Sober Classics. Khaite SS21

While it seems that most of the designers in New York take the escapist route this season, Khaite‘s Cate Holstein chooses to embrace sober classics. “What does it mean to feel simultaneously paralyzed and galvanized?” reads a line in Khaite’s press release. “Growth is never easy,”  Holstein told Vogue on a Zoom call. “We’re going through one of our collective nightmares as a society. They’ve made horror movies about this. It’s mind-blowing, but it also gives me a renewed strength. Living through it has been so challenging, but on the other side, it’s so invigorating and inspiring.” Her collections had taken on a darker, moodier tone before the pandemic; she was craving a uniform of jeans, leather jackets, and combat boots. No frills, no fuss. She said she was thinking about the New York she inhabited as a college grad in the early 2000s, when the city had an “element of menace” that has since faded. “But now, there’s a bit of that industrial feeling again,” she said. It’s a survivalist one too. New Yorkers are in the streets (there’s nowhere else to go), linking arms (metaphorically, that is) and getting through this together. How do you dress for that? “I think women are going to want to look strong.” Holstein worked with director Hanna Tveite to distill that feeling of New York into a look-book and film. They also created 100 “presentation boxes” to send editors and buyers, packed with blown-up look books, fabric swatches, and an augmented reality experience that beams Khaite’s shoes into your living room. Holstein was surprised to report that shoes were among her top sellers this summer, despite the fact that most of us hardly left home. Also surprising: Women bought Khaite evening dresses, and Holstein could hardly keep her leather moto jackets in stock. The former speaks to the “fantasy shoppers” dreaming of future events; the latter illustrates a growing interest in timeless, keep-forever investment pieces. Holstein’s word for them: “cherished.” When we can’t predict tomorrow’s headlines, there’s a comfort in buying something you can see yourself wearing and loving 10 or 20 years from now.

Collage by Edward Kanarecki.

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