
The two fluffy companions: my dog, Rubi, and Céline‘s cosy shearling slippers. Found the latter at Andreas Murkudis in Berlin. Somebody fell in love with them…

The two fluffy companions: my dog, Rubi, and Céline‘s cosy shearling slippers. Found the latter at Andreas Murkudis in Berlin. Somebody fell in love with them…

Finding those Miu Miu cowboy boots from spring-summer 1999 on the web a few days ago made me think for a while. Those shoes can be worn with the same (or even better today) relevance, whether it’s the 90s or 2017. My other thought was, ‘wait, I’ve seen that shoe shape countless of times this season’s’, starting from Calvin Klein and ending on Louis Vuitton. My last thought, and the most clear-headed one, was simple: they are just ugly. Lets not lie to ourselves, the colour, the wooden heel, the ultimately appalling look of these shoes makes them ugly in every single aspect.
But ugly is fun. And fashion loves fun. So, apparently, fashion loves ugliness. For instance, Miuccia Prada (the designer behind these cowboy stompers above) is the pioneer of ‘ugly’ in fashion, successfully selling nylon backpacks at Prada and pulling the envelope even further each season in questioning the term ‘good taste’. No one can help it – the uglier, the better. But am I frustrated with that fact? The answer is no. I will never forget Phoebe Philo’s massive impact on ugly footwear, after presenting at her Céline spring-summer 2013 runway THOSE sandals with fur. The instant reaction was bad, just read through the self-acclaimed fashionistas’ comments on some of Blogspot’s virtual junk-sites. But, as time has shown, those fluffies weren’t as bad as everybody thought back in 2013. Enter Zara today, and guess what you will find? Every second pair of sandals (and heels) are covered with faux-fur. And no one’s complaining.
If you also have a strange affection for horrendously looking footwear (hope I’m not the only one here), that’s one for you – the season’s nine ugliest shoes, captioned.
We still have to wait a bit for Shayne Oliver‘s debut collection at Helmut Lang. But the brand’s newly revamped website has those boots on-line. They perfectly convey Lang’s unconventional sense for footwear with that shearling fur sticking out. Cringey? Cringey. But cool.

Cowboy boots weren’t the only shoes appearing on Calvin Klein‘s runway. Raf Simons also has in offer these PVC stilettos, in different colours. Plastic and suede, that’s so drastically painful.

Céline site claims that these boots are made in Spain according to traditional shoe-making technique. Sharp in the front, slouchy on the back. That peculiar, square silhouette. One of the seasons stranger things, that’s for sure. But of high quality!
Again, Miu Miu. How many Muppets were killed to make these? Note, they’re vegan.

Francesco Risso‘ debut collection at Marni wasn’t only about really, but really messily edited clothing. The designer wasn’t only slammed by the critics for his ultra-psychedelic take on 60s, 70s, 80s, and God knows what else, but also for his shoes. An edgily curved heel. Patent leather. Fur-trimming. I wrote that ‘the uglier, the better’. Well, here’s an exception.
Miuccia hits this post the third time with her Prada footwear. Fur loafers versus those knee-length monsters. I like the fur story, but the boots with buckles everywhere look lame and nerd, even for Milan.

I love Acne Studios doing ugly shoes every season. So many things are going on here – ribbed knit, rusty suede, some kind of glue-y material and polished leather. Oh dear, what Jonny Johansson is a genius.

Demna Gvasalia spandex boots at Balenciaga are already the brand’s classic, but this season’s version in neon-green is toxic like a tropical frog.

You might easily get lost in these Y / Project boots of gargantuan capacity. Glenn Martens knows no limits, and whatever other say – these shoes are as badass as the collection itself.
Hope nobody suffered while reading this post! It’s fashion, after all.

Shopping for labels, shopping for love
Manolo and Louis Vetements, it’s all I’m thinking of.
Vetements X Manolo Blahnik, seen at The Store in Berlin.
The creative director behind Gucci, Alessandro Michele, revives classics in the most refined, yet eccentric way that’s possible. To celebrate the season’s shoes that are on everybody’s lips, I’m happy to release the photos I took during my May vacations by the Polish sea-side. I thought that Ciekocinko Palace, with its splendour, 100-years old wallpapers originating from San Francisco and a respectable collection of historical books would perfectly match the elegance of Michele’s must-have shoes. The double G hardware, styled in a gold-toned, antique fashion, is set on the famous “jet-set” striped strap of these mid-heel loafers. The devil is the detail – both heels are embellished with pearls and studs, and the back is designed to be worn with the heel folded down or up (a comfortable shoe-trick favoured by Italians). Don’t they look like an irreplaceable detail of the palace’ interior?
Shop them here. #GucciGram.
All photos by me.
Platform boots by Master John, 1973
Autumn-winter 2016 season was all about the height, as the designers had their heads in the clouds, from Demna Gvasalia’s Balenciaga platforms to Maison Margiela‘s stompers. But it was Marc Jacobs, who has stunned everybody with his soft-goth, high-drama collection, and the unbelievably high platforms. Presented in black, pastel purple, velvet pink and white, they already seem to be the cult piece of the season. Marc proved that he is the showman of New York, saying that he was inspired with the exaggerated glamour of drag-queens. But there was something of Winona Ryder’s character in Beetlejuice, and a dark-lolita attitude. Although it was Vivienne Westwood, who made platform boots legit back in the days, Jacobs also makes a sharp cut. Or rather, a STEP.