and a lot of passersby had something to say. Many people liked the shoes. And this one woman was really excited by the volume and the pleated pants; she said, ‘Ah, it takes me back to the ’80s!’” Fashion is fashion, but it’s the people who decide what’s in. Lemaire, without much fuss, is always in.

Collage by Edward Kanarecki.

Men’s / Haute. Raf Simons SS19

June 21, 2018June 21, 2018 | Design & Culture by Ed

Yes! Finally somebody said that out loud: “We need a new outline. I know I was part of it myself, but too many hoodies with prints! You know, something needs to shift”. Raf Simons is equally frustrated with that boring, and on-going, splash of athleisure that’s happening in fashion right now. As a response, he did a collection that’s far from sportiness, but closer to the Parisian haute couture ateliers. Satin! Believe it or not, everything except the jersey and a couple of menswear suits was made from duchesse satin – a fabric that one must understand well in order to use skillfully. Definitely, Simons mastered that during his tenure at Dior. Still, the collection was far from saccharine and posh. There was punk (safety pins, studs, black leather and even a vest made of plastic six-pack holders, beer friendly). There was a certain kind of cosmic futurism (note those cumbersome, chunky boots). And, of course, the runway’s venue wasn’t a Rothschild mansion, but some sort of underground club – no seats, just standing. As Instagram reports, a hot after party took place afterwards the show.