Farewell, Hedi!

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After months of speculations, Kering has confirmed – Hedi Slimane is leaving Saint Laurent. Did Hedi realise that there is not enough place for him and Demna Gvasalia, the other designer who makes cheap-looking clothes with four digit price-tags? Let’s be clear – Slimane, during his three-and-a-half year tenure was the master of hypocrisy. Do you remember the autumn-winter 2013, when he presented mohair cardigans, studded boots and skimpy, leather dresses? Some said it was a modern-day nod to Yves Saint Laurent’s controversial Le Scandale collection. But some were more realistic, and not that optimistic – these clothes looked like grunge, but a la River Island circa 2010 rather than Kurt Cobain. Even though in the same year Courtney Love became the face of Saint Laurent. If talking of another odd things that happened during Slimane’s “era” – the tiaras from SS16. One costs, yes, 995 euros here. And it gets even more ironic, when you note that this is a prom-like, brass tiara embellished with rhinestone. Not with gems, silver or, huh, diamonds. I doubt it’s even Swarovski.

However, Hedi Slimane can be at least praised for the speed and desperation with which he had totally revamped the house. The interiors of the flagship stores, which used to be so boring with Stefano Pilati in charge, got the marble upgrade, while the advertisement campaigns – starring Kim Gordon, Joni Mittchel and lately, Jane Birkin – were always photographed by him, and had a cool, LA-rooted rock’n’roll spark. Also, it’s reported that the revenue of the brand increased in all categories, from accessories to clothes. People are buying Saint Laurent, so there is surely an undefined reason for Slimane’s success. But then, why did he leave? And will Anthony Vaccarello, whose aesthetic isn’t far from Hedi’s, get the point? Time will tell. But for now, let’s look back at the journey that Slimane took us to.

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This Girl. Maryam Nassir Zadeh AW16

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Maryam Nassir Zadeh is New York’s favourite among stylish, sophisticated and down-to-earth women. Her boutique, with aesthetically curated brands, and her eponymous, namesake label, are known for an affordable, yet profound approach towards fashion you want to wear everyday. For autumn-winter 2016, Maryam is expanding her line, by continuing the denim obsession – a cool, off-beat pencil skirt, as well as patched 501-style pairs of jeans are about to storm the streets. The Woody Allen women, surrounded with calm neutrals, meets a lifey acid green shade of the pussy-cat bow dress; there is also the strong fur game, from cute teddy-bear jacket to a more “investment” coat in a deep, blue colour. When those clothes are going to arrive to the Lower East Side store, a lot of them will sell quick – for now, we can just try to recreate these looks thanks to Zadeh’s masterful styling tips…

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Photography by Ana Kraš, aka @teget

Reflections on Taste. Miu Miu AW16

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Although we’ve had the newcomers (Jasmine Sanders, Julia Banas), hot faces of Anna Cleveland and Edie Campbell type, Insta-fames (Gigi and Kendall) and the top-models, so the one-and-only Adriana Lima and Lara Stone, the Miu Miu girls were as nutty as the old ladies you meet on the street, and with whom you wouldn’t truly fancy a date. However, there was something appealing about these girls, wearing layered denim and furniture-tapestry maxi-skirts. As if Miuccia Prada wanted to show the risky, yet very feminine way of dressing, which is based on mixing contrasting, old and slightly cheesy clothes… but out of necessity, and not because of a current trend. Corduroy bombers and denim jackets with lace collars had something of a college girl memoirs – all of the jackets were embroidered with models’ boyfriend name tags. A nod to teenage romance, or a real-life tendency of sharing your wardrobe in a relationship?

But the youthful spirit of Prada’s sister line becomes much more mature, and less likely to feel appealing to a younger clientele. The lilac dress, worn by Lara, had the Cafe Marchesi florals everywhere, while the old-fashioned Jacquard coats and velvet belts smelled with Parisian thrift shops. These clothes are nostalgic and frivolous, and the entire collection questions good-taste. Although it was mostly slammed by the critics, I liked it.

Miu Miu always makes me feel relaxed by the end of the fashion month. With exhaustion in my fingers and a reflective mood on fashion, I am quite happy to announce that it’s the end of the autumn-winter 2016 couverage – uff!

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System Hang. Louis Vuitton AW16

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Even Nicolas Ghesquiere needs a break. Although  Louis Vuitton‘s creative director look always into the future, and wants to be as fast as his muse, Lightning, the hero of Final Fantasy XIII and face of the house’s most recent campaign, this season it’s distinctly visible that Ghesquiere is having a throwback to his best Balenciaga and Vuitton moments. Not that the collection is bad – quite the opposite, this chic, luxe Tomb Raider girl is Nicolas’ long-term concept, which both excites and sells. But it just feels like the autumn-winter collection doesn’t have this sense of new, which is always conveyed in his collections. How many sweatshirts will we see, or those satin, sporty dresses? And why are the last-season’s patent-leather boots again in the show (well, because they were best-sellers – but I doubt whether Ghesquiere’s aim is to go Valentino’s path and become an accessory-loving, commerce-wise designer)? Believe it or not, but this collection looks usual and quite easy to pull off, and even more banal, when you are Nicolas Ghesquiere. Phoebe Philo can confess she is having a chill – but I doubt Vuitton’s designer, noting the capacity of the brand, can let himself for a system hang.

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Stillness and Comfort. Céline AW16

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Fashion is in hurry, and nobody knows where is it heading to. But Phoebe Philo, just like a few other designers, says “no” to see-it-now, buy-it-now trend, which has stormed such brands like Proenza Schouler or Paco Rabanne. The autumn-winter collection from Céline has a message – calm down. Appreciate the quality, the time. The way these clothes fit on your body. “I came about it through wearing it,” she said. “It’s always that.” This time, the designer who understands women’s daily needs best, focused on her all-time favourites, from over-sized pants and voluminous tunics to suede vests and seasonless coats. Satin gave the dresses a flowing, fluid-like texture, and the fleecy, black “bubble” tops with an armhole had this sophisticated, yet effortless mood about them. The soft, pillow bags looked dreamy, and they will definitely have room for everything needed, and unneeded.. Strangely, though, this collection doesn’t look like a winter one (except the caramel shearling coats and tweed mini-dresses) – there were classical sandals on bare feet, and a lot of subtle flesh exposing. However, on the other side of the globe we’ve got summer, always. And Céline is an internationally wide-spread brand.

The collection, in fact, is full of clothes which can be worn without much consideration or (again a cliché) effort. They are the house’s strengths, and a woman who adores Céline and Philo’s touch will surely have her wardrobe completed with these everyday basics. “It’s a busy world, and I find I have this idea of stillness with Céline”.

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