Drama is the thing this season, that’s sure. After Marc Jacobs (the heavy Diana Vreeland boheme), Thomas Tait (elusive horror mood) and Thom Browne (a 19th century hospital vs. mafioso funeral), Giles Deacon shows us that a fashion show is not only a stiff presentation of clothes – it’s a performance. It’s a stage for actors – models – showing emotions through their walk and clothes. And in this statement, I would like to highlight Giles drama the most. The show was just extraordinary – Edie Campbell wore a latex Victorian blazer; Stella Lucia had a pink ribbon tied around her chiffon turtleneck – dress; Anna Cleveland, the star of this show, simply danced in a twirling organza gown. All girls had black lips and something ultra-vivid about them – maybe it’s Katie Grand’s styling? Or the old-fashioned beauty of British fashion shows? I can’t explain. But I am truly seduced by Giles for fall.