Anglomania. Gucci Resort’17

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Just a few weeks before Britain’s choice whether to remain in European Union, London has suddenly become the capital of resort 2017 collections. Firstly, Dior showed its mild collection in Blenheim Palace; secondly, Alessandro Michele, the creative director of Gucci, proved that Italian fashion goes in pair with anglomania. Covered with dark-green, needlepoint cushions, the famous Westminster Abbey was transformed into a venue for the most eccentric Michele’s show up to date (note: every show by Gucci gets even more peculiar and twisted…). Gucci girls and Gucci boys went down the Gothic church, all bold and playful, reivisiting cult fashion tribes of London. From Camden Market loving geeks to Rolling Stones fanatics in slim denim trousers and t-shirts (with old-school GUCCI logos – next season’s must-have), Alessandro praised Britain’s biggest style eras in this extremely non-chalant outing.

“To dive in this gothic sea of inspiration!” he began. “The punk, the Victorian, the eccentric—with this inspiration, I can work all my life!” The former, origing from Vivienne Westwood’s rebellious times of SEX boutique and Sex Pistols costumes, was reflected in tartan ball gown and badass, yet classy attitude of the clothes. One of the jackets was a perfect Victoriana sleeve sample, but all in baby-pink astrakhan fur; Thatcher-era Kensington grannies crossed the abbey during the show, wearing printed silk dresses and foulards on their heads; there was even a Spice Girl moment which will be remembered for long in the industry – rainbow striped platform sneakers HAPPENED, spicing it all up. It’s not a surprise that Alessandro thought of Scottish kilts, too – they were worn casually with lady-like, blue pea-coats. Chic, right?

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Looking at this collection, you might be confused with all that opulence of topics, and even doubt whether this is still about so-called “good taste”. But Alessandro Michele, who made the ready-to-wear sales spike in this 95-year-old Italian brand, blurs the term. In fact, these outfits remind me of great, vintage-selling Instagram shops, which are loved for the extraordinary styling. Let me recommend you @the_corner_store – check it out by the way. .

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Back to Gucci. While writing this, I’m listening to Siouxsie & The Banshees “Face to Face”, and I’m authentically feeling the mood conveyed by Michele. It’s rock’n’roll, slightly alternative, very theatrical – breaking the rules and even the system. Of course it’s not as radical as Westwood and McLaren – but it’s a leap away from all this safe minimalism which is trending for the last few years. And if I mention that I’m watching the second episode of 80s favourite comedy show, Absolutely Fabulous, starring Eddy and Patsy, you can imagine the affair I feel with this collection. Glam, over-the-top effect and never-mature clubbing lifestyle. I love it! Although Alessandro is an Italian, who loves embroideries and lace, he’s also an anglomaniac, obsessed with unconventional youth and aristocracy-meets-punk thing England is famous of. “You are part of the culture of Europe!” exclaimed the designer backstage, showing his love for British art, fashion and music side. I’m quite sure that if all the Brits take a peek at this collection, they will be sure about their vote during the referendum coming this month.

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Gucci & Her Shoes

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The creative director behind Gucci, Alessandro Michele, revives classics in the most refined, yet eccentric way that’s possible. To celebrate the season’s shoes that are on everybody’s lips, I’m happy to release the photos I took during my May vacations by the Polish sea-side. I thought that Ciekocinko Palace, with its splendour, 100-years old wallpapers originating from San Francisco and a respectable collection of historical books would perfectly match the elegance of Michele’s must-have shoes. The double G hardware, styled in a gold-toned, antique fashion, is set on the famous “jet-set” striped strap of these mid-heel loafers.  The devil is the detail – both heels are embellished with pearls and studs, and the back is designed to be worn with the heel folded down or up (a comfortable shoe-trick favoured by Italians). Don’t they look like an irreplaceable detail of the palace’ interior?

Shop them here. #GucciGram.

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All photos by me.

I’ve Seen This Face Before. Gucci AW16

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The old new identity implemented by Alessandro Michele for Gucci is well-known to all of us – and within the autumn-winter 2016 season, the designer has his first year as the creative director of the womenswear line behind. The “renaissance” mood Alessandro brings back to fashion, as I wrote here and here, deserves applause and praise. Noting that he has utterly revamped the pretentious sleek Italian empire into a brand, which considers Italian craftsmanship as priority, makes Michele’s warm softness more than a trend. It’s about his personal style, and his adoration to old, Italian paintings, antique rings and 70s / 80s attitude. The AW16 collection, in fact, isn’t a surprise – knowing the designer’s deeply rooted inspirations and eclectic aesthetics, you won’t see a totally different theme, coming out from nowhere, during his tenure. Even if this might lead to the Frida-Gianini-effect – a kind of unexcitement starts to accompany his shows, just like before, when his precedessor designed for Gucci. We’ve seen it all during Alessandro’s year –  the Pompeian print skirts, pussy-bow dresses, GG buckle belts and those alta moda gowns. They delight the eye, indeed. Just like the crystal-embroidered bodices, inspired with 16th century costumes. But it lacks this loud “wow” everybody gasped last February.

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