For the past few seasons, Khaite’s Catherine Holstein has been trying far too hard to make a fashion statement. She seems intent on proving her brand is ‘more.’ Yet, just like last season, her latest collection is overcrowded with unnecessary volumes and overworked design gestures. Geometric foldings, unflattering cuts, exaggerated padding, crafty weavings, oversized ruffles, and fur pompons leave her woman looking overdressed – and confused. The polka dots in the finale looks with gathered maxi skirts? Actually fun. They were clearly inspired by Rei Kawakubo’s Comme des Garçons. Perhaps the Khaite client should stop by Dover Street Market New York once in a while.

My biggest issue with this collection lies in all the in-between fillers. Coincidentally, COS presented its collection just a day after Khaite – and the high-street favorite of minimalists worldwide not only outshone Holstein’s so-called ‘less is more’ suits and eveningwear, but also made Calvin Klein Collection and many other New York–based labels look pale and plain by comparison this season.

I’m officially dubbing this phenomenon: ‘KHOS.’

Collage by Edward Kanarecki.
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