HC: Modern Medieval. Dior AW14

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The word that describes Raf Simons at Dior perfectly is future. But this time for Dior, he did it in a bit different way. In a Star Trek like chamber in Musee Rodin, where the whiteness of the orchidees and the marble floors striked the guests eyes, we had a venture through different centuries. Simons was interested, the program notes explained, about the way different time periods informed and influenced fashion. And more than that, he said afterward, he found himself thinking about Christian Dior’s fascination with the Belle Époque and asking himself, “If I had been [working] at that time, what would be my interest, conceptually or technically or architecturally? What would I be excited about?” The show was divided into eight groups, hopping not decades but centuries—for example, from the Marie Antoinette-inspired pannier silhouettes of the opening to astronauts’ jumpsuits, back to embroidered court jackets and forward again to twenties volumes. The floor lenght fur coats worn with over-sized trousers were my favourite. Looking at the collection, yes, indeed, it was beautiful. The embroidered bar jackets from 50’s and sweeping, long-line coats inspired by Edwardian era were all a fantasy. And Raf made all ultra pure and ultra modern, after all. With a tease of past.

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Men’s. Romantic. No.21 SS15

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Alessandro Dell’Acqua of No.21 brought his womenswear classics to men, making the boys for summer romantic and sweet. Lace was worked for slim pants and shirts, tops and short pants in lightweight gingham fabrics were cut in fluid silhouettes and suits came in sorbet colors. These contrasted with the contemporary, skater-inspired feel of printed T-shirts and Neoprene color-blocked sweatshirts embossed with the No. 21 logo. This is the modern Milanese guy.

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Lynn Chadwick

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Lynn Chadwick is an artist that’s mostly famous his for amazing metal sculptures. found international recognition when he became the youngest person ever to win the Venice Biennale’s prized sculptor award. His career spanned over 50 years, but he did not always plan on being an artist. Since I have seen his amazing works from 60-70’s I am seriously obsessed with metal sculptures and installations- one of my favourite is the Lion and the Detector. Recently his works are displayed by Blain Group in London, Berlin and soon in New York as Lynn Chadwick: Retrospectives!

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Paco in 2014

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Paco will be forver in us. All his alien dresses, metal jumpsuits, eccentric dresses that remind us 60’s sci-fi movies and UFO comics. Although, Paco Rabanne was a revolutionary fashion designer, for some time he was only recognised by his Million perfumes and kitsch advertisemnts… but, thanks-giving, he, in form of Julien Dossena, is back. And for good.
The new designer of Paco Rabanne which debuted in 2013, is Julien Dossena, the same one which designs for Atto Paris. And I must say- he really, really does a great job. Maybe it’s because of studying at Nicolas Ghesquiere studio? Or having this Paco blood in veins? What was most striking is how well Dossena handled the obvious Rabanne clichés and made them modern and wearable for AW14.

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Chain mail, Rabanne’s strongest signature, has a tendency to be heavy and ill fitting. Dossena reimagined it as a net of safety pins. Worn over silk underpinnings, the metal tops and dresses had a cool, clingy drape. The house’s iconic tile dresses, meanwhile, can look rather retro, but Dossena ensured that didn’t happen when he re-created them as laser-cut leather harnesses and layered them over crisp cotton button-downs and shirtdresses. Of course, a brand can’t thrive on statement pieces alone. The designer also had sharp, well-made tailoring: classic menswear trousers that hung low from the hips and skinny pants with white plastic zippers and contrast topstitching. Another key item was the super-fitted quilted leather ski jacket. I loved it. Very chic, and very innovative. Having Dossena on the radar.

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Modern Woman. Sportmax AW14

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Sportmax, the emerging Milanese label creates clothes for modern women- they are comfortable, luxury and a bit artsy. Their AW14 collection which slightly reminds me of Reed Krakoff and Celine, is nothing else, than the WHOLE wardrobe of the modern woman. The fur coats, the boots, the dresses and all that python leather fever…. It’s not romantic or rebellious- it’s just what every woman loves to wear! And I fell in love with all that collage pattern… Abstractive?

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