
Gucci loafers, Pierre Hardy card holder
, Craig Green pants
& Yohji Yamamoto socks
.

Yohji Yamamoto wanted to recall that “basic aspect of the labor” – he referred to all the people in the background, who help him construct his exquisite garments. That’s a fact – real clothing can’t be made without human hands, you need to use your fingers to understand the texture; your body, to see how the piece looks on a living and breathing person. Having all that in mind, seeing Yamamoto’s menswear was a true experience. A man’s suit appeared in a number of different colours and fabrics, while elegant reversible coats, masculine vests and romantic capes were hand-painted with ‘working man’ slogans. There’s no fuss about Yohji’ collection – and that’s why I might adore them so much, always.







Yohji Yamamoto staged an elusive, but powerful collection for the autumn-winter 2016 season. The Japanese designer, who is known for his intellectual, yet sometimes difficult to understand garments, presented a collection which defines today’s masculinity. It might be an old-school, macho guy wearing a tank-top to show off his triceps; there is also the family man, who enjoys comfortable, soft knits. And let’s not forget about the boy who looks good in a man-skirt, which is basically a pocketed sheath covering a pair of woolen combats. Moreover, this meaningful collection was focused on the ironic, hand-stitched signs: “Corporate Motherfuckers” read the slogan on the back of a bumpy, cotton shirt. Then, “The only woman I know is my mother”, and “Help me I’m too hot”. Was this the next, Paris fashion week protest towards the global matters? After a wave of press’ questions, Yohji laughed, saying “It’s a kind of joke”. Whatever all of that means, this collection, based its beauty in its chaos, and in the abstract world of Yamamoto.
The most important question of the year appears – which dress should you were for the New Year Eve? Go for non-chalance or simplicity this time? Be the Diana Ross of the night or a femme fatale, let’s say, like the intriguing Mata Hari? Or is the dress-code free for interpretation? Here is the subjective selection of the fantasy dresses you might wear (or dream to wear) on the 31st of December!
Dior spring-summer 1998 couture
Not long after John Galliano’s arrival at Dior, the fashion crowd discovered the designer’s famous over-the-top style – staged in Paris’ Opera Garnier, the fashion show stunned everybody with the backless gowns in Art Nouveau prints, mink coats, avant-garde hats and of course, the gold-thread embroidered Marie Antoinette ball dress. A masterpiece which impresses me until now.
Celine autumn-winter 2013
For those who enjoy comfort and effortless elegance – Phoebe Philo’s chic outing at Celine was all about modern silhouettes and flattering shapes. The outfit with a shoulder exposing top, a midi-lenght skirt and a pillow clutch might be just the right choice for a lounge party with fancy canapés.
Alaia autumn-winter 1991
“Animal magnetism” is how Azzedine Alaia described his collection back in 1991. Indeed, the leopard-print knit dress worn by Claudia Schiffer was all about Parisian sex-appeal. A sure take on a Pink Panther themed party.
Lanvin spring-summer 2016
The last collection designed by Alber Elbaz for Lanvin was all about his signature, over-sized dresses. The one above, all in burgundy and red sequins stole my heart during the fashion week. And the silk scarf, which was worn by the model in a slouchy way gave the overall effect of “my New Eve will be spent with the person I love the most” statement.
Yohji Yamamoto spring-summer 1999
When Malgosia Bela presented this parachute, white dress at Yohji Yamamoto’s show at the end of the last decade, everybody agreed – a white dress is not only worn to a wedding ceremony. I can guarantee you that if you appear in this voluminous piece at the newly opened gourmet restaurant during the New Year Eve – well, then the dinner is yours.
Rochas pre-fall 2016
A bit dramatic, yet minimal – the Rochas maxi-dress styled with a fur stole is Alessandro Dell AcQua’s perfect tip for a last-minute New-Year-new-you-look.
Gucci spring-summer 2016
Alessandro Michele can even make a track suit look brilliant for this special occasion – it’s all about a fair dose of hand-painted florals, a sheer, silk pussy-bow shirt and a pair of killer-hill stilettos. Also, there is a variety of embroidered dresses with ruffles and crotchet jumpsuits – true, these are eclectic and eccentric looks, but there is only one New Year Eve per year!
Alexander McQueen autumn-winter 2010
The aristocratic, meticulously embroidered gown worn with a scarlet red cape – and all the attention is on you. This is how a Royal-looking, custom-made queen dress should look like. I confess that when I examined McQueen’s last collection, which he had finished designing just few days before his tragic death, tears welled up in my eyes. Such a genius is sorely missed.
Haider Ackermann spring-summer 2011
If you are this type of person, who wants to show some skin to the world, then please, please, please – don’t take a Kardashian-esque Balmain dress. Go for this fabulous, yellow Haider Ackermann dress with a leg-exposing cut. I know, it looks too good to be true. But it’s even more than Insta-perfect.
Rosie Assoulin resort 2015
And of course, I cannot not take under consideration Rosie Assoulin’s bold dresses and skirts. These nutritious and fresh-like-an-orange looks from her resort 2015 look-book are flawless, and in a very #IWokeUpLikeThis manner. Not that I am the biggest fan of Beyonce – but I think the word and the hashtag of 2015 fit Rosie’s eveningwear style… on point.
So, obviously you already have a clear vision of your New Year eve outfit, don’t you?
Flash is my favourite place in the entire Warsaw. With its super high ceiling, austere interior and contemporary art-works hanging on the walls, this place is a highlight. But the brands which are sold here, however, steal the spotlight – Lemaire. Acne Studios. Yohji Yamamoto. Only niche and high quality labels can be found here, with a very characteristic edge. Also, a great selection of sunglasses and jewellery is here. And the super chic shop-owner, who usually sits in the designer armchair, creates a stylish accent to the whole place. Flash!
ul. Mokotowska 26 / Warsaw