Routine Absurds. Balenciaga Pre-Fall’17

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Demna Gvasalia had spandex boots on his Balenciaga runway. He did gargantuan, big bazaar bags. The Georgian designer has even proved us that corporate dressing is not just for Angela Merkel and her wardrobe. With his every hit (and they get edgier and edgier with every season), the clothes you would rather burn than call ‘fashion’ become somewhat sudden objects of desire. Pre-fall 2017 collection is the best prove for that, as all of Gvasalia’s biggest moments at the house are refreshed and reminded. And they look fire. Every single piece. Even a scarf tied under the chin (we live in 2017, so it’s a ‘babushka hood’…) in intense fuchsia looks brilliant. A nod to Gvasalia’s Soviet origins? Probably. But feels so contemporary, even if you know it’s NOT.

Daily routine has its trashy, cringey, cheesy, but beautiful absurds. Just some food for brain.

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Collage by Edward Kanarecki; styling by Lotta Volkova; photography by Harley Weir.

Acne Studios in Berlin

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It’s impossible not to love Acne Studios for at least two reasons: it’s edgy, yet wearable clothing, and remarkable store designs across the world. Although the one on Potsdammer Straße in Berlin isn’t the newest addition to Acne family, it’s a place where you want to stay for longer. Like in an art gallery, the wide, metallic tables display Acne’s sculptural wedges and arty sandals. One-of-a-kind chairs, piles of signature, pink shoe-boxes, industrial ceiling lamps: the store reflects the multi-faceted chcarecter of Jonny Johnasson‘s aesthetic. As the current menswear collection features a lot of lovely pastel pink (like the rubber sole of the shoes I’m trying below), one of the sellers wore a pair of pants in a matching colour. “Boys should wear more pink!” he said. Indeed!

Potsdamer Straße 87 / Berlin

Killer. Tom Ford AW17

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Although Tom Ford has resigned from the see-now buy-now business strategy, that doesn’t mean he feels dissapointed – his autumn-winter 2017 look-book is the best prove for that. Atrakhan scrotum bags, metallic square-toe heels, empowering fur coats, sequinned turtlenecks, multi-coloured tights, PVC jackets… those are the clothes to kill and to kill for. ‘Cocktail dress’ sounds pretentiously, but according to Ford it’s a timeless go-to piece for every evening event. Whether in black velvet and with over-sized shoulder-pads or as a kimono hybrid, the designer goes burning hot this season with lenghts and silhouettes.

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Collage by Edward Kanarecki.

Post-Apocalyptic. Dilara Findikoglu AW17

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Wether you’re thinking of a Bulgakovian witch sabbath at the top of the hill or of a medieval painting presenting hell full of sinners, Dilara Findikoglu‘s show-stopping garments certainly are for very bad, bad girls (and above all,  for red-haired femme fatales à la the designer herself). For her autumn-winter 2017 collection, the Turkish designer went for anything that felt rebellious and bizarrely out-of-this-world at the same time. A tattered, worn-out-looking tartan coat held together by safety pins was a clear nod to punk; witchy symbolism and mystic illustrations present in embroideries covered Tudor-esque capes and semi-armors. Although Dilara has a soft spot for historic costumes – and especially their exaggerated silhouettes – she’s not interested in making glossy couture. Findikoglu rather sees her “new world order” clothes on a Marilyn Manson bride and bold characters, who are tempted by her truly unique aura. The models, transformed into fantastical female goddesses with horns and other charming oddities, looked as if they came out of a Hieronymus Bosch canvas. Exceptional.

Collage: Edward Kanarecki for Design & Culture by Ed. Images: Fernando Uceda / Lucie Rox / courtesy of Dilara Findikoglu.