Men’s – That Guy. Stella McCartney SS17

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 I can’t remind myself the last time I have written anything about Stella McCartney on my blog – her women’s fashion doesn’t appeal to me that much lately – but her first menswear collection is just too good.

Men’s fashion at Stella McCartney? That’s  quite unexpected, honestly. The look-book dropped yesterday, just a few days before first spring-summer 2017 clothes hit the stores. Without any fuss, any special announcements. A great surprise for men, who felt close to Stella’s aesthetic, but didn’t find their sizes on the racks. The clothes aren’t presented on typical models, but on a pack of street-casted guys and cool-creatives, which is totally different to McCartney’s main line, where we’ve got hot names and top models in advertising campaigns. If I had to choose from this collection, I’m sure I would catch every single piece – from those chunky knits to over-sized trench coats. These are contemporary essentials, I guess. Pajama look is so me; lovely knitted sweatpants and slouchy cardigan are on my list since right now. Stella, Stella. I’m hopelessly in love with your vision of men.

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Marine Serre

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Lately, Paris is the place where young talents emerge. The fashion industry has already been awestricken by the league of such designers like Simon Porte Jacquemus, Glenn Martens and Demna Gvasalia. But it’s all about boys… and it’s the high time for ladies – and here we’re with Marine Serre, who kicked off her Paris Fashion Week at The Broken Arm.

Always crowdy, and filled with chic Parisians, this store was founded by Guillaume Steinmetz, Anaïs Lafarge, and Romain Joste. Hidden in off-beat Le Marais district, it’s the place where you will meet all the editors during any fashion event in the city (forget touristic Colette…).  The Broken Arm sells a well-curated selection of clothes from Raf Simons, Balenciaga, Prada or Jacquemus – but instead  of choosing one of them, the owners decided to give the window-display space under Serre’s wings for the entire fashion week.

Marine Serre is a French graduate from La Cambre Mode school in Brussels. After fruitful internships at recognised brands (Maison Margiela, Dior, Balenciaga), Serre decided to go her own path. Radical Call for Love is her second season, and it appears to be her break-through moment. The collection, as the designer says, “projects the combination of 19th century Arabic luxurious garments with corporate sportswear branding aesthetics of the 1990s and 2000 into a futurist oriented fashion.” Radical Call for Love is somewhat a visual comment on “urgency and contemporaneity by the tragic events in Paris and Brussels in 2015 and 2016.” The message the designer convyes is presented in metaphorical way, being slightly exposed by Islamic symbols, interestingly transformed into logo-like branding and faux-Nike headbands.

More here.

Raise The Glass. Maryam Nassir Zadeh SS17

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After a month of fashion, fashion and once again, fashion, the days after the last shows in Paris  feel like the most idyllic moment for the fashion industry. Also, it’s the time to reflect on the season, and review much quieter, yet equally brilliant collections from off-the-radar designers. Maryam Nassir Zadeh‘s spring-summer 2017 was presented at the beginning of warm September in a West Village gallery, and it was rather a downtown brunch with friends (including Ana Kraš, Mari Giudicelli, Oroma Elewa and other MNZ girls) than a fashion show. Zadeh’s women sat at a table piled with fruits and Mediterranean ceramics, and later on started to smash the plates and vases on the floor. No, it wasn’t an art performance; metaphorically, the designer was raising a glass to the success of her brand, her boutique, and creative women, who surround her on daily basis.

The collection is a dream wardrobe for summer. Loosely fit silhouettes and on-the-go styling tricks; sensual, sheer skirts and leather bras; gorgeous denim skirts and lovely beige palette. Maryam is the designer who proudly represents eponymous New York style. It results in the designer’s origins, and maybe the city’s melting-pot culture. Or, it’s just about the idea of making affordable, yet high quality clothes for women in any age. The presentation also celebrated the brand’s debut bag. It’s a hand-woven tote in mint-green. One thing is guaranteed – it will sell fast, in this and any other colour.

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Backstage at Vetements SS17

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Vetements launched its new website a few weeks ago, and a whole bunch of Christmas gifts came earlier than usual. Now, you can look back at the label’s past and current collections through the backstage lenses of Pierre-Ange Carlotti and Matthieu Lemaire-Courapied, and induldge yourself in the anti-fashion mood. I’m OBSESSED with photographs from fashion collective’s spring-summer 2017, which was presented in July during haute-couture week.

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Design & Culture by Ed / July 11, 2016 / “Vetements is known for eerie venues, but Galerie Lafayette might be named as one of the most surreal choices up to date. The runway was located along the aisles of cosmetics, perfumes and discounts, letting other brands’ logos interact with the fashion collectives’ ready-to-wear. But the meaning of “collaboration” reached further than that – it was a collection made entirely with other brands, including Juicy Couture, Brioni, Schott, Levi’s, Comme des Garçons Shirt, Reebok, Canada Goose, Dr. Martens, Alpha Industries, Eastpak, Lucchesse, Mackintosh and even Manolo Blahnik. An extraordinary company equals an explosive effect. Moreover, brands listed above benefitted from this occasion – Juicy Couture’s velour track suits suddenly became ironically “cool” again, while Manolo was willing to go all the way with exaggerating his duchess satin stilettos. “We’ve done thigh-high, so we asked, could you go waist-high this time for us?” Demna said backstage with excitement. Brioni, Italian tailoring brand for men, let Vetements elongate and recut their classical blazers; Eastpak, every travellers’ favourite producer of backpacks, contributed to creation of the first, Vetements clutch.

We thought we’d go straight to the brands who make all these things best, and ask to do something in our way with each one,” Gvasalia said. “The people who work at Vetements don’t really wear designer fashion—a lot of these are the labels they wear all the time.” The collection, in overall, is pure Vetements, even though the denim is by Levi’s and boots are from Texas’ cult Lucchesse. Styling is raw, while all beauty cannons are thrown away to the trash, looking at the unconventional models. If you’re desperate to seek the most couture-ish part of the collection, then it’s Juicy Couture’s velvet eveningwear – sleek, hooded dresses with zircon embellishments are sexy and somewhat… huh, elegant. However, a “home-made” product at Vetements for SS17 is the granny-style floral dress (worn by Lotta Volkova, brand’s friend). ‘Antwerpen’ t-shirts and sweatshirts are back, too.”

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Posh Pool-Side Party. Miu Miu SS17

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It’s not that hard to distinguish a Miu Miu collection. Saccharine pastel colours? Checked. 60’s  prints your grandma wouldn’t mind? Checked. Fur for summer? Of course, CHECKED. In other words, Miuccia Prada‘s spring-summer 2017 collection is a pure definition of Miu Miu girl. Just like at her main-line this season, Miuccia cheers you up with naïve optymism. Imagining a fairy-tale of sun-drenched, Mediterranean vacations, the designer re-invents a wardrobe of pin-up bikinis, embellished swimming caps and beach-perfect retro dresses. The models, spanning from newcomers to runway favourites, wore wedge sandals and patterned (mink) robes. At first glance, most of the girls resembled  Slim Aarons’ posh characters of his dreamy photographs of surreal pool-side parties in the early 70’s. He made his career out of what he called “photographing attractive people doing attractive things in attractive places.” Basically, this is quite similar to Prada’s latest Parisian outing: layers, and layers, of attraction.

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