Although J.W. Anderson is recognised as an avant-garde designer, this time the spotlight was stolen by the ruffled shoes. In polished gold, silver and black, the feminised cowboy boots looked peculiar, but from the other side desirable. If talking of the clothes – eclecticism rules. Flower prints, denim, leather, flashy colours and arty embroideries created a pretty chaotic cocktail. Also, a great surprise was seeing ultra-naive polka dots on the dresses – these looked much better at Anderson’s rather than at Dolce & Gabbana. Full of contradictions, the collection had a typically unsettling thing about it – maybe because it was so eccentric in its wearability? Or maybe because it wasn’t planned to be wearable? Jonathan Anderson will never stop making me confused about his fashion.





