I went to Brugge (you might also know it as Bruges), the capital of West Flanders in Belgium, last week. The city is world-known for its canals, cobbled streets, townhouses and medieval buildings – shortly speaking, majority of this magical city is under protection of UNESCO. Well, no wonder why. But this time, this city felt even more enchanting than usual.
Now I’m honest. I had no idea that the Triennale Brugge 2018 is on – this was meant to be a few day trip to the town I’ve been visiting for years. But the occurring event transformed this city into a breathing artwork. The Brugge Trienniale invited international artists and architects to think about this question: how flexible, liquid and resilient can a historic city like Bruges be in an age when nothing seems to be certain any longer? Many of them sought inspiration for their work in the role of liquidity in the city that is literally criss-crossed and surrounded by water. The waterways that once earned Brugge its international renown, become a metaphor for Liquid City. Fifteen works of art, installations and meeting places have been put up in the city centre. You can walk into them and experience them. And while seeking them, discover the less touristic, off-beat tracks of Brugge. My favourites? The inflated installation by Spanish studio Selgascano, which is a literal ‘meeting place’ on water, and Jarosław Kozakiewicz‘s ‘Brug’ bridge. The ‘Skyscraper’ by StudioKCA, which is a massive whale sculpture made of 5 tons of plastic pulled out of the ocean, makes you think as well.
Triennale Brugge 2018 lasts until September 16.