Ethereal. Danielle Frankel AW23

The world of Danielle Frankel‘s bridal-wear redefines that whole fashion category, making it feel truly a dream. A wedding dress coming from Frankel’s atelier is a chef’s kiss. Just take a look at her latest offering. The opening look of the New York-based designer’s autumn-winter 2023 collection is a sleeveless dress featuring a silk wool twill bodice with an architectural mock neck, and corset-like details that wrap around the waist to meet a hand-cut lace-decorated linen organza skirt with an exaggerated tulip shape that falls to the ankle. It is light as air, and accessorized with an oversized straw hat decorated with hundreds of tiny flowers. The look is simultaneously evocative of another time while being grounded in the now. “I like to look back a lot more than what’s going on currently,” the designer said. “I was looking at a lot of the New Look; Dior, Balenciaga, and that era where you had these really dramatic silhouettes – but we’re making a contemporary version of that.” She nailed it – it’s rare to see such brilliant takes on the fashion history classics today. Frankel’s designs radiate with refinement, but also with an eternally youthful spirit: many of the looks consisted of mini-dresses worn over ankle-grazing skirts (perhaps to ensure these pieces get to be worn long after their walk down the aisle). A shiny silk wool spaghetti-strap mini dress with Chantilly lace appliqué at the hem and a matching maxi skirt worn with a silk cashmere mock neck sweater, its sleeves scrunched up to make way for dramatic opera-length gloves, recalled that favorite ’90s combo of a baby tee worn underneath a vintage satin slip dress, only more elegant. There was also a bit of the ’90s in a spaghetti strap column dress covered in Chantilly lace and ivory organza strips whose hand-frayed edges gave the impression of a very delicate fur. These looks are bridal because they are white, and delicate, and formal; but they could just as well be part of an everyday-wardrobe if they were made in other colors or fabrics. A boxy matte silk wool men’s tuxedo was another modern addition. Elsewhere, pieces made from genuine baroque pearls embroidered unto transparent sequins were simultaneously opulent and minimalist. So, who’s planning a wedding this year?!

Collage by Edward Kanarecki.
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The Mirror Palais Girl

Mirror Palais is a sultry-slash-sustainable pre-order brand founded in 2019 by Marcelo Gaia. After working for almost a decade as a stylist, Gaia decided to create his own label – with the mission to celebrate the confident women who inspire him. His sumptuous collections feel like a nod to vintage silhouettes – think John Galliano’s 1990s bias-cut silk dreses – updated to fit the needs of the modern woman. The brand made an astounding impression on the industry with its New York Fashion Week show back in September, playing with several themes such as concealment and revelation. Born to immigrant parents from Brazil, Gaia’s years of youth consisted of humble beginnings, and a strict household. Among many brands, Mirror Palais is especially praised for its true celebration of Spanish culture as opposed to the appropriation of it. Gaia designs pieces with inspiration such as the Latino tradition of wearing white for good luck, the Huipil for its ruffles and silhouette, and the use of lace typically seen in a Mantilla. Overall, Mirror Palais is an amazing celebration of the female form and Spanish culture, designing timeless and unique pieces. Every Mirror Palais garment is designed and made in New York with the intention of bringing fair wages and craftsmanship to the forefront of the fashion conversation. So, when you buy Mirror Palais, you’re supporting a modicum of the garment district ecosystem. Here’s the brand’s latest diaphanous bridal collection…

Collage by Edward Kanarecki. Images via Mirror Palais’ website.
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The Look(s) – Vera Wang SS19 Bridal

I really don’t care for bridal-wear. Except for Vera Wang‘s. Vera doesn’t play by anyone’s rules. In the world of wedding dresses, white of course predominates. The New York-based designer, however, indulged in vibrant, sumptuous colours for spring-summer 2019. “I wanted to explore translucency and movement, and obviously color, but in a new way,” she explained back then, “in order to ignore certain ‘bridal’ dictums, like white, beading, acres of lace, and traditional ball skirts.” Drawing inspiration from the canvases of Dutch master Johannes Vermeer, she delivered tulle-heavy romanticism with a touch of edge.

Collage by Edward Kanarecki.

Simbolismo Religioso in Fashion

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Very soon I am going to visit Florence, the magical capital city of beautiful Tuscany! As I am now in a Dolce Vita mood, so a bit inspired with Dolce & Gabbana that may not feel so sweet life for a moment, I thought of the religious symbolism in fashion- not of this season, but from 1960 year when Cristobal Balencaiga designed his bridal dress with nuns head dressing inspired hat to Les Novices where Brigitte Bardot stars as a newcoming female nun that just don’t real know what to do and sins a lot there and there… I thought of Sevillas Santa Semanas holiday and the splendor of Vatican church that I truly love! And if Church women would wear Alexander McQueen Pre-Fall 2013, then it would perfectly match at Brugges nunnery. Although it all sounds very good, Kate Moss at W Magazine showed herself as a satan or a witch with sharp claws and vampire teeth… this editorial is very spooky! Just as Kristen McMenamy at opening and closing the Giles AW13 show, wearing a super scary make-up and anglican inspired gowns. As I am not really a religious person, I hope this post won’t make anybody offended. Well, it’s fashion!

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