Consuelo Castiglioni went samurai this seaon, just like for SS15 – belted vests and sharp, Japanese silhouettes. But this time, Marni sees the world in brown and other warm, earthy colours. A lot of fur was used as application for pockets and stole; the skirts had this “not so perfect” attitude with threads projecting from the surface of wool-blended textile. Textiles. Consuelo mastered layering to perfection – the clothes look so real and casual, that you just start to dream of snowy December mornings. But, you know, the ones like in Milan. The last outfit worn by Julia Nobis, the Victorian blouse with turtleneck and embroidery is everything.
Milan
Italian Simple. Bottega Veneta AW15
When I first saw Tomas Maier’s AW15 for Bottega Veneta, I fell something positive. Although we’ve got polka dots there and there, the collection is kept in simple way – the silhouette is very graphical, but at the same time feminine. The 60’s and 70’s are revisited, but in modern, contemporary way. And what else is exciting about the entire collection, is this beautiful, Italian mood – Bottega Veneta’s woman for fall loves a cappuccino in the morning and enjoys a glass of red wine in the evening. She does everything in slow way, but with grace and elegance. She’s mysterious, but friendly. And she has days which are black & white, and days which are full of stripes and colour block!
I thought this might catch the constantly changing mood of Bottega Veneta woman…
Swiss Cool. Bally AW15
“I didn’t think I could do another beige trench,” Bally’s creative director, Pablo Coppola explains the vibrance of color in his new Fall collection. When he arrived at the Swiss brand just over a year ago, Coppola set a challenge for the old classics. Before he got there, the 150-year-old company didn’t have much of an identity – it attempts to revive it were usually too weak. Timelessness is a reliable route to timeliness these days. “You do a camel cashmere sweater and nobody says anything, but do it in fuchsia and they all want it,” Coppola explained. The olive-green alligator trousers are amazing, too. The eclectic chic – a bit vintage, a bit modern – was perfectly framed with geometrical prints on silk shirts and handkerchiefs. Bally gets hot. And Swiss fashion starts to be cool, too.
Macaron Pastels. Prada AW15
Oh, Miuccia. What have you done. This collection is unfortunately, one of the weakest for a long time. This was Miuccia Prada’s “Synthetic Fantasia”. Inside a series of macaron-shaded pistachio green and powder pink rooms connected with industrial grills, Miuccia explored themes that are different to her. What are our ideals of beauty? Are they real? What are the fine lines between fantasy and reality? What lies beneath a saccharine surface? These 50s-60s debutantes in all shades of pastel certainly had something cute about them. But… is it really what we need? Maybe it’s the fault of the styling. These ultra-long gloves and the horrible Geox-like stompers destroy everything. The ostrich leather, which I usually like, feels awkward with all that tweed. Definitely, that’s another vision of Prada. But not visions are always good. This one’s certainly too eye-catchy and twisted.
Blush Beauty. No21 AW15
Alessandro Dell’Acqua is called the modern-day Italian fashion genius. And I totally approve that statement. This guy knows, how to mix contemporary with opulent – a tweed pencil skirt worn with gold-patent jacket; olive green hoodie styled with hand-embroidered dress – those are just few examples of how Alessandro rolls in fashion. For AW15, the designer of No21 brought a lot of blush pink into the collection, which felt super lovely. The two snow-white looks were excellent, too – the embroidered flower appliqued coat is dreamy… and the tune of “Let’s Dance” by David Bowie perfectly fit the entire scene. Romantic, but with a sharp masculine contrast.

































