Feather-Light. Ryan Roche SS17

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Ryan Roche is New York’s go-to designer in case of anything connected to timeless, luxurious knitwear. Throughout the few last seasons, she introduced us to the most fleecy, cashmere cardigans and sweaters ever. Also, she’s the modern-day queen of beige – in fact, a majority of her looks are kept in different shades of this warm, underrated colour. Yes, that sounds like a strong foundation for a brand to stay in its comfort zone. But Roche won’t rest on her laurels anytime soon.

Spring-summer 2017 was Ryan’s first runway show, and that let her present a visual experience for he guests. Julian MacKay, a soloist with the Mikhailovsky ballet, travelled from St. Petersburg to stage a dancing performance among the designers’ models dressed in knitted skirts and evening wear. The lightness of those knits is comparable to MacKay’s grace. The clothes were so different comparing to the last seasons, and that felt really exciting about Roche’s outing. Margiela-like, leg-of-mutton sleeves came with white blazers; romantic lace appeared in slip-tops and dreamy, maxi dresses. Cashmere scarves and shawls were worn the Marlene Dietrich way – so soigné!  With the help of a new Italian factory, Ryan created her version of a suit – high-waisted trousers cinched at the waist and a semi-cardigan with light knit cables. Seeing Roche on new ground is one of my favourite moments of this New York Fashion Week so far.

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Lets be real. Eckhaus Latta SS17

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Just clothing, in a sense,” Mike Eckhaus and Zoe Latta said backstage after showing Eckhaus Latta’s spring-summer 2017. With an art school background, Eckhaus Latta fashion, or rather style, is well recognisable – it’s all raw, and kept in a über-cool, DIY kind of way. The clothes, designed by the Los Angeles-based duo, are nothing without the attitude of the person wearing them – a non-model, or a friend, or just a person walking down the street. Denim skirts, deconstructed t-shirts, extremely exaggerated stitchings on pants: Eckhaus Latta isn’t into fooling around with themes and, eww, trends. Although the label used to be much more radical when it made the first steps in the industry, the newest collection is a statement – lets be real.

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Lil’Kim Approved. Area SS17

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For spring-summer 2017, Beckett Fogg and Piotrek Panszczyk of Area searched deep for inspiration in their favourite issues of Vogue, coming from the 1960s and 2000s. Both of these major fashion eras are alive in the new season clothing, full of shiny rhinestones and feminine tulle. At Area, there’s often a stark contrast between what’s “good taste” and what’s kitsch – but in the end, the collections always ooze with glamour. Ahh, the I-used-to-be-cool Lucite accessories flecked with suspended glitter. Big, big rings, hoop earrings, and chopsticks for hair (which, by the way, would be a perfect fit for Samantha Jones). And I nearly forgot about those sunglasses! I mean, they revive every single thing, from Spice Girls to Bubble from Absolutely Fabulous. The look-book, photographed by Charlotte Wales, is full of fluorescent, gleaming flares and ruffled tops. One of the dresses, made of a croc-skin imitating fabric, is strangely sexy with all those cuts and bows. Then, suddenly, we’ve got the Dalmatian print all over the pants. Fun. Who else would have slayed Area’s newest creations? My vote is for Lil’ Kim (of course the old, good 2003 version of her)!

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Female Contrast. Hillier Bartley AW16

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Tom Ford might have just started his new retail model – but Hillier Bartley isn’t new in this topic. Entering September, it’s the perfect (and most practical) time to think of refreshing your autumn wardrobe. Katie Hillier and Luella Bartley are here to help, in time, with their see-now, buy-now collection. The British duo has already built a ‘set’ of signatures: banana pants which  do look flattering; top-notch suiting in Savile Row manner; feminine dresses with chic tassell-scarves. Also, Hillier Bartley is recognized for its Anglomania attire: at a first glance, the idea is based on the wardrobe of an English-aristocrat, who belongs to an gentlemen’s club. But then, the elegance blurs with Bowie-esque, out-of-this-world knack. With that said, don’t forget Hillier Bartley is a womenswear label, filled with women’s clothes created by women.

For autumn-winter 2016, the designers went for flea-market cool, which is so timeless and eternally relevant in London. One of the coats virtually looks like a re-cut and re-shaped Persian rug. A satin robe is worn as an evening dress according to the designers, with a pair of moccasins. Icy blue, velvet suit with a black, ribbed turtleneck underneath is a total-look worth investing. The intricately embroidered gown is a cherry on the cake – I’m obsessed with the way the oriental motif contrasts with the entire collection filled with feather elements, leopard spots and romantic, Fleetwood Mac flair. Oh, and the bags line (Hillier’s part) is blooming. From ‘Bunny’ clutches to collar-box bags with lilac tassels, the range is wide and… yummy.

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Down to Earth. Rachel Comey SS17

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Rachel Comey‘s attitude to fashion has its down-to-earth, modest appeal. After having a look at Tom Ford‘s glamorous outing filled with grown-up celebrities, Comey’s outing is like a brunch with your friends – unpretentious and casual. The show was literally taking place on New York’s Crosby Street, just a few steps from Rachel’s flagship store. Chairs were set up on the sidewalk for guests, and the models, varying in age, size and look – walked down their path as naturally as it’s possible. In her press notes, the designer described the clothes as perfect for “farmer’s market,”  or “to pick up the kids” adventure. But those pieces were far, far from boring. The chain skirt styled with a simple, white sweatshirt was outstanding; denim overalls and well-cut pants will sell out right away when they hit the stores. Also, Comey revives her menswear line with rainbow-striped cotton shirts and dad-style coats. Low-budget, but the result is impressive.

P.S. Instead of letting the models faint in the sun, because Kim arrives three hours late, and selling plain-looking trash-clothes to the masses, Kanye West could really take a lesson or two from Comey in “how to keep a fashion brand” subject.

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